Generally I’ve always been a girly girl. I went through the tomboy phase of fluorescent Kappa popper joggers, but who didn’t really? One of my favourite places as a child was the aisle in Toys R Us where all the dolls, Barbies, Sindys, My Little Ponies and anything else ‘for girls’ sat there gleaming in all that glossy pink and purple packaging. It used to make me so happy, which is perhaps why I find myself smiling at the work of Spanish graphic designer Marta Cerda Alimbau, whose work is an array of well-executed, lovely looking design with a palette of proud lavenders and punchy magentas with sprinklings of pastels and green hues that can’t help but transport me back to that aisle.
Her work is of course more than just pretty though and having been featured back in 2009, Marta has been busy producing huge amounts of work since. All of which have such an accomplished and slick air about them it’s an impressive portfolio to look through. It’s fun, bright, sophisticated and definitely makes me forget about the horrible rain this morning.
- Living for the weekend, it's Best of the Web!
- The photographer archiving South Africa’s black lesbian community
- Kirsten Lepore’s creepy clay character is oddly soothing in this brilliant animation
- Friday Mixtape: Grammy award-winning Tinariwen curates a genre-crossing mix
- Designer Kara Zichittella talks about her typographically-led projects
- “Where’s my community?”: Skin Deep and POC on the need for diversity in the film industry
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label