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    Bryony nicked the camera, so this week I teamed up with Jamie McIntrye (our intern) and our scanner to supply images

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    Der Grief (best cover)

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    Der Grief

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    Der Grief

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    Der Grief

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    Stuff by Hattie Stewart

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    Stuff by Hattie Stewart (including Thunderbirds stamp)

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    Stuff by Hattie Stewart

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    Go Into Town & Get Some Milk

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    Go Into Town & Get Some Milk

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    Go Into Town & Get Some Milk

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    Plausible Possible

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    Plausible Possible

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    Plausible Possible

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    Sci-Fi Lovers

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    Sci-Fi Lovers

Graphic Design

Things

Posted by Alex Moshakis,

Bryony is currently manning our Pick Me Up stall, so I’ve been tasked with bringing you the weekly dose of Things (which includes super cool stuff, pretty much as always)…

Der Grief Simon Karlstetter, Leon Kirchlechner and Felix von Scheffer

The latest issue of Der Grief officially features one of the best magazine cover images of 2011. Thankfully, the rest of the magazine – which contains more photography as well as poetry and stories – is as good (and sometimes as equally amusing) as the cover in which its bound. Also, there’s an incredibly weird but kind of cool editorial letter in the magazine’s first few pages, highlighting the importance of laughter. I’d like to second that – laughter is important. I’d also like to stress how important it is to generally avoid speeding objects, and to share food sometimes.
www.dergreif-online.de

Stuff by Hattie Stewart Hattie Stewart

We sometimes receive bumper packs through the post. The packs don’t contain one thing, but instead house many, many different things. This week’s comes courtesy of Hattie Stewart, who sent in two zines, a sticker, and a super nice business card (all varying in size). As stand-alone objects they each work – they’re all as individually important as the next – but collectively they shout out load, grab hold of your attention and very nearly don’t let go. Also, she used a Thunderbirds stamp (see picture). Cool!!!
www.hattiestewart.blogspot.com

Go Into Town & Get Some Milk Caitlin Duennebir, Rabitt Books

Published by Rabbitt Books, Go Into Town & Get Some Milk is a small and wonderfully concise collection of images by photographer Caitlin Duennebir. A highlight is the book’s front page, which instead of a photograph features a poem that is perhaps intended to shed light on the series or else is meant as a weirdly abstract but nevertheless highly intriguing introduction to the book. The poem reads:

I’m sitting on the
back porch watching
people run up and
down the hill.
They should run because
at night that is where
all the skeletons go
to dance.
www.caitlinduennebier.co.uk
www.rabbitt.eu

Plausible Possible Alexandre Elmir, Gregoire Alix-Tabeling, Yoan Ollivier

According to their website, Plausible Possible (consisting of Alexandre Elmir, Gregoire Alix-Tabeling, Yoan Ollivier) is a “design agency that supports the development of private or public initiatives.” This featured piece of newsprint is their manifesto (of sorts) – an introduction to their philosophy and an articulate comment on what design really means.
www.plausiblepossible.com

Sci-Fi Lovers James Jessiman

London-based printmaker and illustrator James Jessiman sent us a print titled Sci-Fi Lovers or Sci-Fi Lovers 2011. It’s totally weird (it features a surreal act of marriage proposal in a psychedelic, fluorescent flower-covered room), but more importantly is completely representative of the craft and ability evident throughout all of Jessiman’s work.
www.jamesjessiman.com

Portrait8

Posted by Alex Moshakis

Alex originally joined It’s Nice That as a designer but moved into editorial and oversaw the It’s Nice That magazine from Issue Six (July 2011) to Issue Eight (March 2012) before moving on that summer.

Most Recent: Art View Archive

  1. Anniedescarteaux-collage-7home-int

    Annie Descôteaux’s work is confident, engaging and straight-forwardly slapstick. The Montreal-based artist works with installation, drawing and collage and has seen her work exhibited and discussed at conferences on colour theory. In equally impressive outings, it’s also appeared in Bloomberg and Pica magazines, among other publications. Annie’s collage work is well-balanced with clean lines, sharp colours and discreet humour; each piece littered with raw steak, fried eggs and shuttlecocks.

  2. Oliviervrancken-untitled-1-inthome

    Olivier Vrancken is a graphic designer and artist based in Holland. Painting and drawing his way through commissions and personal work, he is inspired by everything from primitive art to the great lyricists that are Black Sabbath. Olivier has exhibited all over Europe, his Cubist aesthetic and visual references laden with nods to cut-outs, still life, architecture and the human form. There’s a great colour palette to his work and some nice titles like Bad Hair Day and Wanderlust. Olivier’s work reminds me of the prints that appeared all over the T-shirts of the 1980s, in a good way.

  3. Menutnutnut-drawing-4-int

    Me nut nut nut was one of Jason Murphy’s daughter’s first utterances, and is now the name for his drawings of awkward stories of fear and incompetence. Inspired by the physical comedy of The Young Ones and The Ren & Stimpy Show, Jason’s drawings rely on comic intuition and references to real-life moments, like dropping a potato on his cat.

  4. Seamus_murhpy_pj-harvey_-recording-in-progress_-2015.-an-artangel-commission.-_1_int

    While we wait to take our turn to become a sort of strangely sanctioned voyeur as PJ Harvey records her ninth album, thinking about what’s ahead feels peculiar. Essentially, we’re going to see PJ (Polly Jean) Harvey, her band, producers Flood and John Parish, a photographer and two engineers making an album in a Something & Son-designed box, formed of glass that allows visitors to see in, while the musicians can’t see out.

  5. Atelierbingo-list-int

    Up to the point when I opened Atelier Bingo’s new zine Wogoo Zoogi I’d never wondered what two aliens in heated conversation might look like. Having had a read I can now confirm that the answer is “they are speaking, singing very strangely, and they have a hair on their tongues." The newest bout of work from French illustration and surface design duo Adèle Favreau and Maxime Prou is a wonderful celebration of playful, dynamic, abstract art; blending shapes, colours and patterns in a glorious puddle of chaos thinly disguised as alien chat. In fact, it’s everything we’ve been led to expect from the pair, who we’ve dolloped praise on in the past.

  6. Faigahmed-carpets-list-2-int

    Faig Ahmed is an Azerbaijani artist doing remarkable things with carpets. He takes traditional Azerbaijani rugs – enormous, beautiful intricate creations – un-weaves them, and reconstructs them to create new patterns and shapes, subverting traditional usage of rugs as domestic objects to be walked all over, and rejuvenating them with optical illusions and techniques reminiscent of contemporary internet art. 

  7. Slavs_tatars-loveletters-home-int

    The work of Slavs & Tatars is awash with unlikely cultural references, balloons, archives and carpets. Identifying “the area east of the former Berlin Wall and west of the Great Wall of China” as the focus of their work, their projects are generous, engaging and genre-crossing. Starting as a reading group before shifting into making their own work, Slavs & Tatars have recently been working on a continuation of their Long Legged Linguistics project, a multi-faceted study of language as a source of emancipation. The somewhat secretive collective were kind enough to tell us more about this and their “bazaar” approach to making work.

  8. Davidbatchelor-october-13-int

    If you go down to the Whitechapel Gallery anytime between now and early April you’ll be sure to come across a huge breadth of work chronicling the adventures of the black square, from 1915 all the way up to the present day. It’s fairly monochromatic, as you might expect. Upstairs, however, things get drastically more colourful – especially once you come to David Batchelor’s specially “disrupted” issue of October, one of the most respected art journals out there, first published in 1976 and edited by esteemed writers Michel Foucault, Richard Foreman and Noël Burch.

  9. Alexdacorte-easternsport-1-int

    Perennial student artist Alex Da Corte has qualifications, residencies and awards coming up to his eyeballs having studied Film, Animation and Fine Arts at New York’s School of Visual Arts, Printmaking and Fine Arts at The University of the Arts, Philadelphia and then a cheeky MFA in Sculpture at Yale. Busy guy!

  10. Duane_hanson_-_karma3

    Karma Books have just published a catalogue of Duane Hanson’s post-humous exhibition Flea Market Lady. Shown at New York’s Gagosian Gallery, Duane’s flea market ladies are taken from real-life characters and cast in bronze. An incredible feat of observation and skill, his work captures the character of his models and creates a very real atmosphere of flea-ing. Karma have kindly let us publish an extract from the imaginary conversation Maurizio Cattelan has with the artist in the foreword to the book:

  11. Hdl5_copy

    Hubert de Lartigue paints photo-realistic portraits that “serve the beauty” of his models, and his muse. He considers “emotion and soul” the most important part of a painting and spoke to us about his working process, inspiration and the impact of his muse, Octavie.

  12. Main_10.00.34

    If I won the lottery I’d open a gallery, and when I opened my gallery I’d totally rip off everything that David Kordansky Gallery does. From the big stuff like the very well-curated, cool list of artists they represent, to the impeccable printed matter they produce, to the matter of their easily navigable and well designed website – these guys are celebrating people’s work in the best way possible.

  13. List

    For all its simplicity – the limited use of colour, the seemingly straightforward shapes – there’s something about the work of Jens Wolf that’s undeniably intriguing and complex. Bringing to mind the likes of Josef Albers and Frank Stella, his abstract pieces set off their precise geometry with deliberate imperfections that add a human element to its formality. With his first London show opening in March, we had a chat with him about the creative process, the evolution of his work and why his London is forever foggy.