It’s tempting to think of prisons like the ones you remember from old movies, such as the merry lunch halls of The Blues Brothers, the solitary confinement cells of The Shawshank Redemption and the rather jovial, free-range atmosphere of The Great Escape. Fact of the matter is though, times have changed and prisons have totally evolved.
After Jeremy Bentham’s successful design of the panopticon (a large tower in the centre of a prison that enables guards to watch every prison door at once) prisons have become almost cathedral-like in their appearance. This is, perhaps, the reason behind David’s fascination with them, as if you look at his older work you will notice that large, high-ceilinged spaces are kind of his speciality. Definitely don’t miss his collection of opera houses, palaces, and theatres as well.
- All we want for Christmas is... Best of the Web!
- A trip to The Greenbrier – a preserved 112,544 sq foot government nuclear bunker
- Dougal Wilson goes behind the scenes of the mischievous Channel 4 idents
- An international cast of creatives chooses the biggest moments of 2017
- Bake Off, legalising weed and Fanta's redesign: highlights from March 2017
- Vogue's new editor and a typeface for pride: a look back at April 2017
- Pantone Colour of the Year 2018 has been announced
- Pentagram partner Natasha Jen shares her most inspirational books
- Why dyslexia makes you a great designer
- Plain packaging and health warnings on food and drink could cost companies hundreds of billions
- Anxy Magazine: The Workaholism Issue explores the impact of working hard versus working compulsively
- Graphic designer John Morgan launches type foundry and art platform, Abyme