Photography Archive

  1. Phlist

    It’s about time we featured photographer Peter Hapak on our site; his portraits have sure graced the pages of many a prestigious publication. His portfolio is the photographic equivalent of a box of Quality Street; not only packed with famous faces, but also cracking clients like TIME, The New York Times Magazine and The Times. In case you were wondering, he doesn’t exclusively work for publications with “time” in the title – he shot an Emmy portfolio for Variety earlier this year. Born in Hungary and no less than a fourth generation photographer, Peter has a timeless (sorry, couldn’t resist) style, finding something in these familiar faces which hasn’t quite been captured before. Thankfully, unlike a tin of everyone’s favourite Christmas chocolates, the treats in Peter’s portfolio seem to last forever. Feast your eyes, my friends.

  2. Dbglist

    We’ve posted before about how David Brandon Geeting creates striking images of seemingly ordinary objects and revitalises the age old still life. With these shiny new photographs, he bumps the beauty up to another level of aesthetic glee. Hyper-colourful, vibrant and sharp, these images are meticulously crafted compilations of – well – stuff. But looked at through David’s lens this stuff is seen in all its glory; never has a pepper looked so brilliantly, crunchily, juicily red, or a rubber glove so squeakily, summery yellow. This is a man who clearly delights in design – if I was a banana, I’d want David to take my picture.

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    I’m not sure how well Only Fools And Horses translates as a cultural reference point to our international readers; there’s something quintessentially British about the sitcom featuring a get-rich-quick ducker and diver in his (pre-trendy) Peckham flat. But young London-based photographer Nadia Lee Cohen took Del Boy’s now-iconic home – with its charming hodge-podge of faux sophisticated stylings – and used it as the backdrop for this slightly unsettling shoot. Nadia’s work has a very pronounced slick, shiny and colour-saturated aesthetic that fits this slightly odd narrative perfectly – this mysterious femme fatale seems at one moment confidently at home in Del Boy’s surroundings, at others slightly bewildered. It’s weird, and I love it.

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    Shot at his house in Brooklyn, New York, David Armstrong’s series 615 Jefferson Avenue creates an aura of mysticism around the young male models. Some are muscular, some are boyish, but they all seem strangely ethereal. They exist in a world apart from the everyday; free from work, from worries, from the washing-up. Armstrong’s apartment is a wonderland of sorts, filled with masks, gilded mirrors and flower wreaths. His “muse,” Boyd Holbrook, even has pixie pink hair (although I suspect this particular Peter Pan left Neverland quite some time ago). For you, dear reader, we’ve picked a selection of portraits which are free from bed sheet, ruff and top hat.

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    Where is the limit of what the camera can capture? Can the paranormal be pictured? So asks Alexander Gehring’s series Messages from the Darkroom, exploring photography’s ability to portray paranormal phenomena.

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    With over 600,000 snap happy visitors a year, you can imagine that Elvis Presley’s infamous Graceland mansion is pretty well documented. But it takes someone truly special to photograph something famous and still make it seem brand new, which is why we’re glad that Hedi Slimane – lover of rock and roll, and young, good-looking, rebellious men – took a trip to Elvis’ Memphis home late last year and brought his camera along.

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    Stripped of snow, Ettore Moni’s alpine landscapes are scarred by access roads, crisscrossing electricity wires and ski lift cables. The raw beauty of his scenes is interrupted by ugly concrete buildings, plastic fencing and piles of pipes. If Maria and the von Trapps came skipping over these mountains, the sound of music would hit a rather discordant note.

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    This time last year Sam Bradley had just moved up to London to concentrate on his fashion photography – which we have to say, he was pretty damn good at. This year he’s still busy working away on fashion editorials, including a lovely shoot for the latest Wonderland, but he’s been getting outside a lot more, shooting mountaineers, skateboarders and racing drivers in a style so crisp you feel almost able to reach out and touch the scenes he’s captured. I’ll admit a certain bias towards photographers working in nature – I go mad for a mountain view – but Sam’s managed to make even tedious, high-budget motorsports look exciting and unusual, for which he deserves an enormous amount of praise.

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    When Rapha launched their brand ten years ago they did it with an exhibition on cycling history and a book that documented some of the greatest stars and stories of competitive road racing. The book showed candid shots of legendary riders like Fausto Coppi hanging out in his pyjamas and Bernard Hinault in a grump on the train, exposing these famous gents out of the saddle, carrying on like normal human beings. To celbrate their tenth anniversary Rapha have re-printed and re-released the book (no long out of print) upping the print and finish quality in the process. The results, we think you’ll agree, look pretty spectacular!

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    Whether catching a glimpse of a funeral ceremony over a black-clad shoulder or seeing young boys play football in dappled sunlight, Noah Rabinowitz’s beautiful images truly make you feel like you’re observing something intimate, something special.

  11. Pino

    Dino Ignani spent the early 1980s in many a “discoteche o video-bar" capturing the “dark” wave. From hanging out in cafés and bars with artists in Rome, he began to follow these newcomers with big barnets and kohl a-plenty to music events and club nights. He would create an ad-hoc set, and invite everyone there to have their portrait taken. The result is an enormous gallery of 400 images, mostly black and white, wonderfully random and totally intriguing. Who are these people?

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    For an image maker whose craft relies on capturing light to take all of his photographs by moonlight might seem a little impertinent, but Alejandro Chaskielberg doesn’t seem to care about following any preconceived ideas. The Buenos Aires-born photographer has fully replaced lighting equipment with the natural environment by taking images by the light of the full moon. His technique comes as a breath of fresh air to those familiar with photographic projects which aim to muster sympathy for subjects living in underprivileged areas; this is something else else entirely.

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    Belgian photographer Wouter Van de Voorde started out as a painter in his homeland before discovering that photography offered him more of the creative freedom and opportunity for introspection than his original medium. Since taking up photography he’s exiled himself to Autralia where he uses his outsider status as a driver for creative expression, exploring the quirks and nuances of Australian culture and landscape in the hope of creating a sense of belonging through his work.

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    I’m sure there are plenty of documentary photographers for whom going to Brazil to capture the World Cup would be something of a dream, but as far as I’m concerned none of them even come close to the exceptional Jane Stockdale. After having her application to photograph the crowds watching the Commonwealth Games in Glasgow turned down three times, she decided to take matters into her own hands, and jumped on a plane to Brazil to shoot audiences there instead.

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    Colombian-born, Spanish-based photographer Manuel Vazquez was an economics student before he decided to make his living from image-making. A quick transfer to Spain, some courses at New York’s School of Visual Arts and a Masters in Photography and Urban Cultures at Golsmiths later and he’s quite the photographic talent. The economy’s loss is photography’s gain. Now he shoots regularly for the likes of The Guardian, The Times, The Sunday Times and The British Journal of Photography predominantly taking slick portraits.

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    You don’t get much better than an award-winning National Geographic photographer, unless of course it’s one that spends most of his time underwater snapping away at enormous whales. Parts of this series make me want to cry, others make me want to jump for joy at the wonders of nature, but mostly they make me want to shit my pants with terror. Imagine being underwater, where man is not supposed to dwell, and being in the company of a prehistoric beast with a mouth as big as a 4×4, imagine how scared you’d be. One flip of its tail could probably shatter your legs. Anyway, the point here really is that one-time Photographer of the Year Brian Skerry is not only excellent at being brave in the presence of beasts, he’s also a superb photographer with composition skills and a knack of capturing wildlife with a flair that evokes raw emotion in you. Don’’t forget to check out his sharks series. If you dare.

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    Thomas Rousset and Raphaël Verona’s Waska Tatay is fairly ambiguous at first glance. The cover is a simple yellow-to-blue fade with the title placed inconspicuously on the spine; but the content is altogether more arresting. Using a mixture of reportage and staged portraiture the photo book documents the pair’s trip to the Altiplano region of Bolivia and their encounters with witch doctors, spiritual healers and medicine men; uncovering the rites and rituals of these ancient orders and illuminating some of their extraordinary mythologies.

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    Every year thousands of gloomy-looking characters descend on Whitby, a British seaside town that’s steeped in folklore and literary heritage. Bram Stoker set parts of Dracula there, Robin Jarvis created a mysterious series of children’s books on its streets and a ruined abbey stands at the top of one of its cliffs, maintaining a physical, eerie presence on moonlit nights – and those goths just can’t get enough.They host an annual goth weekend which this year photographer Annie Collinge decided to document, stopping the black-clad revellers on the streets and in graveyards to pose for her potraits. The resulting images offer a fantastic snapshot of one of the most longstanding genres of alternative culture, though I say that with bias, as I used to be one. “Listen to them, the children of the night. What music they make!”

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    I hope everyone got involved in a mosh pit at some stage during their adolescence, it’s a rite of passage as important as – if not moreso than – your first kiss. Fun and life-changing as it is, cool it is not, and so this strange, sweaty, somewhat folkloric activity tends not to be photographed in favour of adult versions of something similar at grown-up festivals and the like. Good on Emily Stein, then, for having the balls to just dive in with those sweating teenagers and take photos of them at their wildest and most passionate. Some photos are close-up enough that you can even see their faint beginnings of wispy facial hair. Wonderful stuff.

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    There are fashion photographers, and then there are fashion photographers who have pioneered the very definition of the genre, branching out and experimenting where others wouldn’t even dare to tread and doing so 20 odd years before their time. Hans Feurer is such a one. Born in Switzerland in 1939, he worked as a graphic designer, illustrator and art director before deciding to take up photography during a trip to Africa.

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    Harley Weir’s strikingly organic compositions seem to be made out of the same colour and textures as an Egon Schiele painting. Her photographs are mysterious and unguarded, and there is something very personal and pure about the way that she captures her subjects.

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    In Matt Sweeney’s bio he refers to himself as “mudstone” with regards to the rock’s porous, disruptive nature. His photographs, predominantly street photography taken in downtown Hollywood, are shot through a wide angle lens on cinematic Kodachrome film between 1979 and 1983 and have the voyeuristic quality and timing of Diane Arbus mixed with the curiosity of Vivian Maier. His other projects, such as this series about a man who’s kind to cats are equally as arresting, and take us on a journey into hot, dusty, unpredictable and somewhat chaotic America – a visual feast perfect for a boring Monday morning.

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    In my opinion there are no photographers who walk the tightrope between the mediocre and the exceptional so expertly as Dutch photographers Anuschka Blommers & Niels Schumm. A previous project for Baron magazine saw them charge everyday images from lightbulbs and IKEA lamps to book spines and sheets of paper with such eroticism that it was hard to look without blushing. Their most recent project for that same title, Baron, which Nowness aptly describes as lying “at the intersection of art and pornography,” follows in the same vein.

  24. Listt

    Your garbage says so much about you. Going through a week’s worth of a person’s trash, you can learn what they like to eat, what they wear, the things that they want to keep hidden, their secrets, their desires. We don’t think about what our garbage says about us, and when we throw it away, we forget about it entirely. We live in a society that produces such a monstrously entropic overload of garbage, and it is easy to distance ourselves from the big idea of global pollution.

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    Deep in the heart of Alaska is a 200 resident strong town called Whittier, accessible only via a 2.6 mile long tunnel which runs through the neighbouring mountain, and which closes at nighttime. This leaves Whittier incredibly isolated overnight, even more so due to the fact that almost all of the town’s inhabitants live on top of one another in a 14 storey condominium.

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    Akasha Rabut’s compositions are incredibly cheerful, especially in this series, where she captures the fun and magic of dance related after school activities. Edna Karr, named after the high school in New Orleans where the photographs were taken, contains a lot of fun and frolicking, and you can almost hear the rhythmic music radiating from the joyous snaps.

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    Mike is one half of artistic power duo Larry Sultan and Mike Mandel, a pair who from the 1970s through to the 1990s used the camera to create curious, innovative documentary-style series that doubled up as intriguing works of art. Many of their projects are some of the most selfless, fascinating research-based works ever made. The other day in the office we all found ourselves immersed in Mike’s Flickr page, upon which he has placed his specific series of photographs.

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    Arguably the most distressing thing about growing up is that sudden realisation you reach one day that all the trappings of your childhood have disappeared – all the people you knew have aged, the places you went have disappeared and it’s impossible to ever go back. Bleak! But although this is a feeling we all feel at some point, very few get the chance to walk into their past and document it again.

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    Klaus Pichler’s Middle Class Utopia focuses on allotment gardens in Vienna, a.k.a “Schrebergärten”: little green spaces made up of loads of little sheds, which look like a Lynchian suburb where you can imagine awkward moments like the chicken dinner in Eraserhead taking place. There are 26,000 of these tiny allotments in Vienna, and they’re mostly visited by older people as a form of escapism from the city. Apparently there are quite strict rules in the Screbergärtens about how things should look and how you have to behave, which maybe contributes to the eerie mood and specific atmosphere of the place, which Klaus magically captures with his camera.

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    Hidden away in the thick Russian forest, surrounded by barbed wire, and until very recently completely un-findable on Google Maps, Star City sounds like the mystical final destination of a science fiction epic, or like the sister city of Oz. In reality the closed off and highly secretive community is home to the Yuri Gagarin Russian State Science Research Cosmonaut Training Centre, the training centre for all Soviet and post-Soviet Cosmonauts since the late 1950’s. Yuri Gagarin lived and trained there, and his wife and children still reside in the historical and strangely ghostly city.

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    We LOVE Neil Krug. We forgot his name for a minute and were like “Who’s that guy who photographs all those babes in the desert and makes them look like they have Instagram filters over them but they don’t?” Anyway, it’s Neil Krug, and he’s a spectacular and unique photographer who, like many spectacularly unique photographers, gets to travel around the world photographing beautiful people in outrageously exotic locations for a living. His latest series is of the sad-eyed lady of the Lowlands herself Miss Lana Del Rey and is perfect for her suburban, melancholic siren’s sound. Like what you see? There’s bags more over on his Flickr page and site.

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    Polish-born photographer Kuba Ryniewicz spends his days in Newcastle but can more often be found travelling the globe in pursuit of stunning scenery. His destinations to date have included Myanmar, Thailand, Dubai, Cambodia, Iceland, South Africa, and numerous other places in between. In each he’s captured extraordinary moments in both rural and urban landscapes, interacting with the local people and wandering off the tourist trail. Kuba’s images possess a snapshot spontenaiety that suggest a real intimacy with his subject, whether its close friends reclining on a hillside or a monk showing off his skateboard tattoos.

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    When Yoshinori Mizutani first moved to Tokyo and saw huge hordes of lime green parrots jetting through the city’s sky, he says that he was scared and felt like he’d fallen into a scene from Hitchcock’s The Birds. Getting over the initial shock, Yoshinori began to photograph the surreal spectacle, and he discovered that the birds were originally brought from the tropics to Japan as pets in the 1970s.

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    The largely secular nature of the western world means it’s rare to find yourself up close and personal with a religious procession. But in Sicily the Processione die Miteri di Trapani is an annual occurrence, and no more unusual then Notting Hill Carnival is to a Londoner. The procession takes place during Holy Week before Easter and details the stories of the Passion – traditionally acted out by members of local guilds – up until the resurrection.

  35. Lst

    To outsiders the art industry tends to come across as a fairly shielded place, where dealers and customers are shrouded in tales of mystery and all deals seem to go on behind closed doors. As Andy Freeberg argues in the statement to his project Art Fare however, this isn’t really the case.

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    Sometimes it can be weird when you see people doing things differently, like watching your friend cut a sandwich into rectangles instead of triangles. But creatively speaking I feel it should always be embraced with open arms, which is why Verena Michelitsch’s project Reflections created with Tobias van Schneider instantly intrigued me.

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    Nomadic photographer Jessica Barthel has had a fairly illustrious career to date. Having studied Fine Art Photography at Parsons in New York she’s floated between India, Berlin, Buenos Aires and LA shooting stories for the likes of Harpers Bazaar, Dazed and Confused and Glamour as well as producing heaps of personal work along the way. Not content with her photography degree, she also studied graphic design in Berlin, which has almost inevitably influenced her crisp, angular fashion shoots. On her travels however Jessica takes loose, hazy photographs that crackle with the energy of exotic locations and serve as tantalising, abstract snapshots of what seems like one big adventure – an adventure we’d all like to be on.

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    Andy Warhol once said that “My idea of a good picture is one that’s in focus and of a famous person.” The legendary Australian photographer Rennie Ellis’s Famous and Infamous series is both in focus AND features famous faces, but the series is more than just a collection of good pictures: it’s a collection of great ones.

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    Jason Nocito was a teenage rebel who failed all his classes at school. Fast forward X-amount of years later he’s a bonafide photographer who is probably near the top of most amateur photographers’ inspiration lists. His photos are pure, unadulterated fun mixed in with a healthy dose of appreciation for the world’s bottomless beauty. Whether he’s pointing his lens at some sexy lips (I think those are Azealia Banks’ lips) or some gangly, freckled teenager, every shot Jason produces has got a raw weirdness and silliness to it that I just think are the most attractive traits ever when it comes to the medium. There’s a really good interview with him over here on HUH that tells you all about his road trip with Tim Barber, the time he met his wife, and his dick. After you’ve read that just go and browse his back-catalogue – it’ll probably be the best thing you do today.

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    We first posted about Rosa Rendl’s photography last year and with the shining report we gave back then it seems appropriate to revisit her work now that she’s holding her first solo exhibition, entitled HOW ALIVE ARE YOU, in Vienna. The exhibition “deals with notions of loneliness and the creeping feeling of emptiness disguised by online hyper-socialism and consumerism.” It’s a complex amalgamation of concepts, but one that’s dealt with neatly by Rosa’s photographs. A richly coloured, angular wooden background features a mobile phone, a packet of cigarettes and an advertising campaign for Jaguar cars in three different images, aligning the notion of consumerism with a sharp, polished finish and the sensuous colour palettes that seem to run throughout her portfolio.