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An installation of artworks displayed inside a light-coloured plywood box. A glowing circular wooden disc hangs in the centre, surrounded by a series of prints and a small mushroom-shaped lamp.

LDF 2012: Wonder cabinets exploring the pan-European design generation

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Date
21 September 2012

European Union border agreements might not be the most obvious starting point for a design showcase but when you think about it they have been integral to the new generation’s creative education. With such free movement between European countries, designers have been able to absorb different cultures and approaches far more easily than their predecessors, boosted by exchange programmes like Erasmus.

At this year’s London Design Festival Maria Jeglinska and Livia Lauber have invited some of their friends to host a wonder cabinet as part of their exploration of the newly heterogenous creative landscape. “Many of us pursued our education in countries where we did not grow up, many of us work in cities we did not grow up in. This willingness to pursue their passions across borders is linked to their openness and willingness to try novel approaches,” the organisers say.

The show features eight designers of seven different nationalities and acts as a sort of “diary” of Maria and Livia’s travels. “Each cabinet is conceived as an exhibition within the exhibition — an atomized gallery space."

A row of open plywood booths stands in a bright gallery space. Each booth contains different objects, including stacked wooden blocks and a black chair.
Above

Wonder Cabinets of Europe (photo by Sam Scott-Hunter)

“We hope that the cabinets provided the designers with an opportunity for introspection, stimulating them to reflect upon their own praxis and the driving elements behind their approaches. Interestingly, each “wonder designer” (as we started to call them), zoomed in on the very essence of their process.

“They responded with very precise thoughts about what makes up their identity as designers, what constitutes their design DNA.”

The work on display ranges from Kueng Caputo’s Indian-inspired sand sculptures to the re-imagined everyday objects of Oscar Diaz, from Harry Thaler’s reflections on his RAC project Pressed Chair to Judith Seng’s experimental videos.

This is a great use of the cabinet-style exhibition set-up and a perfect example of curators valuing the experience of being at a show as much as the work itself.

The EU never looked so sexy.

Wonder Cabinets of Europe runs until Sunday at 4 Cromwell Place.

A collection of geometric objects and panels in neutral tones is displayed inside a light wood plywood box. The arrangement includes various cylinders, a circular mesh screen and rectangular slabs, lit from above.
Above

Wonder Cabinets of Europe: Pauline Deltour (photo by Sam Scott-Hunter)

An installation of various objects arranged inside a large, white rectangular box. Items including an umbrella, a clock, and a blue cloth are displayed against the back and on the base.
Above

Wonder Cabinets of Europe: Oscar Diaz (photo by Sam Scott-Hunter)

An installation of objects displayed inside a dark, rectangular wooden box. Two low-hanging lamps illuminate wooden panels with text, a small blue bottle, and a folded piece of paper.
Above

Wonder Cabinets of Europe: Lloris Livia (photo by Sam Scott-Hunter)

A wooden display case contains two stacks of pale timber blocks. Below the case, on a lit shelf, sit several colourful, geometric sculptures in shades of pink, blue and yellow.
Above

Wonder Cabinets of Europe: Kueng Caputo (photo by Sam Scott-Hunter)

A collection of black geometric objects and books are arranged inside a large plywood box. A black pendant lamp hangs from the top, casting a warm glow over the items.
Above

Wonder Cabinets of Europe: Philippe Malouin (photo by Sam Scott-Hunter)

An installation inside a plywood box containing three small screens, headphones and various printed documents. A blue fabric object sits on the base alongside a stack of papers.
Above

Wonder Cabinets of Europe: Judith Seng (photo by Sam Scott-Hunter)

A black plastic chair stands beside a pile of wooden blocks inside a large, shallow wooden box. The back of the box is a white pegboard with a small, simple line drawing of a figure.
Above

Wonder Cabinets of Europe: Harry Thaler (photo by Sam Scott-Hunter)

A row of light wood display booths stands in a bright, high-ceilinged room. Each booth contains a different arrangement of objects, including ceramics and small sculptures, with matching wooden stools placed in front.
Above

Wonder Cabinets of Europe (photo by Sam Scott-Hunter)

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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