Gherkins, like politics and skinny jeans, tend to split opinion. Depending on which side of the delicious/disgusting divide you inhabit will determine your reaction to Cranchion by Joseph Gallix which is part of renowned Lausanne art/design school ECAL’s Milan showcase. Combining “the plebeian product and the vanity represented by the skull” Joseph has produced something undeiniably eye-catching.
Elsewhere Too Cool for School boasts ECAL’s most eclectic Milan line-up to date. Brynjar Sigurarson has created a series of objects from the hunting cabin of a fictional forest-dwelling character, Olga Cafiero’s bizarre horse picture is inspired by cabinets of curiosities, Namsa Leuba’s photos look at "the construction and deconstruction of the body, ideas of ceremony and ritual and the relationship between the sacred and the profane” and, more specifically, “Guinean cosmology” while Cyrille Verdon’s moldable rubber vases are pretty and playful.
One to look out for if your Italy-bound next week.
- Roberta Sant’Anna takes her camera inside a weird and wonderful Brazilian water park
- “Work hard and be nice to people”: what we learned at Nicer Tuesdays March
- “Dance exists when we run out of things to say”: choreographer Holly Blakey on her life and practice
- From admirer to employee: The New York Times Magazine designer Ben Grandgenett
- Amina Bouajila’s illustrations flit between reality and limbo in colourful hues
- Rufus Newell uses curves and scribbles to depict Greek gods and heroes
- Petition launched against winner of Foam Paul Huf photography award for “stereotyping and sexism”
- Exclusive: rediscover graphics from Fiorucci’s archival 1984 Panini collaboration
- Kirsten Lepore’s creepy clay character is oddly soothing in this brilliant animation
- Me & EU project will send creative postcards across Europe on trigger date of Article 50
- Phaidon book gathers together 500 of the most iconic graphic designs of all time
- Atelier Brenda: the alter ego of three female designers you need to get to know