• Things_big

    Things

  • 4

    La Communication Visuelle est le Langage du Temps Présent

  • 1

    La Communication Visuelle est le Langage du Temps Présent

  • 2

    La Communication Visuelle est le Langage du Temps Présent

  • 3

    La Communication Visuelle est le Langage du Temps Présent

  • 5

    Publish Your Photography Book

  • 12

    Publish Your Photography Book

  • 6

    Publish Your Photography Book

  • 11

    Boat Magazine

  • 8

    Boat Magazine

  • 7

    Boat Magazine

  • 9

    Boat Magazine

  • 10

    Boat Magazine

  • 16

    Popshot: The Childhood Issue

  • 15

    Popshot: The Childhood Issue

  • 13

    Popshot: The Childhood Issue

  • 14

    Popshot: The Childhood Issue

  • 20

    Parade – Public Modes of Assembly and Forms of Address

  • 18

    Parade – Public Modes of Assembly and Forms of Address

  • 19

    Parade – Public Modes of Assembly and Forms of Address

  • 17

    Parade – Public Modes of Assembly and Forms of Address

Graphic Design

Things

Posted by Bryony Quinn,

Hello from Things. Hello to Studio Thomson and their Communication Visuelle, to Darius D. Himes & Mary Virginia Swanson and their instructive manual on all things photographic publishing, to Erin Spens and to Jacob Denno, the editors of Boat Magazine and Popshot respectively. Finally, hello Critical Practice, your public modes of assembly and forms of address are most engaging.

La Communication Visuelle est le Langage du Temps Présent Studio Thomson

Printing a newspaper presents an immediacy to the appeal of Studio Thomson’s projects, making their campaign shoots and design work somewhat tangible. In the case of a lovely spread of an illustration lifted from Petra Börner’s website, there are examples of a return to an appropriate form with content that might otherwise be seen and forgotten on screen.
www.studiothomson.com

Publish Your Photography Book Darius D. Himes & Mary Virginia Swanson

Words like “comprehensive” and “insight” come to mind when perusing this very clean and classically designed volume. Spanning the context to the photography book “phenomenon”, the nitty gritty on publishing, the making and the marketing of The Book and most illuminating (particularly for the non-photographers) case studies. By it’s own admission it is “the first book to demystify the process of process of producing and publishing a book of photographs”.
www.papress.com

Boat Magazine Erin Spens, Editor

Very taken with this magazine that pushes itself with an original ethos, succeeding quite spectacularly at it’s attempt to present the Bosnian city Sarajevo as the protagonist of their story. Some truly lovely bits of writing reflecting on the image of Sarajevo, more often than not dictated by the Balkan wars, and inspiring you to revise your own misconceptions. Noteworthy contributors include Dave Eggers, Danis (“the Oscar-winning city councillor”) Tanovic and some nicely pitched photography by Max Knight.
www.boat-mag.com

Popshot: The Childhood Issue Jacob Denno, Editor

A small art publication, very nicely printed and intent on “hoodwinking poetry back from the clammy hands of tweed jackets…”, using contemporary illustration as a happy partner in their efforts. Great cross section of emerging illustrative talents and a couple interviews featuring Peepshow and Mr Bingo to seal the deal. A nice medium for poetry submissions and generally just getting to read contemporary poetry away from the screen.
www.popshotpopshot.com

Parade – Public Modes of Assembly and Forms of Address Neil Cummings and Critical Practice, Editors. Catherine Nippe, Book Design

Critical Practice is the vehicle of thought for a number of researchers, academics and artists who, with the support of the CCW Graduate School, have documented their recent participatory event in Parade. With content specifically made to provoke inclusion and discussion, the design, in the deft hands of Catherine Nippe, has an almost conversational aesthetic and is therefore quite engaging in its own right. The whole shebang looks/looked amazing if the book is anything to go by, a real cluster to watch.
www.criticalpracticechelsea.org
www.cnippe.com

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Art View Archive

  1. Menutnutnut-drawing-4-int

    Me nut nut nut was one of Jason Murphy’s daughter’s first utterances, and is now the name for his drawings of awkward stories of fear and incompetence. Inspired by the physical comedy of The Young Ones and The Ren & Stimpy Show, Jason’s drawings rely on comic intuition and references to real-life moments, like dropping a potato on his cat.

  2. Seamus_murhpy_pj-harvey_-recording-in-progress_-2015.-an-artangel-commission.-_1_int

    While we wait to take our turn to become a sort of strangely sanctioned voyeur as PJ Harvey records her ninth album, thinking about what’s ahead feels peculiar. Essentially, we’re going to see PJ (Polly Jean) Harvey, her band, producers Flood and John Parish, a photographer and two engineers making an album in a Something & Son-designed box, formed of glass that allows visitors to see in, while the musicians can’t see out.

  3. Atelierbingo-list-int

    Up to the point when I opened Atelier Bingo’s new zine Wogoo Zoogi I’d never wondered what two aliens in heated conversation might look like. Having had a read I can now confirm that the answer is “they are speaking, singing very strangely, and they have a hair on their tongues." The newest bout of work from French illustration and surface design duo Adèle Favreau and Maxime Prou is a wonderful celebration of playful, dynamic, abstract art; blending shapes, colours and patterns in a glorious puddle of chaos thinly disguised as alien chat. In fact, it’s everything we’ve been led to expect from the pair, who we’ve dolloped praise on in the past.

  4. Faigahmed-carpets-list-2-int

    Faig Ahmed is an Azerbaijani artist doing remarkable things with carpets. He takes traditional Azerbaijani rugs – enormous, beautiful intricate creations – un-weaves them, and reconstructs them to create new patterns and shapes, subverting traditional usage of rugs as domestic objects to be walked all over, and rejuvenating them with optical illusions and techniques reminiscent of contemporary internet art. 

  5. Slavs_tatars-loveletters-home-int

    The work of Slavs & Tatars is awash with unlikely cultural references, balloons, archives and carpets. Identifying “the area east of the former Berlin Wall and west of the Great Wall of China” as the focus of their work, their projects are generous, engaging and genre-crossing. Starting as a reading group before shifting into making their own work, Slavs & Tatars have recently been working on a continuation of their Long Legged Linguistics project, a multi-faceted study of language as a source of emancipation. The somewhat secretive collective were kind enough to tell us more about this and their “bazaar” approach to making work.

  6. Davidbatchelor-october-13-int

    If you go down to the Whitechapel Gallery anytime between now and early April you’ll be sure to come across a huge breadth of work chronicling the adventures of the black square, from 1915 all the way up to the present day. It’s fairly monochromatic, as you might expect. Upstairs, however, things get drastically more colourful – especially once you come to David Batchelor’s specially “disrupted” issue of October, one of the most respected art journals out there, first published in 1976 and edited by esteemed writers Michel Foucault, Richard Foreman and Noël Burch.

  7. Alexdacorte-easternsport-1-int

    Perennial student artist Alex Da Corte has qualifications, residencies and awards coming up to his eyeballs having studied Film, Animation and Fine Arts at New York’s School of Visual Arts, Printmaking and Fine Arts at The University of the Arts, Philadelphia and then a cheeky MFA in Sculpture at Yale. Busy guy!

  8. Duane_hanson_-_karma3

    Karma Books have just published a catalogue of Duane Hanson’s post-humous exhibition Flea Market Lady. Shown at New York’s Gagosian Gallery, Duane’s flea market ladies are taken from real-life characters and cast in bronze. An incredible feat of observation and skill, his work captures the character of his models and creates a very real atmosphere of flea-ing. Karma have kindly let us publish an extract from the imaginary conversation Maurizio Cattelan has with the artist in the foreword to the book:

  9. Hdl5_copy

    Hubert de Lartigue paints photo-realistic portraits that “serve the beauty” of his models, and his muse. He considers “emotion and soul” the most important part of a painting and spoke to us about his working process, inspiration and the impact of his muse, Octavie.

  10. Main_10.00.34

    If I won the lottery I’d open a gallery, and when I opened my gallery I’d totally rip off everything that David Kordansky Gallery does. From the big stuff like the very well-curated, cool list of artists they represent, to the impeccable printed matter they produce, to the matter of their easily navigable and well designed website – these guys are celebrating people’s work in the best way possible.

  11. List

    For all its simplicity – the limited use of colour, the seemingly straightforward shapes – there’s something about the work of Jens Wolf that’s undeniably intriguing and complex. Bringing to mind the likes of Josef Albers and Frank Stella, his abstract pieces set off their precise geometry with deliberate imperfections that add a human element to its formality. With his first London show opening in March, we had a chat with him about the creative process, the evolution of his work and why his London is forever foggy.

  12. Mp_home1

    We interviewed Mathis Pfäffli back in 2012 about his design practice and working day. The Swiss-born graphic designer has segued from the playful and considered printed matter that we’re used to and produced a series of large-scale pencil drawings.

  13. List

    While there’s nothing especially unusual or out of place in the still, unpeopled scenes of Sarah Schneider’s paintings, there’s undoubtedly something intriguing, disquieting even. Rendered in eerie stillness, it feels almost like the calm before the storm, each little soap dispenser, tissue or chair sitting idle, waiting for something to happen to it.