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An animation in which the word “BARCODE” is overlaid with vertical lines on a dark, textured background. The lines flicker and glow white, resembling a digital signal or a barcode.

Norwegian agency Anti designs logo and identity based on Oslo’s Barcode skyline

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Date
5 January 2016

From London to New York, the skylines of major cities around the world are often instantly recognisable. To this effect, multidisciplinary agency Anti has designed a thoughtful visual identity for the series of waterfront high-rise buildings in Oslo, Norway collectively known as the Barcode. Stripping the skyline back to the bare minimum, the logo and adaptable identity scream of Scandinavian design principles.

Part of a controversial initiative to redevelop a section of the city’s docklands, the Barcode buildings, which break with the Norwegian capital’s low-rise city planning, were built to vary in size, shape and design so as to avoid obstructing views of the fjord. Echoing this, Anti’s abstract design makes use of simple lines that correspond to the heights of the different buildings. With its clean aesthetic and block capital, sans serif type, the identity’s multiple applications across print collateral, product design and installation all reflect the same sleekness as Oslo’s first skyscrapers.

An animation in which white text and vertical lines flicker against a grainy, dark grey background. The words “FOOD”, “ART” and “FESTIVAL” appear in sequence.
An animation in which a skyline of skyscrapers simplifies into a series of technical diagrams and then into basic vertical lines. Text above the images changes from “Architecture” to “Height Refractions” and finally to “Principle”, while the numbers “1 – 2 – 3 – 4” remain.
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Anti: Barcode

A 3D render of a series of thick, vertical concrete pillars arranged like a barcode. The word “BARCODE” is spelled out in large capital letters across the base of the pillars.
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Left

Anti: Barcode

A black and white photograph of a road between two modern buildings. Several glowing white vertical lines of light stand in the centre of the street under a cloudy sky.
A grid of four images, each featuring a word paired with minimalist objects. The top left shows “People” in white on a red background with thin vertical lines. The top right shows “Design” in black on white with various modern lamps. The bottom left shows “Art” in black on white with a sculpture and a wooden sphere. The bottom right shows “Art” on a mint green background with black cylinders on a stand.
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Anti: Barcode

A collection of abstract, geometric blocks in varying heights and shades of grey and white. The shapes are arranged like a city skyline against a plain white background, reflecting on a glossy surface.
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MVRDV: Barcode

An animation in which an open book on a mint green background fills with layout guides and placeholder text. The scene shifts to a 3D view of the finished spread, featuring a photograph of bicycles in a city and the headline “Downtown midt i Oslo”.
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Anti: Barcode

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Alexander Hawkins

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