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An illustration of four figures in red and white, set against a pink background. They wear white towels wrapped around their heads and bodies.

Amber Vittoria’s characters push the boundaries of traditional femininity

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Date
4 January 2017

New York City-based illustrator Amber Vittoria, describes her style as “airy, colourful, whimsical and powerful”, along with “heavy conceptual roots in femininity, physical identity and nature”. It’s these deeper themes and ideas in Amber’s work that elevates her illustrations from the initial whimsy that caught our eye.

The “ideal physical female form” is something Amber continues to dissect in her work especially after talking to a family member. “A few months ago, I was sitting alongside my teenage cousin. She was sending selfies to her friends via Snapchat while stating how ugly she felt she looked; she wanted thinner eyebrows, straighter hair, shaved legs and more make-up,” explains Amber. “This ideal female is something my artwork aims to break and several of my pieces focus on femininity and the female form, leveraging physical traits such as body hair, overtly extended limbs and rounded features.”

Amber creates characters that are a mix of shapes and sizes, and have a fluidity about them. Her simple yet colourful style allows her to convey mood and expressions through a few simple lines and don’t over play her notions of femininity. “To create the illustrations, I begin digitally, blocking in shapes in a rudimentary way. I then print several copies on an old laser-jet printer, which gives the colouring a texture. From there, I layer on the line and detail work with brush pens,” the illustrator explains.

A mix of personal and editorial work, Amber’s client list includes Teen Vogue, Lenny Letter, Man Repeller, Saks Fifth Avenue and Sony Music Entertainment. “The ability to make art with others is one of my favourite ways to create. This is ever present in client work; taking an idea from the client, building it together, executing and refining is a wonderful process yielding a product representational of several vantage points.”

An illustration of a figure wrapped in a large white cloth, sitting against a solid blue background. The figure is rendered in flat shades of white, red and pink.
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Amber Vittoria: Live Seamlessly

An illustration of a figure in white and peach tones against a mint green background. A white tree with red leaves grows from the figure’s arm.
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Amber Vittoria: Young Money

An illustration of two figures with red skin and blue hair, wearing striped white swimsuits. They float vertically against a solid blue background.
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Amber Vittoria: Keep Swimming

A blue ink drawing of a person with a neutral expression. They wear a V-neck top rendered with dense, scribbled lines.
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Amber Vittoria

A blue ink drawing of a person’s face and shoulders on a white background. The figure is rendered in a simple, continuous line style with a neutral expression.
An illustration of a nude figure standing against a solid blue background. The figure is rendered in shades of orange and red, framed by a white silhouette that follows the contours of their body.
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Amber Vittoria: Where did he touch you?

An illustration of a red figure in a white outfit, crouching against a pink background. Two large white circles flank the figure, resembling oversized balloons or spheres.
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Amber Vittoria: Man Repeller

An illustration of two red figures with blue hair, partially hidden by green tropical foliage. Their elongated limbs intertwine and stretch across a white background.
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Amber Vittoria: Summer Swing

An illustration of a large, stylised figure against a bright blue background. The figure is rendered in shades of peach and red, wearing white undergarments.
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Amber Vittoria: On or Off

An illustration of a red figure against a red background. The figure is wrapped in a textured, spotted cloak and has a small, white-faced head with a simple expression.
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Amber Vittoria: Invisible Woman

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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