When I first joined It’s Nice That more than three years ago I had never heard of Elephant magazine, but it was one of those titles talked about in hushed and revered tones. As such it’s always a publication I’ve approached with high expectations, so it was interesting to hear that for the next issue, number 20, Astrid Stavro and Pablo Martin of Atlas Studio have overseen a fairly comprehensive redesign.
Working closely with editor-in-chief Marc Valli, editor Robert Shore and publisher Rudolf van Wezel, the pair have sought to redefine the look and feel as part of a wider rethink of what the magazine wants to be. As Astrid told Frameweb: “From the initial discussions with the editors and publisher it was clear that the new tone of magazine had to reflect a more lifestyle and journalistic approach. Serious and provocative without being cold and conceptual. Spontaneous, accessible and aesthetically intriguing without being formulaic.”
So she describes the new Elephant as “more in line with the accessible look of a well-designed Sunday supplement. A lifestyle magazine that speaks to a broad, varied and multicultural art loving audience.”
There’s a new, less serious masthead, and the opening section of the magazine is much more image led in terms of its rhythm, playing off typographic openings to good effect. The Paper Galleries section has different paper stocks and a wraparound sleeve that is meant to act as a physical respite from the rest of the content.
One of the overarching principles was apparently to make Elephant look “less like a design magazine” which these first release shots suggest has happened; we’re looking forward to having one in our hands now.
- Ruud van Empel’s uncanny photographs blend artificiality with naturalism
- Grant James-Thomas shoots twins with a painterly aesthetic for Vogue Italia
- In Stiya, photographer Cole Barash compares a storm and the birth of his first child
- Nano illustrates the different kinds of loneliness that we all feel from time to time
- Jan Hakon Erichsen is a balloon-destroying artist whose work you really shouldn't try at home
- Clarity of concept is at the heart of Seoul-based graphic designer Son Ayong’s posters
- “The future of design is in the creation of tools”: Meet the Space Type Generator
- How Pelle Cass creates his jarring “still time-lapse” images
- Lacoste once again swaps its iconic crocodile logo for ten endangered species
- Introducing Double Click – our new series rounding up the best of the digital design world
- Typeface Ciao communicates auditive intonations of the spoken word
- Yushi Li on photographing men she met through Tinder