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A sculpture of a human skull constructed from green gherkins. The eyes are made from slices of raw onion, and the teeth are represented by corn kernels.

This gruesome gherkin skull is part of ECAL's Milan showcase

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Date
13 April 2012

Gherkins, like politics and skinny jeans, tend to split opinion. Depending on which side of the delicious/disgusting divide you inhabit will determine your reaction to Cranchion by Joseph Gallix which is part of renowned Lausanne art/design school ECAL’s Milan showcase. Combining “the plebeian product and the vanity represented by the skull” Joseph has produced something undeiniably eye-catching.

Elsewhere Too Cool for School boasts ECAL’s most eclectic Milan line-up to date. Brynjar Sigurarson has created a series of objects from the hunting cabin of a fictional forest-dwelling character, Olga Cafiero’s bizarre horse picture is inspired by cabinets of curiosities, Namsa Leuba’s photos look at "the construction and deconstruction of the body, ideas of ceremony and ritual and the relationship between the sacred and the profane” and, more specifically, “Guinean cosmology” while Cyrille Verdon’s moldable rubber vases are pretty and playful.

One to look out for if your Italy-bound next week.

A profile of a white horse with its mouth open, showing its teeth. It wears a thin white bridle and is set against a plain, pale blue background.
Above

Olga Cafiero: Curioso

A person stands in a desert landscape, wearing a full-body green and white striped suit with a hood. They hold three long, thin sticks that lean against the orange sandy ground.
Above

Namsa Leuba: Ya Kala Ben

Three bright pink, rounded vases sit against a plain white background. One holds a single orange flower, while a hand reaches in to touch another.
Above

Cyrille Verdon: Mollis

A sculpture of a thick, rough tree trunk topped with a polished brown metal slab. The metal is folded into a sharp, geometric shape that overhangs the organic texture of the bark.
Above

Brynjar Sigurarson: Like Animals

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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