Royal College of Art student Maiko Takeda is a breath of fresh air in the world of millinery. Her architectural headpieces resemble porcupine quills, ostrich feathers and tiny iridescent fish scales, all artfully woven together with logic and geometry in mind. Their likeness to elements of the natural world are apt, too, as the pieces react strongly to the light, wind and colours of the environment they are worn in.
Maiko counts Issey Miyake, Stephen Jones and Philip Treacy among those she has worked alongside, which might give some clue as to how her career trajectory seems to be progressing; this stunning collection whispers of great things to come.
- Victor Fonseca treats his graphic design practice like a “playground”
- Photographer Jack Latham investigates the hidden conspiracies of Bohemian Grove
- Stella Park’s warm illustrations reflect her outlook on life
- Ugly beauty and challenging established norms feature in Jade Palace's collaboration with Yat Pit
- Astrid Seme elevates an artist’s work by challenging it through the lens of design
- Elizabeth Hibbard’s unsettling photographs examine subjective experience with a visceral gaze
- New study claims to pinpoint the most creative time of day, down to the minute
- Singapore-based studio Swell explores the idea of the banished book
- "My little niece and my grandmother like the game equally": how Playables made the simply addictive Kids
- In being "open to possibilities" still life painter Duane Keiser paints the everyday joys of life
- What the cluck? KFC releases limited-edition bucket hat
- For Bizzarri-Rodriguez, book design “is everything except a science”