Whatever the reason for it being built – and debates over what Stonehenge actually is still rage among academics – it remains one of England’s most recognisable sights. The mystery may help explain its endurance in our national consciousness, but whenever this happens, creatives cannot help muck around with such a legacy. Arguably the best scene of the superlative SpinalTap comes when the tiny model of the famous landmark is lowered onto the stage during their song about the druid-built wonder, Eddie Izzard has a section on it in his Dress to Kill show and now Jeremy Deller has created an inflatable version for the Glasgow International Festival of Visual Arts.
The super-fun 20ft high replica has been installed on Glasgow Green and has proved a big draw for local kids (and big kids) – after the festival it will travel around the UK before ending up in London for the Olympics. The artist himself says it’s “a way of interacting with history and archaeology and culture in a wider sense” and it certainly fits in with his longstanding interest in the way our society shapes and is shaped by its past. Plus it looks AWESOME FUN.
- Michael Marcelle’s photography is “like a broken funhouse mirror in a gay haunted house”
- Books From The Future's experimentally collaborative and investigative publishing
- Issue four of Beauty Papers screws the formula of beauty, giving it a “brave new face”
- Molly Matalon shoots a fashion editorial in the desert, and things get brotherly
- Laura Callaghan on illustrating a lifestyle where women make all decisions
- Starting Out and Making It - what we learned at A/D/O
- Peter Funch has photographed the same people on the same street for nine years
- North reveals full Science Museum rebrand, and reacts to online criticism
- GraphicDesign& outline three projects that successfully support and impact mental wellbeing
- Dove apologises and removes advert showing a black woman becoming a white woman
- Apple announces launch of gender neutral emojis
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity