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A black and white comic strip showing a person being absorbed into a narrow vertical void. Over 16 panels, the figure is slowly pulled into the gap until they disappear completely.
A black and white comic strip showing a person being absorbed into a narrow vertical void. Over 16 panels, the figure is slowly pulled into the gap until they disappear completely.

Evan M. Cohen’s black-and-white comics address modern anxiety

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Date
28 July 2017

Illustrator Evan M. Cohen has been working on a personal comic project, aiming to launch this autumn, addressing the anxieties many face in modern society. The series of illustrations depict “the noises that hinder us” from connecting with reality, such as stress, delusion, fear, city life, social media and modern technology.

Some of the works use the comic panel setup to convey the progression of those feelings over time, showing walls closing in and the weight on a character’s shoulders slowly drowning them. Others use a larger format to create a wider scene; for example an ominous mass creeping toward the protagonist.

By using only black and white across the works, Evan has applied a uniformity to the series as well as creating drama. He uses a repeated pattern to identify the modern anxieties in each image, manifested in a range of shapes and forms, and contrasted with another pattern of clouds that appear to depict serenity.

“A lot of people are disconnected from their surroundings and it can be overwhelming to remind them of the realities of the world,” he explains of the comic’s premise. “Breaking down life through science or meditation or religion can be very rewarding. But there are a lot of requirements that distract us from being in an open minded state to accept those beliefs.

“I try to spend a lot of time outdoors and come inside to reflect on that in a tiny apartment in front of a computer screen. I enjoy technology but also am conflicted with how it is being used and how important it is to me. I don’t want to live off the grid, but I want to feel connected and comfortable with the world. I’m always searching for a good balance of noise and enlightenment and I guess this comic is a journal of that quest in some ways.”

The Oregon-born illustrator is currently based in Beacon, New York, from which he works on illustration for commercial projects, animation for music videos, motion graphics, and personal work he sells online. He cites influences as Keith Haring, Ellsworth Kelly and the work of early pop and abstract artists which he says “resonates with current alternative comics and a lot of art being published now”. According to the artist, it’s a growing sector.

“I think [comic and indie publishers] are some of the hardest working artists today and I am finding more people connecting with that kind of style and storytelling. Now more than ever you can find unique young artists online and get their work and share and trade your own art or at festivals or art openings. You can see comic artists popping up in magazines and editorials or on album covers and music videos. The community is always expanding and it’s exciting to watch it grow and be a part of it."

A black and white illustration split into two panels. The top panel shows a person looking over their shoulder against a backdrop of arched windows. In the bottom panel, a jagged, distorted pattern fills the central archway and spills across a tiled floor.
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Evan M Cohen

A black and white illustration in a grid of 12 panels. A figure gradually pulls a patterned cloth down over their head until they are completely covered.
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Evan M Cohen

A black and white illustration of a person standing centrally, their body partially obscured by horizontal, jagged bands of halftone patterns. They are surrounded by a grid of arched windows, each containing similar distorted patterns.
Above

Evan M Cohen

A black and white illustration of a person standing at a balcony, looking out over a mountain range. A large black sun hangs in a halftone sky, framed by a tall arched window. Smaller panels on either side show the landscape shifting as the sun changes from black to white.
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Evan M Cohen

A black and white illustration. A sequence of eight panels shows a human silhouette gradually dissolving into a jagged, static-like pattern. Below, two hands hold the head of a bowed figure.
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Evan M Cohen

A black and white illustration of a person with a simplified, rounded face and closed eyes. Their hands are clasped in front of them against a dense, textured background of black and white patterns.
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Left

Evan M Cohen

Right

Evan M Cohen

A black and white illustration of two people embracing. They are rendered as dark silhouettes, with a jagged, zig-zag patterned triangle floating above them.
Above

Evan M Cohen

An illustration in black and white. A grid of twelve squares shows a jagged, houndstooth-style pattern gradually shrinking and disappearing. Below, two figures lean towards each other, one with a hand to their head.
A black and white illustration of a comic strip grid showing a series of empty rooms with arched windows. In one panel, a person in a black top and white trousers walks through the space.
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Left

Evan M Cohen

Right

Evan M Cohen

A black and white comic strip showing a person walking through a minimalist building with arched windows and patterned floors. The final panel is a close-up of the person looking thoughtfully towards the light.
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Evan M Cohen

A black and white illustration of a cloaked figure with hands clasped in prayer. They stand before three arched windows against a high-contrast, zig-zag patterned background. Below the figure, five rectangular blocks contain abstract, bold black symbols.
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Evan M Cohen

A three-panel illustration showing a hand reaching into a dense field of black and white patterns. As the hand moves further into the pattern, the same textures begin to bleed across the skin. By the final panel, the hand and forearm are almost entirely covered in the pattern.
Above

Evan M Cohen

A black and white illustration featuring a central rectangle with a halftone gradient background. Inside, a zig-zag patterned circle floats above a solid black dome shape. The central frame is surrounded by a dense border of abstract geometric shapes and leaf motifs.
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Left

Evan M Cohen

An illustration of a person in silhouette, crouching low to the ground. They hold a large, heavy sphere filled with a black and white zig-zag pattern above their head.

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About the Author

Jenny Brewer

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Jenny oversees editorial output across It’s Nice That. Get in touch with writing pitches for features or opinion pieces, big creative story tips, or questions about all things editorial. jb@itsnicethat.com

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