Generally I’ve always been a girly girl. I went through the tomboy phase of fluorescent Kappa popper joggers, but who didn’t really? One of my favourite places as a child was the aisle in Toys R Us where all the dolls, Barbies, Sindys, My Little Ponies and anything else ‘for girls’ sat there gleaming in all that glossy pink and purple packaging. It used to make me so happy, which is perhaps why I find myself smiling at the work of Spanish graphic designer Marta Cerda Alimbau, whose work is an array of well-executed, lovely looking design with a palette of proud lavenders and punchy magentas with sprinklings of pastels and green hues that can’t help but transport me back to that aisle.
Her work is of course more than just pretty though and having been featured back in 2009, Marta has been busy producing huge amounts of work since. All of which have such an accomplished and slick air about them it’s an impressive portfolio to look through. It’s fun, bright, sophisticated and definitely makes me forget about the horrible rain this morning.
- M/M (Paris) and the ongoing conversations that define its practice
- Mari Kanstad Johnson's wonderful work picks apart complex narratives
- Bradley Pinkerton’s projects combine handmade gestures with scanned-in textures
- Roberts Rurans uses acrylic paint to add depth and warmth to his illustrations
- The prodigal return of “iconoclastic” artist Danny Fox
- Jump into the world of Ben Jones’ post-internet, psychedelic paintings
- Polaroid’s creative director Danny Pemberton introduces new brand Polaroid Originals
- Artist Dominique Pétrin on creating her very own domestic product
- Universal Everything animate emotive wallpapers for new iPhone devices
- Herburg Weiland’s meticulous editorial designs are typographically-driven
- The Visual History of Type author Paul McNeil selects and dissects his six favourite faces
- Breakdown Press’ Joe Kessler picks out his most-treasured books