• Top

    Bianca Tuckwell: Land

Photography

The Graduates 2013: Bianca Tuckwell takes us on a journey through natural forms

Posted by Maisie Skidmore,

IT’S HERE! After an exceptional run of freshly-graduated talent, our impressive spree of competition winners has come to a natural end. Don’t fret, though – we still have our very last winner to offer up to your eyeballs before the curtain falls.

We’ve already succumbed to the charms of Farnham graduate Bianca Tuckwell once before so we were pleasantly surprised to see her work pop up in our Graduates 2013 inbox. Her fascination with organic structures – from British birds nests in The Growth that is Our Own Cradle to Land, a beautiful study of a farm in New South Wales, Australia – aligns actual nature with human nature in a way which avoids both the sentimentality of straight-up portraiture and the impersonality of barren landscape photography.

For somebody so young to already have settled upon this magical equation is unusual to see, and Bianca executes the careful balance beautifully. Her third project, Ryder, is equally interesting, as it sees the structure of a bicycle visually dismantled into a representative series of lines, shapes and details which are then grouped together and isolated on a frame – calling up ideas of altered contexts in a really neat design. Enough from me though, here’s our final Graduate 2013 winner! Meet Bianca Tuckwell…

  • Land-1

    Bianca Tuckwell: Land

  • Land-2

    Bianca Tuckwell: Land

  • Land-3

    Bianca Tuckwell: Land

Why or who or what made you go to art school?

I am Australian and travelling to different European countries to discover unique design, architecture and visual culture was hugely inspiring for me. I would go so far to say that my life is guided by the visual shapes around me, whether organic or manmade. In particular London, Copenhagen and Tokyo were all cities that have played a large part in leading me to studying photography.

What’s the best mistake you made when you were studying?

The piece of work The Growth That Is Our Own Cradle was seeded from (but not dependant on) organic form and construction of the natural world around us. Initially, I was incredibly eager to collect soil samples from different parts of the country and document the difference in aesthetic.  I started with collecting some local soil and making a monument out the material by placing it on a plinth like you might see a in a museum or gallery. After posting the studio test shoot images I had done online and tagging the image with ‘still life, horseman, plinth, large format’ I found many of my peers commented on the test shoot with curiosity about why I had shot horse manure on a plinth.  The culmination of seeing the name of the large format camera I had used (called a Horseman) alongside seeing a mound of what could be animal excrement and misinterpretation of my choice of tagging terms, stopped me in my tracks and redirected me toward the study of a different organic object. It played significant part in the direction my overall project.

If you could show you your work to one person, who would you choose and what would you show them?

Definitely my late father who passed during my second year of Uni. I had always imagined that he would be able to read my dissertation, see my final major and witness my graduating. My most recent work paid respect to him but also resonated with some of the things he loved most; nature and the English countryside. I think he would have like the robin’s nest the most.

Can you give us one prediction about your work for the next year?

I am continually struck by organic form so I plan to continue studying and documenting nests. This time, however, the nests will be of a different variety.

What’s the best thing you saw in the last three years?

Definitely the YouTube clip Beach Boys Shred I Get Around

  • Ryder-1

    Bianca Tuckwell: Ryder

  • Ryder-2

    Bianca Tuckwell: Ryder

  • Ryder-3

    Bianca Tuckwell: Ryder

  • Missle-thrush

    Bianca Tuckwell: The Growth that is Our Own Cradle

  • Robin

    Bianca Tuckwell: The Growth that is Our Own Cradle

  • Blue-tit

    Bianca Tuckwell: The Growth that is Our Own Cradle

Represent

We are very pleased that The It’s Nice That Graduates 2013 is once again being supported by Represent Recruitment who are themselves celebrating being ten years old this summer. The graphic design recruitment specialists have developed a peerless reputation working with designers of all levels and matching them up with the right positions in some of the top agencies around. Represent’s support has helped us grow the Graduates scheme over recent years and we are thrilled they have partnered with us again in 2013.
www.represent.uk.com

Ms-300

Posted by Maisie Skidmore

Assistant Editor Maisie joined It’s Nice That fresh out of university in the summer of 2013 and has stayed with us ever since. She has a particular interest in art, fashion and photography and is a regular on our Studio Audience podcast.

Most Recent: Photography View Archive

  1. Hero-drivers-in-the-80s--chris-dorley-brown-its-nice-that-fat-woman-blue

    It’s a strange thing to see the more banal aspects of life from the year you were born: the traffic jams, the boredom, the waiting about on buses. We only usually look back on the beautiful, newsworthy, interesting things of the 1980s – the Debbie Harrys and Cyndi Laupers and miners’ strikes and famines – all of which are fascinating and need to be remembered, but looking at the everyday aspects of life is equally interesting in a different way. That’s why Chris Dorley-Brown’s photographic series Drivers in the 1980s is so alluring: it does just what you’d expect, presenting people through the windows of their car doors (and the odd bus) in and around east London in the mid ’80s. As a person born in ’86 and now living in east London, there’s a very personal fascination for me when looking at the images, imagining what my mum would have looked like all permed and large-spectacled and cursing roadworks. There’s something so charming in this elevation of ennui to art, with all the normality of the scenarios and the feeling of nostalgia for a time I can’t really remember.

  2. Matthnry-thetrip-itsnicethat-list

    In the autumn issue of our Printed Pages magazine I wrote an essay about Americana and its enduring influence on British creatives. One of the people I interviewed was photographer Matt Henry, whose work has often focussed on retro symbols of 1960s and 70s America and the power with which we imbue them. His latest work takes that addiction (forged on TV shows like The A-Team and The Dukes of Hazzard) and uses it to create something of an altogether more ambitious magnitude.

  3. Amylombard-kidz-bop-itsnicethat-list

    The last time we featured Amy Lombard on It’s Nice That, it was her photographs of pet animals preened and packaged for an animal show in the USA that we were babbling over. This time around it’s the Brooklyn-based documentary photographer’s new series about the Kidz Bop phenomenon sweeping the US that we’re gushing over, and if it seems like a sizeable gap between the two subjects, then it’s an appropriate reflection of the breadth of her work.

  4. Tine-bek-barok-itsnicethat-list-10susan_on_bed

    Glasgow-based, Denmark-born photographer Tine Bek has taken the idea of the Baroque and spun it out to explore some pretty big concepts: nature, domesticity and the representation of the female body to name but a few. His series Barok is formed of numerous individual images which when isolated don’t seem to have to much to do with Baroque and all its drama and grandiosity; but together they form a strange narrative and take on a whole new feel. “Baroque is the main inspiration, not just as a period within architecture or art, but more so as an expression of a certain philosophy,” explains Tine. “The overall themes [are]… the balance between illusion and reality, light and dark and time and space.

  5. Coverwarren-du-preez-_-nick-thornton-jones-creative-review-annual-itsnicethat.list

    The cover of this year’s Creative Review annual has been unveiled, and it’s a depiction of a supermodel unlike any other – transforming Daria Werbowy into an eerie, ethereal, coral-like form. The cover was shot by Warren Du Preez and Nick Thornton Jones, who created the image with the help of floral sculptures by flower artist Rebecca Louise Law, prop-makers FBFX and VFX studio Analog. As with previous years’ covers, the picture forms a somewhat abstract “A.” Former designers, who also created an “A”-based image for the cover, include Morag Myerscough and Minivegas.

  6. Stevewinter-lalion-itsnicethat-list

    Patience can be a virtue in photography, as Steve Winter knows. It took the American wildlife photographer 15 months to get the shot he craved; a mountain lion that lives in a Los Angeles park walking in front of the Hollywood sign. When he did finally manage it, he admits he was a little disappointed by the lighting, but that’s how perfectionists are and perfectionism can be tricky when working with subjects as unpredictable as big cats.

  7. Itsnice-that-hero-punchdrunk-and-julian-abrams-publish-new-book-of-photography-of-the-drowned-man4-photo-by-julian-abrams

    As Hollywood stars and wounded lovers flew around me, I found myself strolling around a sandy expanse, playing on a rickety old piano, sipping from a hidden whisky bottle and finally being pushed against a wall as someone whispered “you’re wonderful” into my ear. It’s safe to say a night at a Punchdrunk production is as disorientating as it is thrilling. The theatre company’s The Drowned Man, which ran for a year from 2013, was utterly exhilarating, breathtakingly complex and stunningly beautiful. I’m not entirely sure what happened, but lordy it was impressive. However, the visceral, immersive nature of the whole thing makes it damn hard to convey in two dimensions; though this new photo book of images shot by Julian Abrams comes pretty close. From a steamy tryst to a poignant pair of red shoes, the drama, the emotion and the sense that you can never truly piece together the full story of the production are communicated brilliantly. If it could whisper affirmations into our ears, it’d be just about spot on.

  8. Simon-hogsberg-the-grocery-store-project-itsnicethat-list

    One supermarket, one man, thousands of faces and 2067 images make up Danish photographer Simon Hoegsberg’s The Grocery Store Project. Simon tells us that over a year and a half, he patiently stationed himself atop a bike rail in front of the same Copenhagen supermarket, snapping away as people walked in and out; all the while kissing, pondering, smoking, chatting on the phone or doing any number of things we do without really thinking about it. From the whopping total of 97,000 an edit of 2067 were selected and arranged in a grid. While it may just look like a sort of dingy Tetris or an unhelpful map, on closer inspection you notice that within each sequence, we see the same face – sometimes serene, sometimes flustered, sometimes downright miserable. It feels eerie in its demonstration that while time ticks and our lives fly by, we do the same things, we’re the same person, just popping to the shops.

  9. Karenelson-timwalker-itsnicethat-list

    As It’s Nice That’s resident fashion expert (ahem) I know a strong editorial shoot when I see one, and this one for Vogue’s May edition is as good as they get. In it you’ll see Karen Elson wearing all manner of clothing by various clothes-makers – all of which look stunning. But stuff the outfits, this is all about the locations and the luxurious referencing of south Asian iconography. Tim, Samantha Bryant and Duffy travelled all the way to Bhutan to shoot Karen in the Himalayas alongside a supporting cast of masked imps and Bhutanese locals, weaving a surreal narrative of pagan mysticism and evoking an atmosphere akin to the hippie trail.

  10. Severa-frahm--itsnicethat_lemonde_airport_list

    Apart from the frisking, of course, there’s very little that’s sexy or attractive about going through airport security. There’s certainly little that’s sartorial about padding around in your socks, or in men holding their trousers up as their belts sail through the X-ray machines. Somehow, though, Severa Frahm has managed to turn the situation into one that’s very much sexy, attractive and sartorial, taking it as the starting point for some great fashion editorial shots. The Amsterdam-based studio is comprised of photographer and art director Mirka Laura Severa, while Michael Frahm assists and is responsible for the post-production elements. The airport shots are so smart and serene, making even the big Alsatian dog seem effortlessly chic as he dips his snout into the scanner and over some very expensive luggage. Elsewhere in the Severa Frahm portfolio there’s some great still life work that pops with bright tones and brighter concepts, as well as the old pretty girl in car on sunny day chestnut.

  11. List

    This isn’t our usual type of post; there’s nothing fun, colourful or inherently “nice” about these images, but Jonny Seymour’s shots of an Easter tradition in the Philippines are truly astounding, so apologies if they make your stomach turn. Jonny travelled to Manilla to witness this brutal Good Friday tradition in which three men are nailed to crosses in a reenactment of the crucifixion. Other penances carried out on the day include self-flagellation, crawling on the rough ground and carrying giant crosses. Jonny has captured these events with care and sensitivity, and though the impact of these painful pictures is hard to deny there’s nothing gratuitous about his portrayal of this devout practice.

  12. Zoeghertner-itsnicethat-5

    I’d like to live in the world Zoe Ghertner creates with her camera. Sometimes I feel like I can almost hear her photos, rustling fabric over knees and the brush of neck hair against a collar, the sound that statues would make if they were quickly, secretly rearranging themselves into a more comfortable position without being seen. They’re fashion editorial photos, but with a sinister depth to them that is so often done in a ham-fisted way, but with Zoe is delivered as crisp as cut glass. The net draped over oranges like skin over joints, the spiked industrial hair curlers, and the uneasy pressure, suspense and delicacy of taut balloon animals. She’s fantastic.

  13. Maya-fuhr-itsnicethat-list

    Maya Fuhr is a photographer with an inexplicable ability to photograph young faces without losing any of the youthful disdain, muted excitement or quiet rebellion that play an integral part in being young. Which more or less makes her a natural fit for a fashion brand to shoot their campaign, don’t you reckon? John & Jenn has cottoned on, commissioning Maya to shoot their new collection of simple and structural pieces, and she did a lovely job of it; the resulting images are textural and tactile while maintaining the models’ quiet air of not-giving-a-shit. Somebody give the girl a billboard.