First impressions, as all our mums told us, should not be trusted but as we grow up we learn they are completely unavoidable. So the design team at The New York Times magazine doesn’t take it lightly when they decide to create a new contents page for their special editions, but they are convinced it’s an important and worthwhile exercise.
In an interesting post on the magazine’s 6th Floor Blog, the magazine’s art director Gail Bichler writes: “Designers constantly face the risk of readers reacting negatively in knee-jerk fashion to design decisions. (Reactions to text, which takes more time to digest, tend to be more considered.) But it’s a risk that’s important to take. As one of the first things a reader sees in the magazine, the T.O.C. is a chance to signify that each article is part of a larger package. A T.O.C. redesign is also a way to push one step further the visual vocabulary we’ve created for the features.”
It’s interesting to see some of the different iterations of the TOC and cheering to find out that these kind of risks are still taken.
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- Donald Sanger illustrates a grotesque and humorous version of humanity
- Photographer Joshua Osborne takes a closer look at Havana’s male subcultures
- Friday Mixtape: Ghostpoet’s “drum worship mix” for all your percussive needs
- Yann Kebbi’s chaotic pencil drawings depict various forms of catastrophe
- BBC’s new typeface BBC Reith is designed to improve legibility on screen
- Life through the lens of enchanting photographer Vicki King
- The New York Times Magazine’s new cover is actually a painting
- Illustrator Ram Han’s Alice in Wonderland dreamscape
- Ikea uses ASMR technology in 25-minute, tingle inducing advert
- Designs of the Year 2017 shortlist includes Wolfgang Tillmans’ Remain campaign, the Refugee flag and Me & EU