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The front and back covers of a brochure feature large, distorted typography in red and green. The text on the right reads “2016 청각공간 페스티벌” and “SENSIBLE REALITY”.

Seoul studio Everyday Practice talks about its collaborative approach to design

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Date
28 April 2017

Seoul-based graphic design studio Everyday Practice was founded by Kwon Joonho, Kim Kyung-chul and Kim Eojin, and aims to address “the role of design and how design acts in reality” through its projects. “When we first started our studio, a particular graphic style similar to Dutch and Swiss design was in vogue in Korea, but we have tried to set up our own style,” says the studio. “Each member of Everyday Practice has different design methods and we try to mix and modify them to create a new design practice.”

The studio enjoys working with non-profit organisations and cultural institutes creating identities, posters and exhibition catalogues. One recent project is X: Korean Art in the Ninties, a book created for a large-scale exhibition with many artists involved. “As a result we had to accept many opinions from various people including the artists, curator and gallery. For instance we originally proposed a poster designed with 3D animated type, but the client wanted to show the 90s in a more direct way,” explains the studio.

Other projects include a multicoloured, intricately weaved poster for Seoul’s International Handmade Fair, a black and white poster and pamphlet for a show at the city’s Museum of Art, and a richly-coloured exhibition catalogue that sensitively uses typography to work with the imagery in the book.

When working on new projects, the studio has a very democratic approach to briefs. “We have a casual talk and instead of approaching it in too much of an academic way, we try to listen to the individual’s thoughts on the subject,” says Everyday Practice. “We try to avoid sticking to a certain look and research new typefaces, colours and layouts of each new project.”

As well as delivering work for various Seoul-based clients, Everyday Practice has been working hard to establish itself in the flurry of small studios that have started to appear in the city in recent years, by working on personal projects. “We think design is a way of movement. We think our role as designers is to create effective visual languages to convey both the client and our voice in order to make a meaningful change in the industry.”

A stack of three white books with a bold graphic cover. The design features orange and green abstract shapes and the text “2016 창작공간 페스티벌 SENSIBLE REALITY”.
Above

Everyday Practice: Sensible Reality

An open book shows a floor plan of a building on the left page and a corresponding directory of names on the right. The layout is minimal, with a simple line drawing of the space and columns of text in Korean and English.
Above

Everyday Practice: Sensible Reality

An open book features a bold, experimental layout with large, overlapping letters in pink and green. The word “EXHIBITION” is split across the pages, with the letters distorted by fine linear patterns. Small text in the top left reads “SENSIBLE REALITY” followed by Korean characters.
Above

Everyday Practice: Sensible Reality

An open book shows a spread featuring the work of Noh Suntag. The left page contains two black and white photographs of people and military equipment, with the name “Noh Suntag” at the top. The right page is black with the title “Invisible People” written vertically in bold white type.
Above

Everyday Practice: City and the People

An open book showing two pages of minimalist architectural floor plans. The diagrams feature thin black lines, geometric shapes and labels in Korean and English, including “Invisible People” and “Convenience store Human”.
Above

Everyday Practice: City and the People

A white book cover features bold, black typography reading “City and the people” oriented vertically. The text is set against a background of light grey, abstract geometric patterns.
Above

Everyday Practice: City and the People

A branding suite for the “Seoul Int’l Handmade Fair”, featuring a bold logo in red, blue, green and brown. The set includes a poster, a business card and a letterhead, all using a clean white background.
Above

Everyday Practice: Seoul’s International Handmade Fair 2017

A typographic poster featuring the words “WEAVING SOLVING” split across four lines in large, colourful letters. The characters are rendered as textured fabric weaves in shades of blue, red, orange, pink and green. Vertical text on the right reads “Seoul Int’l Handmade Fair 2017” alongside Korean script and event details.
Above

Everyday Practice: Seoul’s International Handmade Fair 2017

Two book covers side by side. The left cover features a black and white photograph with a large white “X” and the title “Korean Art in the Nineties”. The right cover is black with a similar title and a large “X” composed of colourful 3D objects.
Above

Everyday Practice: X:Korean Art in the Nineties

An open book showing a layout with Korean text. The left page features a large heading that reads “X에서 X로: 1990년대 한국 미술과의 접촉” and a vertical name, “여경환”, set against a beige organic shape.
Above

Everyday Practice: X:Korean Art in the Nineties

An open book shows a black and white photograph of a collapsed building next to a standing tower. The opposite page features the title “KOREAN ART IN THE NINETIES” and corresponding Korean text.
Above

Everyday Practice: X:Korean Art in the Nineties

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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