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A person poses against a yellow chipboard wall, one foot resting on a purple chair. They wear a long black faux-fur coat, a purple hat, and dark sunglasses.
A person poses against a yellow chipboard wall, one foot resting on a purple chair. They wear a long black faux-fur coat, a purple hat, and dark sunglasses.

Alice Mann photographs African men from London's La Sape

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Date
12 July 2017

Looking to present “an alternative view of African men”, Alice Mann has spent the past year taking portraits of members of London’s La Sape. “It’s a dynamic sub-culture emanating from Brazzaville,” explains the Cape Town-born, London-based photographer, “literally translated as the ‘Society of Ambiance Makers and Elegant People’.”

The men are part of the Congolose diaspora in London and identify as a European chapter of the movement, whose members wear items by European fashion giants Versace, Vivienne Westwood, Moschino and Gucci. “It’s an ideology, a way of being, where fashion transcends something purely aesthetic,” continues Alice. “Style underpins a lifestyle and provides a vehicle for self-expression. It’s understanding fashion as a medium that allows for power over how people may perceive you.”

By portraying the men standing proudly in their finery, Alice hopes to show an untold side of the African diaspora communities and challenge stereotypes in Western media. “There is a sense of individual assertiveness and agency that I wanted to communicate. I hope the series might encourage viewers to reconsider some of the problematic ideas inherent in the Euro-centric lens through which we so often understand society. The men I worked with don’t fit into a simple definition… but we sometimes instinctively want to put people in boxes.” Therefore in her aesthetic approach, Alice references “street casting” and the language of fashion editorials to draw parallels between what we’re used to seeing in magazines and advertising, and her portraits.

She worked closely with the men, who art directed and styled the shoots, feeling it was vital to representing their individual personalities. “It was important they were active subjects so each shoot was very collaborative,” Alice says. “I wanted these to be accessible images that the subjects have complete ownership over, and would feel proud of, showing their strong sense of self.”

Next, Alice is going to Paris to work with the La Sape community there, and will continue to collaborate with the London group.

A person stands before a yellow-green hedge, wearing a black bowler hat and a matching black blazer. Their shirt and trousers feature a repeating yellow “Moschino” logo pattern.
Above

Alice Mann: La Sape
Yaya Beauga in Moschino, London (2016)

A person stands against a brick wall wearing a black top hat and a matching blazer with yellow trim. They pair the jacket with a red and blue tartan kilt, blue checked tights and black shoes.
Above

Alice Mann: La Sape
Eustache Seke in Vivienne Westwood, London (2016)

A person stands against a weathered brick wall, wearing a black hat and a black bomber jacket. Underneath, they wear a long, orange and black patterned tunic paired with black trousers and bright orange shoes.
Above

Alice Mann: La Sape
Yaya Beauga in Kokon To Zai (1), London (2016)

A person stands against a concrete wall wearing a black blazer, a white shirt and a red tartan kilt. They complete the look with round sunglasses, black tights and chunky black shoes.
Above

Alice Mann: La Sape
GMS Le Correcteur in Gucci, London (2016)

A person stands against a plain white wall wearing a long red coat adorned with various patches and pins. They wear gold-rimmed glasses and trousers featuring a Union Jack pattern, paired with white shoes.
Above

Alice Mann: La Sape
Yaya Beauga in Kokon To Zai (2), London (2017)

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About the Author

Jenny Brewer

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Jenny oversees editorial output across It’s Nice That. Get in touch with writing pitches for features or opinion pieces, big creative story tips, or questions about all things editorial. jb@itsnicethat.com

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