Cuban-born American graphic designer Pablo Ferro has passed away at the age of 83. Best known for his film title work, Pablo died as a result of complications following pneumonia this weekend just gone.
One of the self-taught animator’s first real forays into the world of design came when he paired up with the late, great Marvel head-honcho Stan Lee on a series of sci-fi comics in the late 1950s. He then went on to specialise in movies, with his work featuring in over 100 films, most notably the madcap Stanley Kubrick classic, Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb. His hand-drawn overlays for that film’s iconic credit sequence have made it one of the most loved in Hollywood history.
Pablo continued to work until the 1990s, providing visual material for films as diverse as Silence of the Lambs, Men in Black, and the Eddie Murphy-remake of Doctor Doolittle.
As industry insiders Variety point out in its obituary, 12 of the films Pablo lent a hand to picked up Oscars; a pretty impressive haul by anyone’s standards.
His name might not be immediately familiar to those outside film buff circles, but you’ll likely know a tonne of the man’s work. Catch up on a career-spanning collection of it below.
- Lucia Sekerkova documents the rituals of Romania’s social media savvy witches
- Charlie Roberts' paintings are inspired by hip-hop culture, sports and screenplays
- In Whispering Blooms Jack Orton documents the eerie perfection of the town of Poundbury
- Studio Nuno Fontes on its clean and ordered work for the cultural sector
- Darren Shaddick illustrates his version of “the ultimate cool person”
- Team Thursday's Bookshelf is full of souvenirs, zines and exhibition catalogues
- Pornhub decides to try out beesexuality with new awareness campaign
- “The time just feels right”: Stuart Brumfitt and Mirko Borsche, editor and designer of The Face, on its relaunch
- The Washington Post's climate change issue features 24 equally important covers
- Philip Gerald's lowbrow, crude paintings are a reflection of his views on the art world
- We take a look back at the best stories of the year to date
- The US government releases its first bespoke typeface: Public Sans