• Article2

    Studio Lin: 2012 Calendar, Linco Printing

Graphic Design

Clean, simple and excellent typographical design work from Studio Lin

Posted by Rebecca Fulleylove,

There’s only so many places that can get away with creating a cat calendar and make it better than the ones you see shimmying into your eyeline when panic buying for Christmas and that place is Studio Lin (studio of Alex Lin). Featured way back in 2009, they’ve not only designed the best feline calendar I’ve come across but also their much enlarged portfolio showcases a wealth of clean, typographical-based design that oozes style, clarity and care for the people they do work for.

With an impressive list of clients, posters, calendars, invites, stationery seem to be their thing and you can see why. One of my favourites is the 2012 Calendar where they teamed up with a newspaper printers to produce 12 poster sized months each in a different colour and paper. The composition is so wonderful, the fact that it’s a calendar is simply a bonus on top of all this good design.

  • Lin8

    Studio Lin: Cat Calendar, United Bamboo

  • Lin16

    Studio Lin: Cat Calendar, United Bamboo

  • Lin11

    Studio Lin: 2012 Calendar, Linco Printing

  • Lin9

    Studio Lin: Gift Fair Poster, American Design Club

  • Lin7

    Studio Lin: Poster, Core77 Design Awards

  • Lin3

    Studio Lin: Contents page of Paper View Publication, Sight Unseen

  • Lin4

    Studio Lin: Call for Entries, Core77 Design Awards

Becky-picture

Posted by Rebecca Fulleylove

Rebecca joined us as an editorial intern after studying at Norwich University College of the Arts. She originally wrote for the site between March and June 2012 and returned in the summer of 2014 for a four-week freelance stint.

Most Recent: Graphic Design View Archive

  1. List

    Hot Chip are one of those bands that have always had a fantastic visual sensibility. Illustrator Wallzo has been at the helm of it, bringing us glorious Michael Craig Martin-esque block colours and shapes to decapitated statues. Now, the band is moving into the world of bespoke printing, with the artwork for new album Why Make Sense by Nick Relph using an algorithm that means each copy’s design will be unique.

  2. Rawcolor-febrik-4-int_copy

    Eindhoven-based graphic design and photography studio Raw Color has created a great multi-platform identity for interior textiles brand Febrik, using horizontal, laser-cut lines as a reference to archiving methods in textile sample books. They are utilised both for this purpose and as decorative details on business cards, stationary items and online.

  3. No_rocket_asinello_press_1_1160-int-list

    We often discuss the importance of a decent-looking site in presenting creative work, but until we received Francesco Zorzi’s latest missive, we didn’t realise just how much we were into well-presented emails. A lovely GIF and an irresistible typeface led us to the Italy-born, Amsterdam-based designer’s site, No Rocket, which further cemented his reputation as a man with a very discerning eye indeed. The project we admired the most is this logo for Genoan publisher Asinello Press, taking an illustration of a hoof as its motif.

  4. List

    You’re 25 years old and Richard Turley calls you up out of the blue and says; “Hey, I’ve just got this sweet job at MTV and I’d like you to come on board as my senior designer, are you interested?” Of course you’re interested! You’d be a fool not to be interested, even if it means leaving your current (also awesome) job as an art director at The New York Times. Sounds nice right? Well this isn’t some fictional story I’ve just concocted in my head, this is the soon-to-be legendary tale of Erik Carter, a Virginia native turned New York City creative powerhouse who’s filling our (music) televisions with choice tidbits of witty animation and humorous asides from the world of the web.

  5. Michaelbierut-nyt-signage

    Michael Bierut is a designer, Pentagram partner, writer, lecturer and self-confessed nerd. Taking the stage at the Design Indaba festival in Cape Town yesterday, he announced his new book, pithily titled How to: Use graphic design to sell things, explain things, make things look better, and (every once in a while) change the world. Published by Thames & Hudson it won’t come out until later in the year, but we felt it was a good excuse to look at some of Michael’s most interesting work from across the years.

  6. Untitled-paris-ad-int-list

    They say that one good turn deserves another. And one good project leads to another, as Untitled Paris has shown us. Last year, the agency was commissioned to create a new identity for interior design company Laplace, creating a slick monochrome look that uses the name as the logo mark. Untitled says: “The entire identity rests on a simple type system and contemporary but sober look, as the work of Laplace is full of colour and feeling.”

  7. Dyakova-list-mcm_gagosian_back-cover_905

    Earlier this week Sonya Dyakova revealed that she “like[s] to wear a uniform that [she] can just hide in and work.” And while her clothes may want to slink into the background, the work of her agency Atelier Dyakova begs to be in the spotlight.

  8. Kurppa-hosk-korshags-int-list

    It’s not often I get to write about my two great loves in a single article, but sometimes the stars align and I’m covering smoked fish and graphic design all in the space of 300 words. Today I feel blessed! This strange combination of subjects has come together thanks to Swedish agency Kurppa Hosk undertaking a wholesale rebrand for Falkenbergs Lax, a small, family-owned smoked salmon specialist. Charged with turning the small-scale brand into an international major player in the fish industry, Kurrppa Hosk renamed it Korshags, and have came up with a sleek new visual identity to accompany the new name.

  9. George-primo-louw-1

    As a rule we profile Jorge Primo on the site once a year; first due to posters for a shoe brand, then a carpenter’s identity and last year it was just for his personal work. This time round Jorge has been hard at it making graphics for skateboarding brand Louw. He’s done designs for their decks, exuberant posters and even knocked up a hand-drawn version of their logo. Choice!

  10. Francesco-del-russo-bologna-int-list

    Graphic designer Francesco Delrosso has spent the past few years making his way through undergraduate study and out into the big wide world of Fabrica, Benetton’s communications research centre. There he’s honed his skills in research-based design, putting them to use in the creation of all manner of print publications. Since leaving Fabrica he’s settled in Urbino where he’s specialising in communication and editorial design at Isia.

  11. Eloisa-perez-book-int-list

    Early school days weren’t so bad: the odd bit of colouring in, keeping up with the adventures of Billy Blue Hat, playing that game where you have to sit in a curled up in a ball being quiet when the teacher wants a rest. But they could have been even brighter, especially in the learning to write department – and graphic designer Éloïsa Pérez’ Apprendre à écrire offers a perfect solution.

  12. Mariohugo-recentlyrejected-int-list

    There was an interesting discussion on our podcast recently about why anyone would really want to watch the creative process taking place. Off the back of our visit to see what was essentially P J Harvey in a box, we’ve spent a lot of time chatting about how the creative process is slow and messy and frustrating, littered with wrong turns and dead-ends.

  13. List-la-direction_le-sucre_1-int

    A sweet, sweet identity project for you today, in the shape of Lyon-based studio La Direction’s work for venue Le Sucre. The studio is helmed by Aurélien Arnaud and Elsa Audouin, who set it up two years ago and have since worked across print, web, and interior graphic design for clients ranging from adidas to Born Bad Records to Grolsch. The one that most neatly presents the breadth of their capabilities, though, is the aforementioned Le Sucre project. The venue is a late-night party joint in Lyon, and the graphics subtly reflect its hip vibe while remaining resolutely timeless and simple. We love the restraint of the interior graphics, letting the strange architecture speak out, and the gorgeous blue of the printed materials. Elsewhere on La Direction’s site are some excellent poster designs, so we’ve popped a couple of our favourites on here for you. What’s not to love about the blue erotic market woman?