Here we have it, our brand spanking new Students of the Month! Hailing all the way from Vancouver, Knauf and Conrad are in their fourth year of studying at Emily Carr University and produced this rather beautiful Profile Chair last year. Of all our entries this month, Conrad and Knauf showed a rare knack for collaboration and a strong sense of the importance of the finished product. This subtle yet incredibly beautiful chair is a testament to how well they work together as a duo, which we will hear much more about below (along with some top tips on how to make your student work as lucrative as possible).
At the time of making this project, who or what was your biggest influence?
We really wish we could list off a bunch of old Italian guys as our influences, but for most projects, we find ourselves needing things, so we make them. Sometimes it’s because we don’t have something we want, and other times, we want something that doesn’t exist.
The Heavy Stock shelving was made from the need for modular shelving that could be infinitely expanded, was sturdy as hell, easy to put together and had a very light visual presence. When we were working on the Profile Chair we wanted to make one that had characteristics and function that you couldn’t find elsewhere. [Conrad’s note: as far as old Italian guys go, Calen really likes Joe Colombo’s work]
What is the most valuable thing you have learnt at university to date?
This is really funny that we got to be considered Students Of The Month – it’s a title that we’d be far from getting from our school. Remember why you’re there. Not to impress instructors, not to get a good GPA and a pat on the back, just to learn, practise, and be a better designer. Sometimes you have to prioritise, and a pecha kucha presentation takes a back seat to finishing up a prototype. You’re trying to get clients, and your portfolio is going to carry more weight then that A– on that essay. School is an investment, and it should pay off in real dividends.
What would you be doing now if you weren’t at art design school?
Definitely the same thing. We’ve long had a deep appreciation for how things work and how people work with them. Calen has been working as a graphic designer since before we started school, and Conrad was and still is a photographer – he shoots all of our projects. Design is the driving force in our lives, and it’s what pays the bills (and tuition). Without school we would’ve found some other way of facilitating our need to make things work well, look good, and have fun doing it.
Where are you creating most of your work?
It’s a balance between school and our studio. School has all the machines and equipment for making prototypes, but as far as getting creative, the studio is better for that. It’s in Calen’s apartment, so there are lots of smart and amazing creative people that drop by from time to time.
What are you working on at the moment?
At the moment we are both working on separate grad projects. Conrad’s project is very research-based on aesthetics and beauty in design. It started by asking why we like the things we like, and now he’s neck-deep in books about it. He can’t wait to actually start making things though. Calen’s project is focusing on how we interact with objects on a more manual level, similar to the difference between an automatic vs. manual transmission in a car. He’s making domestic objects that involve a more engaged interaction, instead of (for instance) a mindless flick of a switch.
We’re always working on projects outside of school under the Knauf and Brown banner. We just licensed some furniture, something we’re pretty excited about, and we put on art and design exhibitions locally whenever we can.
- Intimate, safe and romantic: Ekaterina Popova paints the interiors of her friend’s bedrooms
- Alfie Dwyer on creating game-like worlds and moulding tangible films like “putty”
- Through playful forms, Bára Růžičková tackles the rigid structure of the design industry
- Meji Alabi on discovering his roots through film and music
- Stoic black cats and burning worlds: Quentin Dufour on his chaotic illustrations
- Jiří Makovec’s photographs meander between the personal and the universal
- Facebook rebrands to distinguish the company from the app
- Jack Kenyon photographs the wondrous spectacle of the Supreme Cat Show
- &Walsh designs Zooba's identity inspired by the busy streets of Cairo
- A book chronicling tiny, bizarre treasures curated by Wes Anderson and Juman Malouf
- Find hidden squares and experimental inktraps in Fatih Hardal's FH Giselle
- Pentagram’s Giorgia Lupi on her data-driven designs for & Other Stories