American cartoonist and illustrator Charles Burns first acquired a gaggle of avid comic book fans in the early 1980s with his drawings for avant-garde comic magazine RAW and his portfolio of stomach-churningly visceral ink illustration, not least the seminal graphic novel Black Hole. He’s had us screwing up our eyes in equal parts tense astonishment and discomfort ever since.
Alongside the mutation, violence and disease of Black Hole, however, he has also been creating covers for literary magazine The Believer with his stark black line drawings for over a decade. The result is a spectacularly expansive catalogue consisting of over 300 portraits of artists, musicians, actors, writers and people of note which is on display in New York for your viewing pleasure.
Charles Burns: Cover Portraits for the Believer 2003-2013 is at the Adam Baumgold Gallery until July 26.
- Ioanna Sakellaraki explores Greece’s last professional mourners and their rituals around death
- Catalog Press is questioning what a book can be (and maybe it's made of cheese)
- Floriane Rousselot's digital platform Typelab supports and champions the work of young designers
- Photographer Theo Cottle tries to “keep an element of truth” in everything he shoots
- “Stay simple and playful”: Arnaud Aubry talks to us about making his fun and charming work
- Théophile Bartz on his fantastically hypnotic illustrations
- Led By Donkeys is crowdfunding £50,000 for “honest” No Deal Brexit ad campaign
- Taschen’s recent release celebrates “the greatest cat photographer of the 20th Century”
- Introducing the It’s Nice That Graduates of 2019!
- Suzy Chan’s portfolio boasts original graphic design, animation, typography and so much more
- Stefanie Tam’s graphic design grounds conceptual thinking in compelling visuals
- The Advertising Standards Authority has banned its first ads for “harmful” gender stereotyping