• Things_big

    Things

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    La Communication Visuelle est le Langage du Temps Présent

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    La Communication Visuelle est le Langage du Temps Présent

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    La Communication Visuelle est le Langage du Temps Présent

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    La Communication Visuelle est le Langage du Temps Présent

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    Publish Your Photography Book

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    Publish Your Photography Book

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    Publish Your Photography Book

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    Boat Magazine

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    Boat Magazine

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    Boat Magazine

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    Boat Magazine

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    Boat Magazine

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    Popshot: The Childhood Issue

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    Popshot: The Childhood Issue

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    Popshot: The Childhood Issue

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    Popshot: The Childhood Issue

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    Parade – Public Modes of Assembly and Forms of Address

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    Parade – Public Modes of Assembly and Forms of Address

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    Parade – Public Modes of Assembly and Forms of Address

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    Parade – Public Modes of Assembly and Forms of Address

Graphic Design

Things

Posted by Bryony Quinn,

Hello from Things. Hello to Studio Thomson and their Communication Visuelle, to Darius D. Himes & Mary Virginia Swanson and their instructive manual on all things photographic publishing, to Erin Spens and to Jacob Denno, the editors of Boat Magazine and Popshot respectively. Finally, hello Critical Practice, your public modes of assembly and forms of address are most engaging.

La Communication Visuelle est le Langage du Temps Présent Studio Thomson

Printing a newspaper presents an immediacy to the appeal of Studio Thomson’s projects, making their campaign shoots and design work somewhat tangible. In the case of a lovely spread of an illustration lifted from Petra Börner’s website, there are examples of a return to an appropriate form with content that might otherwise be seen and forgotten on screen.
www.studiothomson.com

Publish Your Photography Book Darius D. Himes & Mary Virginia Swanson

Words like “comprehensive” and “insight” come to mind when perusing this very clean and classically designed volume. Spanning the context to the photography book “phenomenon”, the nitty gritty on publishing, the making and the marketing of The Book and most illuminating (particularly for the non-photographers) case studies. By it’s own admission it is “the first book to demystify the process of process of producing and publishing a book of photographs”.
www.papress.com

Boat Magazine Erin Spens, Editor

Very taken with this magazine that pushes itself with an original ethos, succeeding quite spectacularly at it’s attempt to present the Bosnian city Sarajevo as the protagonist of their story. Some truly lovely bits of writing reflecting on the image of Sarajevo, more often than not dictated by the Balkan wars, and inspiring you to revise your own misconceptions. Noteworthy contributors include Dave Eggers, Danis (“the Oscar-winning city councillor”) Tanovic and some nicely pitched photography by Max Knight.
www.boat-mag.com

Popshot: The Childhood Issue Jacob Denno, Editor

A small art publication, very nicely printed and intent on “hoodwinking poetry back from the clammy hands of tweed jackets…”, using contemporary illustration as a happy partner in their efforts. Great cross section of emerging illustrative talents and a couple interviews featuring Peepshow and Mr Bingo to seal the deal. A nice medium for poetry submissions and generally just getting to read contemporary poetry away from the screen.
www.popshotpopshot.com

Parade – Public Modes of Assembly and Forms of Address Neil Cummings and Critical Practice, Editors. Catherine Nippe, Book Design

Critical Practice is the vehicle of thought for a number of researchers, academics and artists who, with the support of the CCW Graduate School, have documented their recent participatory event in Parade. With content specifically made to provoke inclusion and discussion, the design, in the deft hands of Catherine Nippe, has an almost conversational aesthetic and is therefore quite engaging in its own right. The whole shebang looks/looked amazing if the book is anything to go by, a real cluster to watch.
www.criticalpracticechelsea.org
www.cnippe.com

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Art View Archive

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    Head down to Southwark Street just south of the River Thames, and you’ll find Alex Chinneck’s large-scale project, A pound of flesh for 50p. Starting as a life-size two-storey house made out of 8,000 wax bricks, the sculpture will eventually be a mess of rooftop and melted wax come mid-November.

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    Several artists have attempted to respond to the nude photo scandal, in which private photographs of a number of celebrities were hacked from Apple’s iCloud software and leaked on sites like 4chan and Reddit earlier this year, but few have had any success in harnessing the sense of shock and the eery echo of “have you seen them?” which rippled through the internet in the aftermath.

  3. List-willy

    Writing is rarely a chore. However, sometimes you find yourself working on a piece that reaffirms why internships spent schlepping round Covent Garden in the pissing rain on breakfast compote runs, and hours practising writing “multi-storey carpark” in shorthand are more than worth the irritation.

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    I don’t care how nice the wallpaper or the lampshades may be, there’s something creepy about the stereotypical American motel featured in films, novels and plays. As if expressly to prove my point, artist Airco Caravan created a series called Crime Scene in which she paints the rooms that have previously played host to murders, suicides and accidental deaths.

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    Swedish creative Henrik Franklin is a designer, illustrator and animator with two of the world’s leading design schools (Konstfack in Sweden and Rhode Island School of Design) sparkling on his CV. Invited to showcase his considerable talents in Anna Lidberg’s Gallery 1:10 – “the miniature gallery for contemporary art” – Henrik produced a table of tiny tomes and the attention-to-detail on each cover design is really impressive.

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    Victoria Siddall has worked at Frieze for just over a decade and two years ago was made Director of Frieze Masters. Excitingly, just a few weeks ago she was appointed Director of Frieze Masters, Frieze New York and Frieze London. As well as being one of the most powerful women in the art world, Victoria is also my sister, so I was curious to find out how she’s feeling on the dawn of her new career.

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    The Turbine Hall at the Tate Modern has an incredible presence when it’s void of installations, which is what’s so wonderful about the huge enclosed space. As much as I admire the vast emptiness though, it’s even more exciting when a piece of work is placed in the hall and interrupts the vacuum. Opening today, American sculptor Richard Tuttle is the latest commissioned artist to show his work in the space and his 24ft sculpture certainly makes an impact.

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    I came across the work of Matthias Geisler over on Booooooom the other day and was reminded that we hadn’t posted something like this in a while. Matthias’ work is a swirling blend of spirits and creatures that are created with meticulous use of pencil crayons and water-colours. Is it me or are watercolours real in at the moment? All the cool kids seem to be using them.

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    A kind of magic happens when Seth Armstrong puts brush to canvas. Having only been familiar with his work for the Mr Porter Journal, I became instantly bewitched by his paintings when clicking through his website.

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    Whatever the some naysayers may claim there is an art to collage and not everyone can do it, despite how good you think your teenage collages of cut-out red lips, Leonardo DiCaprio and puppies were. Anthony Zinonos is the perfect example of this, having featured on the site previously he’s updated his portfolio with some really cool bits and bobs.

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    There’s something very fun and raw about Jessica Hans’ vases and her approach to ceramics in general. Based in Philadelphia, she’s had a longstanding interest in foraging and raw materials since university; this has carried over into her ceramics work, which in the past has seen her driving to clay sites, digging her materials out of the ground and then firing them in their original state to see what would happen.

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    “To be an artist and for anyone to care vaguely about what you do is a great thing,” says street artist Moose in this fascinating new Nissan campaign, but his work is more important than most. As the inventor of reverse graffiti – whereby he uses a high-powered pressure washer to stencil imagery in the dirt that accumulates in our cities – Moose’s work asks questions about our attitudes to pollution in a very creative way.

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    To stare into a Danny Fox painting is like waking up in a world written by Charles Bukowski on a particularly heavy bender. There’s sex and drinking and guns, plus boxers and strippers and cowboys; here a horse, there a tiger. It’s intense and unnerving and exciting, but although there’s something very contemporary about Danny’s paintings, his rise to prominence owes a great deal to the support of a more well-established artist (an age-old route for up-and-coming artistic stars).