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Learn to trust your gut more in an emotive animation from Hannah Jacobs and Harriet Gillian

It’s time to reconnect with your intuition, with help from a new animation produced by Strange Beast and made with the BFI Short Animation Fund grant.

Date
28 January 2022

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You know that gut-wrenching feeling when you know something is off? Or that exciting turn in your stomach when you’re about to embark on a new journey? Or that strange, indescribable feeling when you just simply know? These are the instinctive emotions explored in a new animation titled Your Mountain is Waiting, directed by Hannah Jacobs and written by Harriet Gillian. “The theme of intuition and trusting your gut was a topic that Harry and I had both been reflecting on when we decided to make the film,” says Hannah. Having met six months prior after receiving one of the BFI Short Animation Fund grants, the pair shared stories of life experiences over tea during their first interaction together. “I think we can perhaps all relate to times in our life when we’ve stopped listening to ourselves, or have found it harder to trust our instincts, and it certainly felt like a subject matter that was meaningful to both Harry and I,” she adds.

Your Mountain is Waiting follows a protagonist named Martha, who has stopped listening to her intuition and her life begins to suffer. After a strange encounter, she starts to reassess and begins her journey of self-discovery. The film is constructed from a textural and flat illustrative style, where colour plays a central role in determining the atmosphere and events; moody blues depict the sadder parts, while bright and happy yellows or greens illustrate the more positive. It’s very much in line with Hannah’s illustrative style, “using lots of luscious textures and colour”, as she puts it. Working with a flexible brief to push the illustrative approach, Hannah was keen to lean into her style fully. “From a story point of view,” Harriet adds, “Hannah’s illustration and design style is key to translating a lot of the intangible aspects of the film. Her work is naturally loaded with emotion and depth. I have no idea how she does it but her aesthetic gives scenes like the ‘snow world’ a whole other level of compassion and empathy.”

GalleryHannah Jacobs and Harriet Gillian: Your Mountain is Waiting, produced by Strange Beast (Copyright © Hannah Jacobs and Harriet Gillian, 2022)

An illustration of a person walking along a city pavement at night, lit by two bright spotlights. A small orange fox stands on a ledge above them, casting a long shadow that stretches across the path.
An illustration of a person in a red cap sitting at a bar, facing a figure behind the counter. Shelves behind the bar are stocked with bottles and framed by silhouettes of animals, including a badger and a heron.

The creators were inspired by a handful of films and television series, including Eternal Sunshine of the Spotless Mind, Labyrinth, Honey I shrunk the Kids and Twin Peaks, plus the imagery from “mad places” like Yosemite and the Big Wave in Arizona. They’re both also obsessed with David Attenborough and the natural world, and this too comes across in Your Mountain is Waiting. A wide pot of references in tow, the duo began to work together harmoniously and organically. “She just totally got it,” says Hannah, speaking about the moment she chucked some “very vague” thoughts at Harriet. “She ran with it and every few days came back to me with this epic and beautifully crafted script. It really was a visual banquet and it made my job very easy in terms of sketching things out and developing the world visually.” Devised entirely out of 2D cel animation with a team of animators, the completed project proves just how powerful the art of collaboration can be.

Overall, the pair hope that their audience will feel something from watching the animation. But most importantly, they hope you’ll rethink your intuition and learn to trust it a little more – to climb that mountain or get out into the unknown. “It’s fairly ironic that one of the messages of the film is to get outdoors in order to reconnect with your intuition, when we’ve been literally stuck indoors over the past two years,” says Harriet. “We’ve probably all been questioning our lives and reassessing things in them too, so I hope the film can help remind us that we can change things if we need to. It’s all in our hands – or up to individual mountains. There’s joy in breaking out and doing something new, irrational (but safe!) and freeing.”

GalleryHannah Jacobs and Harriet Gillian: Your Mountain is Waiting, produced by Strange Beast (Copyright © Hannah Jacobs and Harriet Gillian, 2022)

An illustration of a line of ants carrying large yellow and green leaves across a dark road. In the background, a person and a small fox stand on a concrete ledge under two street lamps.
An illustration consisting of three vertical panels. A person and an orange fox appear in each, moving through a dark, architectural space with blue and grey tones.
An illustration of a giant blue bird leaning its beak towards a person leaning against a thick tree trunk. A small orange fox rests on the bird’s back.
An illustration of a person standing atop a cluster of giant, colourful mushrooms under a starry night sky. The mushrooms are rendered in shades of pink, blue, orange and purple, with a glowing pink line trailing across the scene.
An animation in which a person and a fox stand in a launderette under a sign that reads “LAUNDERETTE”. The scene morphs into a floating concrete platform with green foliage hanging beneath it, where a single washing machine appears.

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Hannah Jacobs and Harriet Gillian: Your Mountain is Waiting, produced by Strange Beast (Copyright © Hannah Jacobs and Harriet Gillian, 2022)

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About the Author

Ayla Angelos

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Ayla is a London-based freelance writer, editor and consultant specialising in art, photography, design and culture. After joining It’s Nice That in 2017 as editorial assistant, she was interim online editor in 2022/2023 and continues to work with us on a freelance basis. She has written for i-D, Dazed, AnOther, WePresent, Port, Elephant and more, and she is also the managing editor of design magazine Anima. 

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