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A white ink illustration on a black background. A central burst of fine, radiating lines is flanked by two circular clusters of dots and dashes.

Solar systems and a healthy dose of affection, Brendan Munroe's work never fails to please

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Date
25 May 2012

Brendan Munroe once sent us a comic book he made called Islands and to this day there is a shared opinion in the studio that it is one of the most beautiful things we have ever received. A self-professed artist rather than illustrator, Brendan’s work is a humble mixture of tenderness and scientific curiosity, whisking us briefly out of the norm and into a world where couples clutch at each other in the sea and the Large Hadron Collider is broken down to a series of aesthetically pleasing marks. Most recently, Brendan has contributed a piece of work to accompany Jennifer Egan’s tweeted novel, which you can see here on The New Yorker.

A painting of a small red dot at the centre of a large, swirling vortex of orange and brown lines. The circular composition is set against a pale yellow background, framed as a diamond.
Above

Brendan Munroe: After Bohr’s Model

An illustration of a person seen from behind, wearing only shorts, floating in a red nebula. Small white stars are scattered across the dark, swirling clouds of the cosmic background.
Above

Brendan Munroe

An illustration of a small figure standing within a warped white grid against a black, starry background. A single bright white line cuts diagonally across the scene.
Above

Brendan Munroe: Islands

A painting of a hand reaching out from the centre of a swirling, concentric vortex. The ripples transition from deep red in the middle to yellow and pale cream at the edges.
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Brendan Munroe: Observations of Light and Matter

A collection of small framed artworks and sculptures are arranged across a white wall. Some pieces sit on minimalist white floating shelves, while others are hung directly to the wall.
Above

Brendan Munroe: The Drawing Now show

A painting of two pairs of bare legs standing on a plain white surface. The upper half of the image is obscured by a dense block of wavy, horizontal lines in shades of yellow and orange.
Above

Brendan Munroe: This is what I wanted to show you

A painting of two people facing each other, with only their heads visible above a sea of thick, swirling brushstrokes. The textured lines are rendered in vibrant shades of yellow, orange and red.
Above

Brendan Munroe: Waders

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About the Author

Liv Siddall

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Liv joined It’s Nice That as an intern in 2011 and worked across online, print and events, and was latterly Features Editor before leaving in May 2015.

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