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Championing creativity

Advertising • Animation • Film • Graphic Design • Illustration • Photography •

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Work / Graphic Design

Paris-based Lisa Guedel-Dolle’s precise and simple designs

Words by Rebecca Fulleylove, Thursday 05 January 2017

French graphic designer Lisa Guedel-Dolle is interested in printed matter and many of her projects aim to “assert the identity and uniqueness” of her clients through “simple and precise design choices”. This clean and pared-back aesthetic was developed while studying at ECAL in Lausanne, and she’s carried it forward in her freelance work. Lisa’s simple but confident design decisions have seen her create work for many culture-based clients in fields like architecture, art, photography and music.

Much of Lisa’s work comes in the form of posters and publications where composition and layouts are made logically and informed by the content she’s been given. Communication is a key part of the designer’s work and through typography and imagery she creates rational yet expressive responses.

Rosie Ruiz Shortcuts to Fame, and The Blind Corner: Fame and Drama are just two books Lisa’s designed that show her ability to merge text and visuals together. In other projects she lets the visuals sing loudly on the page, uninterrupted.

Lisa_guedel-dolle_int_5 — Lisa Guedel-Dolle

Lisa_guedel-dolle_int_7 — Lisa Guedel-Dolle

Lisa_guedel-dolle_int_11 — Lisa Guedel-Dolle

Lisa_guedel-dolle_int_12 — Lisa Guedel-Dolle

Lisa_guedel-dolle_int_10 — Lisa Guedel-Dolle

Lisa_guedel-dolle_int_9 — Lisa Guedel-Dolle

Lisa_guedel-dolle_int_13 — Lisa Guedel-Dolle

Lisa_guedel-dolle_int_14 — Lisa Guedel-Dolle

www.l-gd.fr/home-en

Words by Rebecca Fulleylove, Thursday 05 January 2017

Most Recent

In celebration of his new book 2017, Bráulio Amado picks out the work he loves from last year 23 April 2018
Environmental Activism: Why We Need To Shake Up the Visual 23 April 2018
Charlotte Dumortier on her identity for this year's ELCAF and what she's looking forward to most 23 April 2018
Google Fonts Korean becomes interactive by manipulating path data 23 April 2018
Photography series Metamorphosis reimagines iconic female characters as 21st-century women 23 April 2018
National Geographic’s creative director Emmet Smith on the publication’s redesign 20 April 2018

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Work / Graphic Design Designer Anatole Couteau's technical approach lets him communicate simply and precisely

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Ruby Boddington — 20 April 2018
Work / Graphic Design Baptiste Bernazeau draws on a degenerating building complex for his latest typeface

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Daphne Milner — 19 April 2018
Work / Graphic Design GT Super: the typeface inspired by the lowercase "a" in a newspaper clipping

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Ruby Boddington — 18 April 2018
Features / Publication Design to improve the general quality of life: exploring Paul Rand's IBM Graphic Standards Manual

In a televised interview with Paul Rand in 1991 the designer was asked, “What does the world need with graphic design, what does it do for us? To the average person it may seem a kind of… fussy little concern with moving words around, pictures around, what good does it do us?” Paul responds that he’s been thinking about this for many years: “Up to rather recently, I sort of concluded that we were not very important. Or you can put it another way – there used to be a guy in my agency days, he would say, ‘how is it possible to make so much and do so little?’”

Lucy Bourton — 18 April 2018
Work / Graphic Design Lovers’ campaign for Greenpeace borrowed from the “grotesque brand soup” found in our oceans

Before the world woke up to the endemic global issue of plastics pollution in our oceans, Greenpeace reached out to London design agency Lovers to help put the problem on the front pages. With the End Ocean Plastics campaign planned, Lovers was enlisted to design a toolkit including a typeface, imagery, textures and colour scheme for Greenpeace’s in-house design team to employ across all sorts of media, when the time was right. “The idea was to create a campaign to make people see that it’s grim,” Lovers’ founder Alex Ostrowski explains to It’s Nice That. “To make them think ‘I’m so viscerally disgusted by this that I need to take action.”

Jenny Brewer — 17 April 2018
Work / Graphic Design Golgotha studio's loud and impressive visuals feel straight out of a Saturday morning cartoon

Although spanning motion graphics, identities, web design, animation, art direction and everything in-between, design studio Golgotha’s work is some of the most visually succinct (and striking) we’ve seen in a long time. Based in Paris, the studio was started in 2013 by Guillaume Hugon, Marvin De Deus Ganhitas and Antoine Aillot and has built up a portfolio that is loud and buoyant, not to mention impressive.

Ruby Boddington — 17 April 2018

Work / Publication In celebration of his new book 2017, Bráulio Amado picks out the work he loves from last year

“I first met Bráulio as an international exchange student in my class at the School of Visual Arts, in New York City, which I taught with John Fulbrook,” reads Pentagram’s Luke Hayman’s introduction at the start of Bráulio’s Amado’s latest book, 2017. “Bráulio was possibly one of the most enthusiastic students we taught during my seven years at the school. Certain students come with a commitment and eagerness that makes teaching worthwhile and benefits the whole class. He did well.”

Lucy Bourton — 23 April 2018
Work / Opinion Environmental Activism: Why We Need To Shake Up the Visual

Graphic designer Claire Matthews founded independent campaign group Clean Air Now alongside Vasilisa Forbes in 2016. Clean Air Now advocate for positive environmental change in London and across the UK, through billboards, subverts, videos and street art placement.

Claire Matthews — 23 April 2018
Media Partnership / Illustration Charlotte Dumortier on her identity for this year's ELCAF and what she's looking forward to most

From 22 — 24 June a global range of illustrators and comic artists will descend on London, filling The Round Chapel and The School Rooms in Hackney for the annual East London Comics and Arts Festival. 2018 marks the seventh edition of ELCAF, a weekend packed with a programme of talks, workshops, masterclasses, screenings, installations and exhibitions, as well as some of the world’s most exciting illustration focused artists selling their goods too. Tickets are now available in advance of the weekend in June and more information is available here.

Lucy Bourton — 23 April 2018
Work / Digital Google Fonts Korean becomes interactive by manipulating path data

Initially launched in 2010, Google Fonts is an online collection of fonts available for designers and web developers to embed on their websites, for free. Until very recently, the collection was unable to support Korean. However, Google has now devised a more efficient means of serving Chinese, Japanese and Korean (CJK) font files, which have very large character sets, resulting in large file sizes.

Ruby Boddington — 23 April 2018
Work / Photography Photography series Metamorphosis reimagines iconic female characters as 21st-century women

We don’t remember reading the part that depicts the Virgin Mary as a tattooed matriarch with a nose ring and knuckle dusters? Or the painting that shows Venus to be a body-building athlete with groomed hair down her legs? These representations may not have made it into our history books, but Amsterdam and London-based photographer Lois Cohen and New York and Amsterdam-based stylist Indiana Roma Voss have given the female protagonists centerstage in their latest series Metamorphosis. Together the duo reimagine female archetypes from a range of geographical areas and cultures and place them in recognisable contexts in order to transform them into 21st century women.

Daphne Milner — 23 April 2018
Work / Publication National Geographic’s creative director Emmet Smith on the publication’s redesign

A long-established and highly respected staple of the newsstands, National Geographic, has been redesigned for its May issue. Released on 24 April, the rethink of the magazine and “the most significant overhaul of content and design since 2000,” builds upon the magazine’s successes, creating even more exploratory visual storytelling. Debuting new paper stock, design, updated sections and specially created typefaces, the redesign is revealed at a time when the publication has a particularly strong reputation and readership.

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Daphne Milner — 20 April 2018
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It's Nice That — 20 April 2018
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Work / Illustration A peek inside Hicham Amrani's trippy new comic Svend & Xanax

“I have been drawing since I was little. I wasn’t very attentive in class – like most creatives I know – so I would spend the time drawing in my notebooks instead. My parents ended up enrolling me in drawing classes to calm me down,” Strasbourg-based illustrator Hicham Amrani tells It’s Nice That. This instinctive creative energy Hicham describes clearly manifests itself in his busy, dynamic drawings. His latest project Svend & Xanax tells the humorous tale of Svend, the protagonist, who takes a strong Xanax only to be transported to a surreal, at times disorientating, world. Hicham even compares Svend to “the Joker in Batman” saying, “the more I drew, the darker the story became.”

Daphne Milner — 20 April 2018
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Arguably releasing one of the most joyful records of 2018 so far, The Orielles are this week’s Friday Mixtape! Halifax-based trio Sid, Esme and Henry have made use of a mix of songs perfect for if you need a pick me up and ideal as the days are getting warmer.

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Not long out of Kingston’s Illustration and Animation course, Tom Fisher and Catherine Prowse have directed a charming and impressively detailed short film for The School of Life, made entirely from hand-stitched felt. Featuring a cast of rod puppets shot in a live action format, The Need to Be Alone stars a red-spectacled, introverted protagonist called Alan – a tribute to its writer and narrator Alain de Botton. Throughout the film, Alan navigates a series of potentially awkward social scenarios as Alain professes the importance of having time alone to process these interactions.

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Jenny Brewer — 20 April 2018
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Julian Glander is no stranger to It’s Nice That. We’ve written about his gifs, his 360-degree videos, and even his favourite books. Despite all this great stuff, we’re still managing to find new bits and bobs to bang on about.

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Work / Photography Jocelyn Lee's first UK solo exhibition surveys The Appearance of Things (NSFW)

Jocelyn Lee has a very certain way of looking at people. Her work is often driven by themes of “sexuality, family, death and ageing,” and in turn, there is an eeriness to her photographs that viewers just can’t help looking at.

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Work / Photography Okobo is photographer William Ukoh's mesmerising tribute to his grandparents

William Ukoh, also known as Willyverse, is a Toronto-based photographer whose style spans genres. From still lifes to fashion shoots, categorising William as a specific type of photographer would be reductive. Instead, he uses his skills as a means of self-exploration and communication. “My sincere interest in photography developed about nine years ago. I was introduced to the DSLR, decided to acquire one for myself, and began exploring all the possibilities it allowed for self-expression,” the photographer tells It’s Nice That. William is undeniably a visual thinker, his photographs seeped in mesmerising colours and satisfying textures. His series Okobo is no different and sees William look back to his Nigerian grandparents and their culture as a source of inspiration.

Daphne Milner — 19 April 2018
Regulars / Nicer Tuesdays Alex Norris tells the story of his "Oh No" comics and its “badly drawn blob” star

If you’ve not seen Alex Norris’ hilariously relatable panel comics then where have you been? Readers of It’s Nice That will recognise the “badly drawn blob” character of his series Webcomic Name for his punchline “oh no”, and the inevitably disappointing situations it gets itself into. At Nicer Tuesdays, Alex took us back to the beginning of his comic work, and the ideas and inspirations that led him to where he is now.

It's Nice That — 19 April 2018
Work / Photography Seung-Gu Kim creates Lowry-style photographs of South Korean holidays

In the past 40 years, South Korea has experienced rapid changes in both its society and culture. Since the beginning of the 1980s, there has been a significant shift towards high-tech and computer industries, impacting how the nation’s people work, where they live but also how they spend their free time. For South Korean photographer, Seung-Gu Kim, these changes have provided him with a subject to focus his lens on.

Ruby Boddington — 19 April 2018

Work / Graphic Design Baptiste Bernazeau draws on a degenerating building complex for his latest typeface

Orgues de Flandre is a group of residential buildings in Paris’ 19th arrondissement built in the 1970s by architect Martin van Treeck, which sharply contrast the romantic, uniform architecture we usually associate with the capital. The building complex may not be conventionally poetic, but it is nonetheless the unlikely inspiration for graphic designer Baptiste Bernazeau’s latest typeface Ogres.

Daphne Milner — 19 April 2018
Work / Photography Fish by Osma Harvilahti is a romantic interpretation of the Japanese fishing industry

Finnish photographer, Osma Harvilahti has a knack for encapsulating the aura of a place within his photographs. Having previously documented Morocco and Kenya, it’s Japan that caught his eye in his most recent series, Fish.

Ruby Boddington — 19 April 2018
Work / Publication DR.ME release the latest issue of Fin? filled with killed projects and ideas that never made it

We can only imagine the downtrodden feeling that comes with losing a pitch or some of your favourite work being cut out of a brief by a client. Feeling excited about a concept and seeing it shift is just a part of creative working, and more often than not it works out for the best. But to tackle this feeling DR.ME, the Manchester-based creative studio who consistently create projects with heart, take hold of the pieces and ideas they’re fond and publish them in their own zine, Fin?

Lucy Bourton — 19 April 2018
Work / Publication “Collaborate or die”: Adrian Shaughnessy and Astrid Stavro’s RCA MA students launch a new publication

“Collaborate or die” command graphic designers Adrian Shaughnessy and Astrid Stavro. In recent months, the pair have been busy teaching a group of Royal College of Art students of MA Visual Communication and Digital Direction to “think big in order to find alternative solutions to social issues”. The result? A new publication titled Podium, which launched at the RCA this week.

Bryony Stone — 18 April 2018
Regulars / Nicer Tuesdays Veronica Ditting on The Gentlewoman and her editorially driven design process

Creative director Veronica Ditting is best known for her landmark work in the publishing industry, including the design of The Gentlewoman, and her art direction of Fantastic Man and Cos Magazine. At Nicer Tuesdays she spoke about her London-based studio, which is surprisingly compact for its impressive output, at just six people.

It's Nice That — 18 April 2018
Work / Illustration “Broader representation in illustration is important": artist Tara Booth (NSFW)

“It’s important for women and non-binary people to share their desires and sexual experiences since representations of eroticism in comics and illustration are dominated by the cis-male perspective,” comic book artist and illustrator Tara Booth tells It’s Nice That. “The moment I start to feel embarrassed or afraid to share an illustration, the clearer it becomes to me that I need to get it out there.” Tara, who has been based in Chicago but is set to move back to her hometown of Philadelphia, has been creating her signature bold and brave drawings over the past three years. In her upcoming book, Nocturne, Tara challenges conventional depictions of women’s erotic fantasies through her distinct style and relatable characters.

Daphne Milner — 18 April 2018

Work / Photograhy Sam Rock's series Watching the French reimagines sports photography

London-based photographer Sam Rock’s series Watching the French is a tribute to the warm, indulgent days of family outings and tennis-watching. After graduating with a degree in industrial design and engineering, Sam found himself unsure of his next steps and started toying with the possibility of photography. “They say boredom breeds creativity. I was essentially bored and started experimenting with a skill that was immediately accessible. I would lock myself in the attic of my parents’ house and ingest photo books and magazines. That, and a chance opportunity to move to New York, embedded me in the world of assisting, which is essentially an apprenticeship in photography. I’ve found something which took over my life, all day, every day, and I’m so grateful for that,” the photographer tells It’s Nice That.

Daphne Milner — 18 April 2018
Work / Photography From cows drinking to Maison Margiela bags full of eggs: Julia et Vincent's dreamlike photography

“80s French erotic movies, Julia’s mum’s addiction to the colour purple, Gianni Versace, Gérard Depardieu, Showgirl by Paul Verhoeven and, especially, our everyday life,” respond creative duo Julia et Vincent when asked what it is that inspires their pastel, dreamlike aesthetic. Based in Paris, the pair’s practice spans photography, art direction and moving image.

Ruby Boddington — 18 April 2018
Sponsored / Opinion What's the point of an MA in design anyway?

Dr. Robyn Cook is the course coordinator for the MA Communication Design at Falmouth University. After almost ten years of working in the creative industries as a designer and art director (TBH Disturbance, Ogilvy, Ogilvy Action) she moved into academia, teaching at both postgraduate and undergraduate levels at the University of Johannesburg and now Falmouth University. Here, Robyn discusses why students should (or potentially shouldn’t) study a master’s in design.

Robyn Cook — 18 April 2018
Work / Graphic Design GT Super: the typeface inspired by the lowercase "a" in a newspaper clipping

When Swiss designer and founder of Rollo Press, Urs Lehni showed fellow designer Noël Leu a newspaper clipping, it kickstarted an extensive investigation into display typefaces from the 1970s and 80s, resulting in Grilli Type’s latest release: GT Super.

Ruby Boddington — 18 April 2018
Features / Publication Design to improve the general quality of life: exploring Paul Rand's IBM Graphic Standards Manual

In a televised interview with Paul Rand in 1991 the designer was asked, “What does the world need with graphic design, what does it do for us? To the average person it may seem a kind of… fussy little concern with moving words around, pictures around, what good does it do us?” Paul responds that he’s been thinking about this for many years: “Up to rather recently, I sort of concluded that we were not very important. Or you can put it another way – there used to be a guy in my agency days, he would say, ‘how is it possible to make so much and do so little?’”

Lucy Bourton — 18 April 2018
Work / Film Mother London produces the latest TED film - with a wild and wonderful projection of the future of A.I.

TED of TED Talks fame has launched a series of original films, commissioned to help bring TED’s theme of 2018, The Age of Amazement to life. Mother London, naturally, rose to the theme-exploring challenge, with an exceptionally created, laugh-out-loud short film, AI Therapy.

Laura Isabella — 17 April 2018

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