Few clothing collections can claim to be truly revolutionary (although many press releases will have a go) but Issey Miyake’s 1993 Pleats Please can justly be designated as such.Cut and sewn from fabric that is nearly three times bigger than the final pieces, the garments are fed into a pleats machine to combine texture and form in a beautiful way.
Whether it’s shirts, skirts, trousers or cardigans, the collection was a triumph of style and wearability, rendered in bright bold colours that added another dimension.
A new book published by Taschen tells the story of this extraordinary development in fashion technology with beautiful shots of the finished pieces across the various iterations displayed alongside lovely behind-the-scenes production images. It’s written by Midori Kitamura, a former employee of the designer who is thus perfectly-placed to give an interesting and insightful account of the Pleats Please range but as so often with Taschen this book’s appeal resides predominantly in the gorgeous visuals.
- Paul Sahre chats to us about his new book Two Dimensional Man: A Graphic Memoir
- How can we connect young, diverse talent with the agencies who crave it?
- Ricky Leung’s illustrations capture the quiet moments of everyday life
- Photographer Chris Maggio palpably documents America’s current “emotional climate"
- Seoul-based Shrimp Chung’s dynamic designs are bright and full of impact
- Choreographer and director Holly Blakey on making work for everyone
- Peter Funch has photographed the same people on the same street for nine years
- North reveals full Science Museum rebrand, and reacts to online criticism
- GraphicDesign& outline three projects that successfully support and impact mental wellbeing
- Dove apologises and removes advert showing a black woman becoming a white woman
- Apple announces launch of gender neutral emojis
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity