Ivana

Work / Illustration

Ivana Zorn

Words by Alex Bec, Wednesday 06 April 2011

Recently I’ve been revisiting the wonders of the Mighty Boosh through the medium of a dusty DVD collection, which led me to re-visit their printed annual which came out a couple of years ago now. While flicking through I noticed some great bits of commissioned illustration, and thought I’d find out who was behind them, so you didn’t have to. The culprit is Ivana Zorn, and for the neutral there’s a seclection fo great type and potraits and for the die-hard fans an excuse to re-kindle an old classic… “Ooo Ooo Ooo I did a twisty…”

Work / Illustration Shin Morae translates her memories into pastel illustrations

“My drawings are like monologues,” says Seoul-based illustrator Shin Morae. “I draw to remember something or someone very important to me – they are memories. My work is very nostalgic.” As well as subject matter, this sense of nostalgia has worked its way into Shin’s aesthetic, which is inspired by 90s anime, in particular the colour palettes. Throughout her portfolio, the illustrator has created a world full of sugary sweet pastel hues tied together by fine linework and smooth gradients.

Rebecca Fulleylove — 19 October 2017
Work / Illustration Ricky Leung’s illustrations capture the quiet moments of everyday life

Ricky Leung’s work is often inspired by the idea of “slow living”, with a sustainable, local and organic approach to everyday life being both “intriguing and beautiful” to the illustrator. “Travelling, interior deign, film photography and food are things I love… I want to convey those feelings and imagery through a light-hearted and playful way.”

Rebecca Fulleylove — 18 October 2017
Work / Publication Carnovsky illustrates the human body under X-ray using RGB illustration technique

Illustration for educational books has become ever more inventive in recent years, diversifying a medium that has vast creative potential, and Wide Eyed Edition’s recent release Illumanatomy is symbolic of this shift. The large format book is filled cover to cover with full bleed, intricate, three-colour illustrations by Milan-based duo Carnovsky depicting the human body in three layers. Using a set of lenses that come with the book, you can see the skeleton (through the red lens), the muscles (through the green lens) and the organs (through blue) and learn facts about the details of each image. It uses a technique made famous by Carnovsky in 2010 for its RGB wallpaper that revealed different images under different lights.

Jenny Brewer — 16 October 2017
Work / Illustration Saiman Chow adopts a psychedelic vibe for his editorial illustrations

“Doing editorial work is a lot like going to bootcamp. Once you hit the ground, you have to run as fast as you can in 24–30 hours and hopefully get to the finish line in one piece,” says illustrator Saiman Chow on his editorial commissions. “There’s no time to overthink it and despite the time constraints, it’s a great way to train yourself to trust your intuition.”

Rebecca Fulleylove — 12 October 2017
Work / Illustration The inner workings of Ori Toor's cerebral labyrinth for our World Mental Health Day takeover

For our World Mental Health Day takeover, we tasked Tel Aviv-based illustrator and animator Ori Toor with visualising a complex and sensitive topic. “I wanted to show the intricate mind of the creative person,” he explains of his interpretation of the brief. “I made it a bit personal, as I do with most of my work – overall it’s joyful but at the same time trying to keep the darker side under control. I wanted to create a balance between happy and sad.”

Jenny Brewer — 10 October 2017
Work / World Mental Health Day Illustrators Tishk Barzanji and Charlotte Edey discuss isolation

Back in spring, we first featured the work of Tishk Barzanji, who revealed that his pastel-hued interiors spoke of an underlying anxiety. This month the Iraq-born visual artist is set to take over Hackney venue Palm Vaults alongside illustrator Charlotte Edey for Quiet Utopia, a joint show which, using Tishk’s signature surrealism, will explore “the importance of introspection” through large scale digital works, illustrations and woven tapestries. We caught up with the pair in the lead up to the show’s launch to talk about the ways in which introspection and isolation can be a useful part of the creative process in a world where we are never not connected.

Bryony Stone — 10 October 2017