Gherkins, like politics and skinny jeans, tend to split opinion. Depending on which side of the delicious/disgusting divide you inhabit will determine your reaction to Cranchion by Joseph Gallix which is part of renowned Lausanne art/design school ECAL’s Milan showcase. Combining “the plebeian product and the vanity represented by the skull” Joseph has produced something undeiniably eye-catching.
Elsewhere Too Cool for School boasts ECAL’s most eclectic Milan line-up to date. Brynjar Sigurarson has created a series of objects from the hunting cabin of a fictional forest-dwelling character, Olga Cafiero’s bizarre horse picture is inspired by cabinets of curiosities, Namsa Leuba’s photos look at "the construction and deconstruction of the body, ideas of ceremony and ritual and the relationship between the sacred and the profane” and, more specifically, “Guinean cosmology” while Cyrille Verdon’s moldable rubber vases are pretty and playful.
One to look out for if your Italy-bound next week.
- Anna Haas’ structured yet anarchic approach to graphic design
- “Made for designers, not 3D experts”: Adobe Stock demystifies 3D renders
- Tanawat Sakdawisarak’s crisp illustrations reference pop music and video games
- Photographer Jay Wolke remembers gambling spots in the US during the 80s and 90s
- Chaz Bundick talks us through the new digitally personable Company website
- Animator Frances Haszard’s gender neutral breakup story
- Polaroid’s creative director Danny Pemberton introduces new brand Polaroid Originals
- Artist Dominique Pétrin on creating her very own domestic product
- Universal Everything animate emotive wallpapers for new iPhone devices
- Herburg Weiland’s meticulous editorial designs are typographically-driven
- The Visual History of Type author Paul McNeil selects and dissects his six favourite faces
- Breakdown Press’ Joe Kessler picks out his most-treasured books