Features
Work
News
Nicer Tuesdays
Shop

Twitter
Facebook
Instagram
YouTube

Advertising
Animation
Architecture
Art

Fashion
Film
Furniture Design
Graphic Design

Illustration
Interactive
Miscellaneous
Photography

Product Design
Publication
Sculpture
Set Design

It’s Nice That

About
Contact
Submit
Advertising Opportunities
Terms & Conditions
Privacy Policy
Cookie Policy

Network

Printed Pages Magazine
Here London Symposium
Nicer Tuesdays Event
Company of Parrots Shop
If You Could Jobsboard
Lecture in Progress
Anyways Creative Agency

All Sections

Features
Work
News
Opinion
Watch
Publications
Events
Partnerships

Regulars

Things
Bookshelf
Diary
Friday Mixtape
Monthly Brief
The Graduates
Review of the Year
Ones to Watch
The It’s Nice That Podcast

Editorial Staff

Bryony Stone
Josh Baines
Jenny Brewer
Lucy Bourton
Ruby Boddington
Jyni Ong

Social Media

Twitter
Facebook
Instagram
YouTube
Pinterest
Tumblr
Soundcloud
Newsletter
RSS

Championing creativity

Advertising • Animation • Art • Graphic Design • Illustration • Photography •

View all categories

Main — Jack Hudson/Lord Whitney: Bobby Coolfinger – Deluxe Finger (detail)

Work / Set Design

Jack Hudson and Lord Whitney create amazing series of imagined LP covers

Words by Rob Alderson, Wednesday 08 May 2013

We were pretty chuffing excited when we found out that Jack Hudson was joining forces with Lord Whitney for a series of fictional record covers. That excitement went up a notch when we found out the title for said project was Mock N Roll because puns make us feel alive. And now the fruits of this collaboration are out? Well they’ve surpassed even our own sky-high expectations. Weird and wonderful doesn’t even come closer to describing this vibrant, silly and sometimes utterly bizarre series of bogus LPs which boast a compelling visual vernacular that runs throughout. An homage to the colour-saturated world of yesteryear, you can feel the fun Jack and Lord Whitney clearly had putting this together, particularly in naming the bands and albums.

1.cristo-martinez--scarlet-fever — Jack Hudson/Lord Whitney: Cristo Martinez – Scarlet Fever

4.peter-string--dripping-sticky — Jack Hudson/Lord Whitney: Peter String – Dripping Sticky

3.dumb-trigger — Jack Hudson/Lord Whitney: Dumb – Trigger

5.jerry-king--the-damage-is-done — Jack Hudson/Lord Whitney: Jerry King – The Damage Is Done

6.les-trois-anoraks---la-baleine! — Jack Hudson/Lord Whitney: Les Trois Anoraks – La Baleine

8.hank-doom---hard-boiled — Jack Hudson/Lord Whitney: Hank Doom – Hard Boiled

9.streetwolf-tienes-fuego- — Jack Hudson/Lord Whitney: Streetwolf – Tienes Fuego

2.dallas-swing---silence-is-golden — Jack Hudson/Lord Whitney: Dallas Swing – Silence is Golden

10.don-damage-and-the-stallions--hot-doggin-dog — Jack Hudson/Lord Whitney: Don Damage and the Stallions – Hot Doggin’ Dog

11.memo-memo--candied-dream — Jack Hudson/Lord Whitney: Memo Memo – Candied Dream

7.bobby-coolfinger-deluxe-finger — Jack Hudson/Lord Whitney: Bobby Coolfinger – Deluxe Finger

www.mocknroll.co.uk
www.jack-hudson.com
www.lordwhitney.co.uk

Most Recent

Maddie Williams works with majority repurposed materials in her renewable textiles practice 25 September 2018
Paloma Proudfoot's debut UK exhibition - The Detachable Head Serves as a Cup - is as intriguing as its title 25 September 2018
Studio Tillack Knöll’s ultimate goal is to communicate, rather than just design for design’s sake 25 September 2018
Adrian Kay Wong and Printed Goods visually interpret being twins for their collaborative poster 25 September 2018
Multimedia artist Eilen Itzel Mena explores the survival of Afro-diasporic people 24 September 2018
David Robert Elliott's photographs of young runners examine aspiration and self-worth 24 September 2018

More like this:

Work / Photography Benedict Morgan exposes the trickery of a photography set in his Tableware series with Lisa Jahovic

There’s always something intriguing about how a visual illusion is performed, and it’s our curiosity towards such trickery that photographer Benedict Morgan has been investigating for years now. His latest personal work to do so is Tableware, a set of images revealing the “truths” of a photography set. Each shot – co-created with set designer Lisa Jahovic – is split in half, the top showing a printed photograph, the bottom showing the set in real life, immaculately sewn together in-camera. The results make anyone want to look closer.

Jenny Brewer — 21 May 2018
Work / Set Design Nico Krijno's new work steps into energetic and chaotic set design

It is difficult to describe which discipline the work of Nico Krijno falls under. Widely known for his editorial photography, when we stumbled across the journal section of his website our eyes were met with collaged works, and in their mishmash of colour and texture we struggled to work out whether they were digitally made or were born out of a unique style of set design.

Lucy Bourton — 10 January 2018
Work / Set Design New Studio's diverse editorial work for The New York Times Magazine

Derek Brahney set up his studio in Brooklyn after working freelance for a few years as a way to officially separate his commercial work from his artistic practice. “I had gotten to the point where I could finally (barely) afford to rent a small studio space, which felt like somewhat of a milestone,” Derek explains. So when he acquired his new studio he decided to celebrate the fact and name it New Studio, of course.

Ruby Boddington — 13 December 2017
Work / Set Design Thomas Petherick and Georgia Pendlebury explore the sculptural quality of clothes for Novembre Magazine

“When I was a student, I met someone that was studying set design and remember thinking, ‘how boring, I couldn’t think of anything worse’,” explains London-based set designer, Thomas Petherick, “ten years later, here I am and it couldn’t be any less boring!”

Ruby Boddington — 08 November 2017
Work / Set Design Michela Natella’s hyperreal world and stand-out set designs for Toilet Paper Magazine

The hyperreal world is where Michela Natella spends her time, sifting between a colourful land that makes you question what is real and what is purely imagined. Having spent the last 10 years in set design, this area of practice is her most crafted and defined, stemming from a hugely creative background and hands-on approach.

Ayla Angelos — 06 September 2017
Features / Set Design Set designer Gary Card on the importance of being a chameleon

“This is, I think, the generation of the polymath. Everyone’s a polymath! It’s a word that’s thrown at me quite a lot.” Meet Gary Card, a multi-talented set designer, illustrator, artist, and lately, sculptor. Adaptability is part of the territory for a set designer. “Every day is completely different. It’s a great thing being a set designer: you’re constantly making new things, you’re constantly shifting. By our very nature we have to be chameleons to be able to apply a brand new set of skills to each job.”

Bryony Stone — 22 February 2017

Work / Fashion Maddie Williams works with majority repurposed materials in her renewable textiles practice

London-based textiles designer Maddie Williams works as ethically and sustainably as possible, for instance using old Royal Mail sacks in her renewable designs. Her garments are mainly made up of reclaimed and repurposed materials as well as organic and ethically sourced, natural fibres. Speaking to It’s Nice That, Maddie tells us “I have a love of texture, I’m always trying to find ways to create new fabrics that make people wonder what they’re made of, or want to touch”. Maddie’s collections repurpose materials such as bicycle tyres, army surplice parachutes, tarpaulin and carpet underlay. The designer creatively finds uses for any found material which informs the structure and ideas of the beautifully, vibrant garments.

Jyni Ong — 25 September 2018
Work / Art Paloma Proudfoot's debut UK exhibition - The Detachable Head Serves as a Cup - is as intriguing as its title

Ahead of experiencing RCA alumni Paloma Proudfoot’s exhibition at the Cob Gallery we were sent an essay by the artist. Written as if hurriedly spoken, there was an urgency, a palpable energy and a visceral quality to her words. They called into question inspirations as an artist, the messy often haphazard approach to shows, how through widening our view and not shackling ourselves with a sense of how a project might be approached we can open up its possibilities. Her words, like her ceramics hit an inner point — then twist and turn us from within, calling into question our response to objects; their ability to evoke memories and the potentially heavy-hitting responses.

Laura Isabella — 25 September 2018
Work / Graphic Design Studio Tillack Knöll’s ultimate goal is to communicate, rather than just design for design’s sake

Studio Tillack Knöll is a graphic design duo who’s first-rate studio output which is highly accessible and visually communicative. Founded by Steffen Knöll and Sven Tillack, the Germany-based pair constantly challenge each other’s ideas in order to create the best work. “Through this method we can combine different approaches to design and work for a variety of clients from culture, commerce and architecture”, the duo tell It’s Nice That. “We aren’t specialised in any particular field”, from designing books and signage to design in three-dimensional space, the pair also teach at the State Academy. “Besides constantly challenging the other’s view, we are always discussing the relationship between content, image and text with the ultimate goal to communicate more than just design for design’s sake”.

Jyni Ong — 25 September 2018
Media Partnership / Dropbox: Monthly Poster Adrian Kay Wong and Printed Goods visually interpret being twins for their collaborative poster

Despite the fact that artist Adrian Kay Wong lives in Los Angeles and Raffy and George – who make up design studio Printed Goods – live in Bristol, the group have got a lot in common. Firstly, both have a similar approach to work regardless of their differing practices. They both appreciate strong geometric presence in their creative endeavours, working logistically by also limiting themselves to a carefully selected colour palette. It doesn’t matter about the eight hour time difference: this lot are very much in the same place.

It's Nice That — 25 September 2018
Work / Art Multimedia artist Eilen Itzel Mena explores the survival of Afro-diasporic people

Bronx-based Eilen Itzel Mena is an Afro-Dominican-American artist practicing across various mediums including poetry, painting, drawing, installation and performance. Her work begins with poetry or illustration and explores important social realities including nature, race, sex and gender in an African diasporic context. Through various mediums, the artist works around the themes of everyday diasporic actions such as spiritual ritual and artistic actions which have been passed down through many generations.

Jyni Ong — 24 September 2018
Work / Photography David Robert Elliott's photographs of young runners examine aspiration and self-worth

“My practice really feels like a learning process in and of itself. It’s a way for me to learn about myself and discover things about the world we are in,” San Francisco-based photographer David Robert Elliott tells It’s Nice That. Originally from Kansas City, David has spent the past ten years working on editorial, commercial and personal projects.

Ruby Boddington — 24 September 2018

Work / Graphic Design Pedro Ajo graphically translates Brazillian pixação into a publication

For Pedro Ajo, a half Spanish, half Brazilian graphic designer, “or visual communicator, as I like to say since it feels less restrictive to me,” his career in the medium began by playing around in Photoshop. He was 13 at the time and spent hours designing avatars for internet forums and signature banners.

Lucy Bourton — 24 September 2018
Work / Graphic Design New work by Hezin O explores the techniques of print, both physically and conceptually

2018 has been a busy year so far for South Korean graphic designer, Hezin O. Having last spoken to her when she produced a beautifully illustrated calendar for this year, it seems only right that she’s been filling it with tonnes of stuff — “20 projects, five group shows, one residency and one workshop”, to be precise.

Ruby Boddington — 24 September 2018
Work / Digital Daniel Brathwaite-Shirley is an animation and sound artist archiving their existence as a Black trans person

Daniel Brathwaite-Shirley is a radical artist making work that is the first of its kind in terms of aesthetic, sound and concept. Working predominantly in animation and sound, they combine the two in a wholly original way to communicate their thoughts and experiences around Black, trans identity. Speaking to It’s Nice That, Daniel says, “there are hardly any visible Black and trans artists. We exist but people would rather have us remain quiet. I am tired of being silent. I am tired of the active silence that occurs when I experience trauma. So between being too anxious to leave my room and braving the outside, I make work as a way of dealing with, and recording ongoing events in my life. I would call them all self-help pieces. It’s been the best way of dealing with the pain and love that Black and trans people exist in”, they explain.

Jyni Ong — 24 September 2018
Work / Exhibition Unseen Amsterdam's artistic director on how its richest line-up yet inspires and informs

Without a doubt, Unseen Amsterdam is a highlight for any photography fanatic’s annual calendar. Whether you’re an iPhone snapper, a master of the disposable at festivals, or a fully-fledged “photophile” who never leaves home without your Hasselblad in tow, Unseen Amsterdam is sure to fit the bill. Exclusively focusing on what’s new in the photographic world, the three-day event provides a channel for up-and-coming talent to showcase their work.

Ruby Boddington — 21 September 2018
Work / Graphic Design Jackson Green’s design work explores the chasm that exists between statement and intent

New-York based graphic designer and type designer, Jackson Green mainly works with musical artists and clothing brands to create an effective “tone of voice” through his designs. His designs are bold and colourful, influenced by the futuristic ideas of Wim Crouwel which strive towards a sense of chronological ambiguity in the design’s make-up. Speaking to It’s Nice That, Jackson explains, “a huge part of my reason for design is to explore the Explanatory Gap”, a philosophical idea coined by Joseph Levine investigating how physical properties give rise to the way things feel when they are experienced.

Jyni Ong — 21 September 2018
Work / Publication Why Materials Matter: Seetal Solanki's accessible proposal for the future of materials, designed by Our Place

“Materials exist everywhere and make up our world, everything is made of something,” outlines founder and director of Ma-tt-er – and former It’s Nice That One to Watch – Seetal Solanki. A research design studio that explores the past, present and future of materials, last night (20 September) Seetal launched Ma-tt-er’s first book, Why Materials Matter, which questions what it means to live in a material world, and how materials of the past and present hold the keys to our future.

Ruby Boddington — 21 September 2018

Regulars / Friday Mixtape Friday Mixtape: Animator Steve Smith takes us from Kate Bush to Oneohtrix Point Never

Los Angeles-based animator Steve Smith has ridiculously high skills in building animated shorts that combine both the very weird and the very wonderful.

Lucy Bourton — 21 September 2018
Work / Art Tom Galle’s internet-based practice captures your attention in a few seconds, scrolling through your feed

Belgian-born conceptual artist Tom Galle works in the realm of internet culture, his fast-paced and quick-witted art keeps up with the speed of the internet; mimicking the simple yet effective language of memes. Speaking to It’s Nice That, Tom explains, “I’m mostly interested in meme culture and how it’s now global language is completely reshaping our contemporary culture”. Tom’s work captures the immediacy of the internet, applying its set of codes with humour to successfully communicate his digital work. “My audience is mainly internet based, so my ideas capture people in a few seconds time while scrolling through their feed” says Tom, the work “takes people’s attention with a simple concept that taps into internet culture which people can relate to”.

Jyni Ong — 21 September 2018
Features / Art “Fear and desire for connection and the blocks to it”: artist Martine Syms on her exhibition Grand Calme

“Where do I begin?” laughs American artist Martine Syms down a transatlantic phone line. She’s currently in New York, working on an upcoming exhibition, but we’re connected to talk about her latest solo show Grand Calme which recently opened at London gallery Sadie Coles HQ.

Bryony Stone — 20 September 2018
Work / Film Iggy Ldn captures beauty, power and pain in his short film, Velvet

How do you tell a story about knife crime without falling into tropes that demonise young people? It’s a challenge in the current social context, where the image of knife crime hinges on one-dimensional caricatures of young black men. See a news report about tragedy and you might hear the name “gang”, young men in hoodies, or worse, a moral panic about music like “UK Drill” at the heart of all violence in London. So what about the real stories? It’s a challenge that filmmaker Iggy Ldn has taken, to show the beauty of life beyond reductive headlines. His exquisite short film Velvet encompasses all the beauty and joy of life in abundance. The short takes us through a liberated, urgent, dance, showing hypnotising and powerful rising forms as Michael Junior Onafowokan body’s moves in times with music provided by Father and Kwabs. Iggy’s previous work is testament to taking a breath and reimagining visions of blackness — his stand out short film Black Boys Don’t Cry was a critically acclaimed look at the delicacy of black masculinity.

Kieran Yates — 20 September 2018
Sponsored / Exhibition Art Bank Taiwan joins London Design Biennale this week, exploring cultural identity through political and social commentary

Art Bank Taiwan will join the London Design Biennale for its final week this week at Somerset House. The exhibition will interpret the Biennial theme “Emotional States” in an exhibition titled Invisible Calls. The work will showcase contemporary work by acclaimed artists Cheng-Chang Wu and Che-Yu Hsu who both explore Taiwanese cultural identity through social and political commentary through an ‘invisible call’ to action.

Kieran Yates — 20 September 2018
Work / Illustration Tiziana Jill Beck explores the identity of anonymous travellers through masks

Paris-based artist, Tiziana Jill Beck is fascinated by the role masks play in society. Her practice blends contemporary concerns with the kind of energy that emanated from the kind of drawings that sat on the wall of prehistoric caves, only to be found millenia on. Tiziana’s work draws from daily observations as well as folk art, art history and literature which she transforms intuitively into new compositions to bring about unexpected surprises and new meanings.

Jyni Ong — 20 September 2018

Work / Publication The new issue of Indoek brings America's oldest city to life

St. Augustine is America’s oldest city. Tucked away on the northeastern tip of Florida, St. Augustine is more specifically the oldest continuously occupied settlement of European origin in the contiguous United States. Pedro Menéndez de Avilés, a Spanish conquistador, willed it into being back in 1565. 452 years on, and surf-mad publication Indoek have celebrated all that’s good about St. Augustine with the second issue of its city-specific magazine. We now want to go to St. Augustine.

Josh Baines — 20 September 2018
Work / Animation Master of plasticine Kate Isobel Scott is back with a new animation

Anyone who has watched a stop-motion animation by Kate Isobel Scott will know she’s got a steady pair of hands and the utmost patience for plasticine. Her shorts are usually all made of moulded blobs of the material morphed into wide-eyed characters wibbling and wobbling through sets that also makes by hand. A process which takes time and a ridiculous attention to detail, Kate’s animated skill was recently picked up by New York-based street brand Knickerbocker to create a short focusing on a 1950s New York street scene with a skateboarder.

Lucy Bourton — 20 September 2018
Work / Graphic Design Johannes Schnatmann understands himself as an author as much as a graphic designer

For Berlin-based graphic and type designer Johannes Schnatmann, the internet is his main inspiration. Working alongside commercial projects, the designer has created his own publication Tempus Futurum which explores the idea of a utopian design process. Featuring over 20 contributions from designers, including It’s Nice That favourites Pouya Ahmadi and Jonathan Castro, each creative dissects the personal concept of Utopia following the publication’s premise that utopian design is impossible. Speaking to It’s Nice That Johannes explains how, “there should be no limit or point of restraint in a design process. Design is limitless”. For instance, “the design of a chair continues to prove that it is limitless. It’s design is still explored and reinvented. It is refused a point of utopia”.

Jyni Ong — 20 September 2018
Work / Film Filmmaker Samona Olanipekun explores innocence and loss in his love letter to the immigrant experience, Kindred

Samona Olanipekun talks to It’s Nice That about the thinking behind his short film Kindred, an eight minute dream-like journey into what it means to be a subject of a shifting cultural identity. “I really wanted to put across this idea of a collective journey. My parents moved to the UK in the 80s for education and to give us the best possible opportunity in life. For me, making this film was a way to explore what that meant”, explains Samona. The short is commissioned by the Barbican as part of their season titled The Art of Change; Samona was given the theme “Globalisation” to explore. “When I came across the brief I had already had a few ideas that revolved around the migration of people” he says. “In recent years I’ve had a huge fascination on the migration of people and the risks people take to venture into the unknown or the conditions that force people to take that risk.”

Kieran Yates — 19 September 2018
Work / Publication Beyond Heaven is a visual history of early Chicago house music

“The graphic elements — from typography to illustration, to the use of printing process with those gradients — all add up to a varied but distinctive aesthetic that visually represents this culture.” Brandon Johnson is talking about flyers. More specifically he’s talking about flyers for house nights. Even more specifically, he’s talking about the flyers that make up his wonderful new publication Beyond Heaven: Chicago House Party Flyers From 1983-1989, a 96-page collection of visual ephemera from one of the most significant periods in the history of nightlife and club culture.

Josh Baines — 19 September 2018
Work / Animation Dinner For Few is an allegorical animation depicting our society that benefits a select few

Dinner For Few is a ten minute CG-animated film depicting a sociopolitical allegory of our society. Directed by Emmy award-winning animation artist Nassos Vakalis, the animation is now available for online viewing on Vimeo. Following a narrative of a grand dinner hosted by gluttonous characters taking their fill of everything and anything in the surroundings, the film offers a nontraditional CG aesthetic using flat graphics and dark outlines as opposed to 3-dimensional realism, providing an appropriately harsh lens to the story of self-indulgence.

Jyni Ong — 19 September 2018

Work / Publication Grace Ahlbom’s publication Dreaming is Heavy Metal investigates new printing methods

Imaginative and diverse, artist-cum-photographer Grace Albohm has a self-proclaimed propensity to “romanticise the handwork, labour-intensive and traditional printing of photography,” she says. From curiously found fanzine images brought into the darkroom and made into cyanotypes, to shining a torch through pin-holes cut from cardboard, hers is a practice that opens up the oft-abandoned darkroom and turns it into a place of delightful happenings, and magic.

Laura Isabella — 19 September 2018
Work / Illustration Anna Gille’s evocative illustrations dissolve the barrier between the natural and the artificial

Berlin-based illustrator Anna Gille brings out the beauty of the natural environment through her illustration series Window (VPPB). The illustrator has been producing images of various landscapes for the past three years forming the basis of her Windows series, working from a large archive of digital photography featuring different kinds of landscapes including parks, gardens, nature reserves and zoos. She collects such photos alongside screenshots of digital simulations and computer game graphics, widening her archive to encompass a broad range of real and artificial topographic documentation.

Jyni Ong — 19 September 2018
Work / Photography Photographer Thurstan Redding’s project Castle Village portrays an optimistic and joyful view of old age

A retirement village in Berkhamsted might not be the first place you would imagine to find fashion photographer Thurstan Redding — who has shot for the likes of British Vogue, Arena Homme +, i-D, Dazed and Love — but it was here, in Castle Village, that one of his most unique projects thus far took shape.

Laura Isabella — 18 September 2018
Work / Publication Jay Cover and Brad Holdgrafer visually tackle the concept of walls through "playschool politics"

Walls, a recent children’s book made by illustrator Jay Cover and art director Brad Holdgrafer, is a literal depiction of the political situation in both the US and the UK, a metaphorical exploration of the concept of a wall, and a “playful look at the problem” for the kids it’s aimed at and the parents reading to them, too. It started as a pet project between the two, over Skype and e-mail the book, which combines a rhyming poem by Brad and Jay’s illustrations, was a cathartic exercise initially, until Princeton Architectural Press got in touch and saw its cultural and visual worth.

Lucy Bourton — 18 September 2018
Work / Graphic Design Emily Schofield’s graphic design practice balances function with irrationality and expression

London-based graphic designer Emily Schofield realised that her interests in fiction, contemporary culture, art and politics didn’t have to exist separately from her design practice. Her beautifully, crisp portfolio of work spans print, digital design and art direction demonstrating a delicate balance between creative expression and logical functionality. Speaking to It’s Nice That, Emily explains that in her creative process, “I need to be able to express something with my designs but when you become too focused on style and expression you often lose the bigger picture,” she says. “I only find meaning in my work when I see its larger role in society — whether that’s functionality, or an ability to provoke reaction, or simply to communicate a message”.

Jyni Ong — 18 September 2018
Work / Illustration Dairy drinks and cigarettes meet in Lucas Reis' illustrative evocations of Japan

When Lucas Reis was a kid growing up in Brazil, he had a Japanese friend. That friend was Lucas’ link to a country that has gone on to fascinate him ever since. The illustrator — who is also a creative at Mother — absorbed as much as he could from his playground pal. “As my taste began to develop in music, art, and design, I was always very aware of what was happening in Japan,” he tells It’s Nice That. “I tried to really understand what such a different mindset to my own could produce.”

Josh Baines — 18 September 2018

Keep up to date with It’s Nice That — Sign up for our daily newsletter and follow us on social media

Daily Round-Up
Weekly Top-Ten
Nicer Tuesdays
Printed Pages & Shop
Here

Please select the newsletter categories you'd like to recieve

Twitter
Facebook
Instagram
YouTube
Pinterest
Tumblr
Soundcloud

21 Downham Road,
London, N1 5AA, UK

@itsnicethat
+44 (0)20 7739 5222

Terms & Conditions
Privacy Policy and Cookies Policy

We use cookies on this website to analyse your use of our products and services, provide content from third parties and assist with our marketing efforts. Learn more about our use of cookies and available controls: cookie policy.

Please be aware that your experience may be disrupted until you accept cookies.

I accept It's Nice That's use of cookies