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An illustration of a bearded figure with large, curved horns. They are set against a yellow and blue landscape, with a bold red shape cutting across the right side.

Mysterious motifs come together in Cripsta's beguiling images

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Date
29 May 2015

Alessandro Crippa, aka Cripsta, is a Milan born image-maker and one fifth of the TURBØSAFARY collective, about to complete an MA in Illustration here in London at Camberwell. There’s not a whole heap more information about him out there but no matter, we’re more than happy to let these images speak for themselves. This recent work collides various motifs – classical, Egyptian, and just sort of weird – into colourful and mysterious creations – named after various gods – which gently mock the viewer, challenging us to find meanings but playfully suggesting that such a hunt is entirely futile. His varied portfolio suggests Alessandro is still experimenting with his style but this work will hopefully herald more of the same as his fledgling career develops.

A collage featuring a winged figure kneeling on a green cliff, supporting a massive grey rock on their head. To the right, a white feather and a pair of scales are set against a bright red background.
Above

Cripsta: Maat

A colourful collage featuring a nude figure standing by a river under a yellow sun. To the right, a pink lotus flower grows against a red background, while a large teal crocodile rests below.
Above

Cripsta: Harpokrates

An illustration of a figure wearing an ancient Egyptian headdress and a ceremonial beard. They are set against a deep blue starry sky, a yellow landscape and distant teal mountains.
Above

Cripsta: Osiris

A surreal collage divided into three colour blocks of pink, blue and orange. It features a textured animal skull, a green organic shape and a reclining blue figure.
Above

Cripsta: Attis

An illustration split into two horizontal sections. The top shows a landscape of jagged grey mountains and a teal sea under a peach-coloured sky. The bottom features a large, stylised goose with blue wings and feet against a solid pink background.
Above

Cripsta: Geb

An illustration divided into three colour blocks of dark blue, teal and pink. A large orange sun sits in the starry blue sky, while a coiled snake rests on the teal ground and a stone bust of an Egyptian figure stands against a pink background with a crescent moon.
Above

Cripsta: Atum

An illustration divided into geometric blocks of colour. A green figure in a draped garment looks to the side against a starry night sky, while pink antlers and a pink oval shape float in yellow and blue panels above.
Above

Cripsta: Artermis

An illustration divided into three panels featuring the Egyptian deity Anubis. In the top panel, a magenta figure of Anubis lies against a starry night sky and a crescent moon. Below, a second panel shows a grey statue of the deity, while a third depicts a dark blue mountain under another crescent moon.
Above

Cripsta: Anubis

A digital illustration split into two vertical panels. On the left, a profile of a bearded figure in a red headdress looks across a landscape under a red sun. On the right, a bird-headed figure holds a tall, pink building like a sword against a green background.
Above

Cripsta: Horus

An illustration of a large, orange horse-like figure standing in a surreal landscape. To the right, a blue sword and floating leaves drift against a pink background.
Above

Cripsta: Seth

A digital collage featuring a profile of a classical bust, a peacock feather and a wolf. The figures are rendered in a limited palette of blue, green and pink with fine, rhythmic line work.
Above

Cripsta: Juno

A collage featuring a horned, bearded figure with a flame atop their head. They stand against a backdrop of red mountains and a blue sky, partially obscured by a red geometric shape containing a golden flute.
Above

Cripsta: Pan

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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