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    Bryony nicked the camera, so this week I teamed up with Jamie McIntrye (our intern) and our scanner to supply images

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    Der Grief (best cover)

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    Der Grief

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    Der Grief

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    Der Grief

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    Stuff by Hattie Stewart

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    Stuff by Hattie Stewart (including Thunderbirds stamp)

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    Stuff by Hattie Stewart

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    Go Into Town & Get Some Milk

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    Go Into Town & Get Some Milk

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    Go Into Town & Get Some Milk

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    Plausible Possible

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    Plausible Possible

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    Plausible Possible

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    Sci-Fi Lovers

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    Sci-Fi Lovers

Graphic Design

Things

Posted by Alex Moshakis,

Bryony is currently manning our Pick Me Up stall, so I’ve been tasked with bringing you the weekly dose of Things (which includes super cool stuff, pretty much as always)…

Der Grief Simon Karlstetter, Leon Kirchlechner and Felix von Scheffer

The latest issue of Der Grief officially features one of the best magazine cover images of 2011. Thankfully, the rest of the magazine – which contains more photography as well as poetry and stories – is as good (and sometimes as equally amusing) as the cover in which its bound. Also, there’s an incredibly weird but kind of cool editorial letter in the magazine’s first few pages, highlighting the importance of laughter. I’d like to second that – laughter is important. I’d also like to stress how important it is to generally avoid speeding objects, and to share food sometimes.
www.dergreif-online.de

Stuff by Hattie Stewart Hattie Stewart

We sometimes receive bumper packs through the post. The packs don’t contain one thing, but instead house many, many different things. This week’s comes courtesy of Hattie Stewart, who sent in two zines, a sticker, and a super nice business card (all varying in size). As stand-alone objects they each work – they’re all as individually important as the next – but collectively they shout out load, grab hold of your attention and very nearly don’t let go. Also, she used a Thunderbirds stamp (see picture). Cool!!!
www.hattiestewart.blogspot.com

Go Into Town & Get Some Milk Caitlin Duennebir, Rabitt Books

Published by Rabbitt Books, Go Into Town & Get Some Milk is a small and wonderfully concise collection of images by photographer Caitlin Duennebir. A highlight is the book’s front page, which instead of a photograph features a poem that is perhaps intended to shed light on the series or else is meant as a weirdly abstract but nevertheless highly intriguing introduction to the book. The poem reads:

I’m sitting on the
back porch watching
people run up and
down the hill.
They should run because
at night that is where
all the skeletons go
to dance.
www.caitlinduennebier.co.uk
www.rabbitt.eu

Plausible Possible Alexandre Elmir, Gregoire Alix-Tabeling, Yoan Ollivier

According to their website, Plausible Possible (consisting of Alexandre Elmir, Gregoire Alix-Tabeling, Yoan Ollivier) is a “design agency that supports the development of private or public initiatives.” This featured piece of newsprint is their manifesto (of sorts) – an introduction to their philosophy and an articulate comment on what design really means.
www.plausiblepossible.com

Sci-Fi Lovers James Jessiman

London-based printmaker and illustrator James Jessiman sent us a print titled Sci-Fi Lovers or Sci-Fi Lovers 2011. It’s totally weird (it features a surreal act of marriage proposal in a psychedelic, fluorescent flower-covered room), but more importantly is completely representative of the craft and ability evident throughout all of Jessiman’s work.
www.jamesjessiman.com

Portrait8

Posted by Alex Moshakis

Alex originally joined It’s Nice That as a designer but moved into editorial and oversaw the It’s Nice That magazine from Issue Six (July 2011) to Issue Eight (March 2012) before moving on that summer.

Most Recent: Art View Archive

  1. London-is-changing-intlist

    Public art project London is Changing makes Londoners uncomfortably aware of the truths we’re perhaps trying to ignore: that our city is morphing beyond recognition, that creativity is at risk, and that for many people, it’s simply becoming unaffordable.

  2. Bensanders-potdealer-3-int_copy

    While keeping himself busy with postmodern Howard Hodgkin-esque painting and collage work, Ben Sanders is somehow finding the time to paint funny faces on ceramics. Cutting through the “worthy lifestyle” pottery trend with googly eyes, zigzag nostrils and creepy grins, Ben has stamped his sense of humour and aesthetic all over these thriving succulents’ homes.

  3. Olafur-eliasson_little-sun-int-1

    A “giddy joy” was described as the feeling evoked by the artwork of Olafur Eliasson when we interviewed him for last year’s Autumn edition of Printed Pages, and with his monumental, often participatory pieces, it’s not hard to see why. From his incredible 2003 Weather Project at Tate Modern to its portable, socially-conscious, tiny counterpart Little Sun(which “produces clean, affordable, and portable solar-powered lamps to areas of the world without reliable access to electricity”), his work is a glorious, utterly original ray of light shining on the sometimes impenetrable art world.

  4. Christian-marclay-vinyl-factory-int-1

    In another brilliant feat of creative engineering that bridges the gap between music, art and design, a project at the White Cube gallery in London’s Bermondsey sees musicians including Sonic Youth frontman Thurston Moore perform a composition for Christian Marclay, which is recorded and pressed on site by The Vinyl Factory Press. The press is housed in a shipping container, and the artwork for the record – also created on site – is designed by Christian and printed by Coriander Press, in a series that feels like cottage industry, DIY ideas brought into a slick, art-world setting.

  5. Lynda-benglis-int11

    “Think of bayous…crawfish…sea creatures…metal…tieing shoelaces…not knowing what to do sometimes and just doing it.” This is Lynda Benglis’ bizarre monologue, with which she ends the introduction to her new show.

  6. Brechtvandenbroucke-the-fame-main-int

    Brecht, after five years of admiring your work I can happily say that I can spell your name without looking. And I can tell you that even though I’ve spent years admiring the skill of your painting, I can finally say that I think I actually get it. Over time, Brecht’s erratic artworks have become increasingly crowded with characters, pop culture references, logos, and his trademark long-limbed creatures.

  7. Antoinecorbineau-6-int

    It’s my personal opinion that some of the most exciting creative work starts life as a side project to distract from commercial jobs. Such is definitely the case for Antoine Corbineau, a French illustrator and designer who has worked on a plethora of projects for commercial clients, drawing up large-scale, intricate scenes of characters interacting in an enormous, often map-like style. Potentially even more alluring, however, is Antoine’s painting work. It’s distinctly less bright, almost realist in its approach, depicting familiar domestic scenes and landscapes interspersed with small but resonant human activity. His attention to minute detail – the foliage of a plant, a picture frame, the icons on a computer screen – and his accuracy in creating scenes that you could swear you’d seen before makes this body of work oddly enchanting.

  8. Sethbogart-ceramics-home

    Seth Bogart is quite the Renaissance man. The frontman of San Francisco-based band Hunx & His Punx is also an artist, producing paintings, drawings and ceramics; a video director; a photographer and a fashion designer. He has collaborated with Yves Saint Laurent and has his own store, Wacky Wacko, for which he also designs installations. Seriously, this guy.

  9. Ellakru-painting-7home-int

    Latvia-born Ella Kruglyanskaya now lives and works in New York, depicting cartoon-like friends and “frienemies” out-and-about in large-scale oil paintings and murals. Ella’s work is packed with bawdy humour, exaggerated forms, exuberant mark-making and interactions. She describes her intention as “pictorial events… [that] aspire to an unspoken punch line” – the content, references and line-work all filtered through comedy.

  10. Anniedescarteaux-collage-7home-int

    Annie Descôteaux’s work is confident, engaging and straight-forwardly slapstick. The Montreal-based artist works with installation, drawing and collage and has seen her work exhibited and discussed at conferences on colour theory. In equally impressive outings, it’s also appeared in Bloomberg and Pica magazines, among other publications. Annie’s collage work is well-balanced with clean lines, sharp colours and discreet humour; each piece littered with raw steak, fried eggs and shuttlecocks.

  11. Oliviervrancken-untitled-1-inthome

    Olivier Vrancken is a graphic designer and artist based in Holland. Painting and drawing his way through commissions and personal work, he is inspired by everything from primitive art to the great lyricists that are Black Sabbath. Olivier has exhibited all over Europe, his Cubist aesthetic and visual references laden with nods to cut-outs, still life, architecture and the human form. There’s a great colour palette to his work and some nice titles like Bad Hair Day and Wanderlust. Olivier’s work reminds me of the prints that appeared all over the T-shirts of the 1980s, in a good way.

  12. Menutnutnut-drawing-4-int

    Me nut nut nut was one of Jason Murphy’s daughter’s first utterances, and is now the name for his drawings of awkward stories of fear and incompetence. Inspired by the physical comedy of The Young Ones and The Ren & Stimpy Show, Jason’s drawings rely on comic intuition and references to real-life moments, like dropping a potato on his cat.

  13. Seamus_murhpy_pj-harvey_-recording-in-progress_-2015.-an-artangel-commission.-_1_int

    While we wait to take our turn to become a sort of strangely sanctioned voyeur as PJ Harvey records her ninth album, thinking about what’s ahead feels peculiar. Essentially, we’re going to see PJ (Polly Jean) Harvey, her band, producers Flood and John Parish, a photographer and two engineers making an album in a Something & Son-designed box, formed of glass that allows visitors to see in, while the musicians can’t see out.