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Four people in white trousers and tops stand in a line, each holding a goat on a lead. They are being observed by a group of judges seated behind a long table.

Kevin O’Meara captures the characters of the Minnesota State Fair

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Date
21 March 2017

Kevin O’Meara’s project Second Best depicts the Minnesota State Fair for the 12 days it’s open. “I was just going to make something and break out of a rut. Even if nothing came of it, I just gave myself permission to make bad photos,” explains Kevin.

The Minneapolis-based photographer had been to the fair three or four times before shooting it. “It appealed to me because it’s a strange place, with strange people, and strange events always happening; it’s a nightmare of a place if you have any sort of anxiety or mild nervousness for that matter,” says Kevin.

Rather than go out with a list of things he wanted to capture, Kevin let the fair dictate what he photographed. “I found myself intrigued by the animals and the happenings around them. A lot of times when I go to shoot, it’s a visceral reaction. I’ll see something and move towards it and shoot it,” he says.

Kevin shot the series in black and white, having been shooting that way up until that point. “My grandfather was a press photographer and printed all his own work so that was important for me to do as well,” he explains. “Shooting in black and white makes it easier for me to think and respond to what’s going on. Our world is not monochromatic. It creates a separation from reality. When I shoot black and white, it’s great because there is no claim to have any honesty in the photograph, these are suggestions that lend themselves to reality.”

A group of people perform a choreographed dance in front of a building labelled “Crossroad Chapel”. They are dressed in light-coloured summer clothes and move across a patch of dark soil.

Throughout the series we see kids fighting, goat shows, classic fair games and portraits of people drinking and soaking in the atmosphere. With so many aspects of the fair depicted, Kevin creates a vivid picture of the fair and all its characters.

“The state of Minnesota thinks that Minnesota is the best. There is a strange sentimentality and possessiveness that comes with the collective consciousness of the state. It is a quiet superiority that exists in urban settings and rural communities,” says Kevin. “It’s in this light that I title the work Second Best, because the Minnesota State Fair is not the largest state fair, we’re the second largest. Despite being ranked, we’re not the best at everything. Sometimes you are where you are.”

The series has just been published as a book and by placing the images together, Kevin hopes to create a new dialogue between the photographs. “I felt sequencing was an important part of carrying an experience for the viewer. These are images that can be used for editorial, but when I put them in sequence and present them as a cohesive artefact, the intention is made,” he explains. “When you go through the book cover to cover, you’re seeing it in the way that I want you to experience it. We take a walk together. It’s not a random set of images.”

A person in a long white gown and veil stands beside a horse dressed in a matching gown and veil. They are posed in front of a banner that reads “Minnesota State Fair” between two 4-H clover logos.
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Kevin O’Meara: Second Best

A leather horse saddle rests on a wooden stand, draped over a patterned blanket. A white oval tag hanging from the side reads “321”.
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Kevin O’Meara: Second Best

A black and white photo of a person standing beside a black and white spotted cow. The person holds the cow’s halter, while other people walk in the background near a building marked “Information”.
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Kevin O’Meara: Second Best

A person lies asleep on a mat and pillow under the shade of a tree. In the background, a grey tent and white marquees stand on a grassy field.
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Kevin O’Meara: Second Best

Two people sit at a carnival game, gripping handles to test their strength. They wear matching sports jerseys and lean forward in concentration.
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Kevin O’Meara: Second Best

A black and white photo of a pig standing inside a metal pen. The pig looks towards the camera with its mouth open, showing its teeth.
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Kevin O’Meara: Second Best

A person leans on a white railing, looking at the camera with their tongue poking out. They wear a T-shirt with the word “SUBLIME” printed across the chest and hold a plastic cup. In the background, a crowd of people gathers near a building with a sign that reads “MILK STAND”.
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Kevin O’Meara: Second Best

Two people nap in folding chairs in a car park, leaning back with their eyes closed. They are positioned between several parked cars on a patch of dry grass.
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Kevin O’Meara: Second Best

Four people in white trousers and tops stand in a line, each holding a goat on a lead. They are being observed by a group of judges seated behind a long table.
Above

Kevin O’Meara: Second Best

A person in a checked shirt and shorts sits on a perforated metal bench, looking down at a piece of paper. Beside them, another person lies asleep on the bench, their head resting on the backrest.
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Kevin O’Meara: Second Best

A black and white photo of an empty chairlift gondola suspended against a cloudy sky. The white seat is marked with the number “99” and sits beneath a curved metal canopy.
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Kevin O’Meara: Second Best

Three people stand side by side against a corrugated metal wall. They wear T-shirts, jeans and boots, with the person on the right wearing a tank top that reads “KISS MY COUNTRY ASS”.
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Kevin O’Meara: Second Best

A grid of 20 black and white portrait photographs of older people. The photos are arranged in four rows of five, each framed in a simple border.
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Kevin O’Meara: Second Best

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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