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    Bryony nicked the camera, so this week I teamed up with Jamie McIntrye (our intern) and our scanner to supply images

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    Der Grief (best cover)

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    Der Grief

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    Der Grief

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    Der Grief

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    Stuff by Hattie Stewart

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    Stuff by Hattie Stewart (including Thunderbirds stamp)

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    Stuff by Hattie Stewart

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    Go Into Town & Get Some Milk

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    Go Into Town & Get Some Milk

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    Go Into Town & Get Some Milk

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    Plausible Possible

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    Plausible Possible

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    Plausible Possible

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    Sci-Fi Lovers

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    Sci-Fi Lovers

Graphic Design

Things

Posted by Alex Moshakis,

Bryony is currently manning our Pick Me Up stall, so I’ve been tasked with bringing you the weekly dose of Things (which includes super cool stuff, pretty much as always)…

Der Grief Simon Karlstetter, Leon Kirchlechner and Felix von Scheffer

The latest issue of Der Grief officially features one of the best magazine cover images of 2011. Thankfully, the rest of the magazine – which contains more photography as well as poetry and stories – is as good (and sometimes as equally amusing) as the cover in which its bound. Also, there’s an incredibly weird but kind of cool editorial letter in the magazine’s first few pages, highlighting the importance of laughter. I’d like to second that – laughter is important. I’d also like to stress how important it is to generally avoid speeding objects, and to share food sometimes.
www.dergreif-online.de

Stuff by Hattie Stewart Hattie Stewart

We sometimes receive bumper packs through the post. The packs don’t contain one thing, but instead house many, many different things. This week’s comes courtesy of Hattie Stewart, who sent in two zines, a sticker, and a super nice business card (all varying in size). As stand-alone objects they each work – they’re all as individually important as the next – but collectively they shout out load, grab hold of your attention and very nearly don’t let go. Also, she used a Thunderbirds stamp (see picture). Cool!!!
www.hattiestewart.blogspot.com

Go Into Town & Get Some Milk Caitlin Duennebir, Rabitt Books

Published by Rabbitt Books, Go Into Town & Get Some Milk is a small and wonderfully concise collection of images by photographer Caitlin Duennebir. A highlight is the book’s front page, which instead of a photograph features a poem that is perhaps intended to shed light on the series or else is meant as a weirdly abstract but nevertheless highly intriguing introduction to the book. The poem reads:

I’m sitting on the
back porch watching
people run up and
down the hill.
They should run because
at night that is where
all the skeletons go
to dance.
www.caitlinduennebier.co.uk
www.rabbitt.eu

Plausible Possible Alexandre Elmir, Gregoire Alix-Tabeling, Yoan Ollivier

According to their website, Plausible Possible (consisting of Alexandre Elmir, Gregoire Alix-Tabeling, Yoan Ollivier) is a “design agency that supports the development of private or public initiatives.” This featured piece of newsprint is their manifesto (of sorts) – an introduction to their philosophy and an articulate comment on what design really means.
www.plausiblepossible.com

Sci-Fi Lovers James Jessiman

London-based printmaker and illustrator James Jessiman sent us a print titled Sci-Fi Lovers or Sci-Fi Lovers 2011. It’s totally weird (it features a surreal act of marriage proposal in a psychedelic, fluorescent flower-covered room), but more importantly is completely representative of the craft and ability evident throughout all of Jessiman’s work.
www.jamesjessiman.com

Portrait8

Posted by Alex Moshakis

Alex originally joined It’s Nice That as a designer but moved into editorial and oversaw the It’s Nice That magazine from Issue Six (July 2011) to Issue Eight (March 2012) before moving on that summer.

Most Recent: Art View Archive

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    Swedish creative Henrik Franklin is a designer, illustrator and animator with two of the world’s leading design schools (Konstfack in Sweden and Rhode Island School of Design) sparkling on his CV. Invited to showcase his considerable talents in Anna Lidberg’s Gallery 1:10 – “the miniature gallery for contemporary art” – Henrik produced a table of tiny tomes and the attention-to-detail on each cover design is really impressive.

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    Victoria Siddall has worked at Frieze for just over a decade and two years ago was made Director of Frieze Masters. Excitingly, just a few weeks ago she was appointed Director of Frieze Masters, Frieze New York and Frieze London. As well as being one of the most powerful women in the art world, Victoria is also my sister, so I was curious to find out how she’s feeling on the dawn of her new career.

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    The Turbine Hall at the Tate Modern has an incredible presence when it’s void of installations, which is what’s so wonderful about the huge enclosed space. As much as I admire the vast emptiness though, it’s even more exciting when a piece of work is placed in the hall and interrupts the vacuum. Opening today, American sculptor Richard Tuttle is the latest commissioned artist to show his work in the space and his 24ft sculpture certainly makes an impact.

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    I came across the work of Matthias Geisler over on Booooooom the other day and was reminded that we hadn’t posted something like this in a while. Matthias’ work is a swirling blend of spirits and creatures that are created with meticulous use of pencil crayons and water-colours. Is it me or are watercolours real in at the moment? All the cool kids seem to be using them.

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    A kind of magic happens when Seth Armstrong puts brush to canvas. Having only been familiar with his work for the Mr Porter Journal, I became instantly bewitched by his paintings when clicking through his website.

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    Whatever the some naysayers may claim there is an art to collage and not everyone can do it, despite how good you think your teenage collages of cut-out red lips, Leonardo DiCaprio and puppies were. Anthony Zinonos is the perfect example of this, having featured on the site previously he’s updated his portfolio with some really cool bits and bobs.

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    There’s something very fun and raw about Jessica Hans’ vases and her approach to ceramics in general. Based in Philadelphia, she’s had a longstanding interest in foraging and raw materials since university; this has carried over into her ceramics work, which in the past has seen her driving to clay sites, digging her materials out of the ground and then firing them in their original state to see what would happen.

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    “To be an artist and for anyone to care vaguely about what you do is a great thing,” says street artist Moose in this fascinating new Nissan campaign, but his work is more important than most. As the inventor of reverse graffiti – whereby he uses a high-powered pressure washer to stencil imagery in the dirt that accumulates in our cities – Moose’s work asks questions about our attitudes to pollution in a very creative way.

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    To stare into a Danny Fox painting is like waking up in a world written by Charles Bukowski on a particularly heavy bender. There’s sex and drinking and guns, plus boxers and strippers and cowboys; here a horse, there a tiger. It’s intense and unnerving and exciting, but although there’s something very contemporary about Danny’s paintings, his rise to prominence owes a great deal to the support of a more well-established artist (an age-old route for up-and-coming artistic stars).

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    Heads are turning in Covent Garden this morning, and they’re not just looking at the usual street performers – they’re gawping at a levitating building. Master of illusions Alex Chinneck’s latest mind-boggling public art installation is on show in what must surely be the spiritual home of his craft; one of the busiest piazzas in London and its theatrical hub. His floating building follows on from a sliding house, upside down house and many other puzzling optical illusions.

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    Back in 2013 designers Jessica Walsh and Timothy Goodman launched 40 Days of Dating, where they entered into a seven week relationship with each other to explore the world of romance from a creative perspective.

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    Switzerland-based artist Pascale Keung makes delightfully diverse work which is inspired by her chosen country’s stunning natural landscape as often as it is by wild fantasies. This series Muttsee is an example of the former, a collection of images about “a very special place in the Alps of Switzerland” where she goes to fish with her friends from time to time.

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    Anna Burns is a set designer with a taste for the ambitious. Who could forget her work with Thomas Brown where they created B-Movie inspired installations out of flammable umbrellas? For her latest work Anna has collaborated with Michael Bodiam on a series inspired by nuclear catastrophe and our contradictory attitudes towards it – apocalyptic fear on the one hand and weird fascination on the other.