Despite our love of prattling on, sometimes it’s the artists themselves who best articulate the qualities of their work we so admire. So it is with Kate MccGwire, who describes her extraordinary feather creations as being “both sensual and deviant in equal measure.” Kate is best known for her huge pieces where slicks of feathers become organic masses and take over the gallery space in beautiful and unsettling ways. Her new show opening in London next week focusses on less overwhelming but no less intriguing pieces, smaller sculptures of incredible form and texture which seem to throb with an inner vitality.
Two pieces in particular reflect Kate’s interest in hair and the big, plaited forms add an unerring human dimension to her bewitching creations.
Lure runs at All Visual Arts between November 22 and January 26.
- Mikey Please takes us behind the scenes, and the backlash, of the Bake Off trailer
- From New York to Springfield, it's Best of the Web
- Taschen releases two volumes of National Geographic’s best photographs from the past 125 years
- Simon Landrein takes Dan Croll down the rabbit hole in his animated video for Tokyo
- Thomas Duffield on photographing his dad’s hidden heroin addiction
- Parker Day's lurid colours and grotesque characters elevate identity and fantasy (NSFW)
- Hate the iPhone X notch? There’s an app for that
- Lisa Simpson’s bookshelf: from the curator of Instagram’s Simpsons Library
- Biplab Hazra’s photo of elephants being attacked by mob wins Sanctuary prize
- Michael Bierut: 13 ways of looking at a typeface
- Uncle Ginger uses hypnotic shapes to animate the facts and feelings of bipolar disorder
- Michel Gondry’s John Lewis Christmas advert – Moz the Monster – is unveiled