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A painting of a rugged landscape featuring a large rock formation with undulating stripes of red, orange and white. A dark, flowing river curves through the foreground, bordered by green foliage and a few thin, red-stemmed trees.

Marie Larrivé’s atmospheric illustrations are sure to induce a serious case of wanderlust

Alongside her peaceful and pleasing scenes, the Paris-based illustrator and animator’s recent short film Noir Soleil proves there to be much more beneath her glistening seas and pleasing sun sets…

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Date
7 April 2022

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Being born by the sea, illustrator and animator Marie Larrivé tells us, has had the greatest impact on her work. This, and how the “intense colours of nature” of her native Brittany “are always changing”. Influenced by Gauguin and the artists of the École de Pont-Aven, who painted near where the creative artist grew up, it is the immediate surroundings and cultural figures of Marie’s childhood that have informed the basis of her idyllic, artful scenes.

For as long as she can remember, Marie has been an avid painter. Originally introduced to the medium by her mother, she also spent her youth drawing inspiration from books, films and graphic novels. Being swayed by the written word, Marie entirely stopped her painting practice and went to university to study literature. Soon, however, Marie realised her skills lay best in the creative world and moved to Paris where she now lives, illustrates and animates.

An illustration of a red hotel building with a blue sign on the roof that reads “HOTEL” in reverse. Palm trees stand in the foreground against a pale green sky and a hillside of blocky buildings.
Above

Marie Larrivé: Hotel, still from Noir-Soleil (Copyright © Marie Larrive, 2021)

One of the most interesting elements of Marie’s recent work is her bold use of colour, especially those not typically associated with her natural scenes. In one piece, fluorescent pink ducks glide across a rippling lake, and in another, deep pink and yellow hues stain the sky and wide open sea, a figure ready to jump into the warm and inviting water. This interesting trajectory, Marie explains, is rooted in her recent discovery of Risograph printing, a method that lends itself well to bold and bright use of colour.

But, the real means by which Marie crafts such a sense of atmosphere in her work is her depictions of latter parts of the day. Her dreamy, daytime scenes shift seamlessly into dusky, purple skied night. “What I like is the dramatic aspect of the evening”, Marie explains, “it's melancholic and mysterious and it drives a story so well.” This ability to shift the tone of her work is expertly demonstrated in her painted animation film, Noir Soleil. A chilling story, the film delves into natural disasters, mysterious past lives and the “unexpected journey” of a father and daughter. This intriguing story, alongside the carefully crafted music and a slowly deepening sense of intrigue, builds suspense brilliantly, contrasting drastically with the idyllic nature of her illustrations and creating a sense that there is much more that lies beneath the surface of Marie’s glistening seas…

Wanting for “the viewer to feel like they were in front of the painting”, Marie ensured the film had an organic feel, with visible brushstrokes and subtle movements throughout. And, keeping her personal touch central certainly paid off. Premiering at the Festival de Cannes International Critics Week, for Marie the film is a vital step in her creative journey. Now looking to even further expand her repertoire of mediums, in the coming few years Marie tells us that she is excited to try her hand at animating a feature-length film.

Marie Larrivé: Noir-Soleil Trailer (Copyright © Marie Larrivé, 2021)

An illustration of two figures on a dark, jagged cliff overlooking a calm sea. One person leans forward as if to dive, while another stands watching against a pink and yellow sunset sky.
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Marie Larrivé: Poster for Noir-Soleil (Copyright © Marie Larrivé, 2021)

An illustration of two people in a small boat on a calm sea. They float before towering, dark rock formations under a streaked yellow and purple sky.
Above

Marie Larrivé: Etretat (Copyright © Marie Larrivé, 2020)

An illustration of two figures floating on their backs in a pale blue expanse of water. They drift beneath a shimmering patch of light, surrounded by soft, greyish-blue clouds or reflections.
Above
Left

Marie Larrivé: Le bain, still from Noir-Soleil (Copyright © Marie Larrivé, 2021)

Right

Marie Larrivé: Victoria Plonge, still from Noir-Soleil (Copyright © Marie Larrivé, 2021).jpg

An illustration of a person in a bikini standing atop a jagged, dark blue rock formation. In the background, pale green hills and palm trees sit under a light blue sky.
Above

Marie Larrivé: Victoria Plonge, still from Noir-Soleil (Copyright © Marie Larrivé, 2021).jpg

A painting looking up through the canopy of dark green palm trees against a pale turquoise sky. The slender trunks and jagged fronds create a dense, overlapping pattern across the frame.
Above

Marie Larrivé: Palmiers, still from "Noir-Soleil" (Copyright © Marie Larrivé, 2021)

An illustration of several ducks floating on dark purple water. The birds are rendered in bright pink and purple tones, creating concentric ripples around them.
Above

Marie Larrivé: Canards Roses, Risographie (Copyright © Marie Larrivé, 2022)

An illustration of a person seen from behind, looking out over a calm sea towards a large, pale rock formation. Dark silhouettes of trees and foliage frame the scene in the foreground.
Above

Marie Larrivé: Le Rocher Blanc, still from "Noir-Soleil" (Copyright © Marie Larrivé, 2021)

An illustration of a vast, pale yellow landscape dotted with minimalist architectural ruins and small figures. A large, dark green rectangular plane cuts across the upper right, where several people lounge and gather.
Above

Marie Larrivé: Pompei, screenshot from Noir-Soleil (Copyright © Marie Larrivé, 2021)

Hero Header

Marie Larrivé: Falaise, Les Traversees (Copyright © Marie Larrivé, 2018)

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About the Author

Olivia Hingley

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Olivia (she/her) is associate editor of the website, overseeing the day-to-day editorial projects as well as Nicer Tuesdays events. She joined the It’s Nice That team in 2021. ofh@itsnicethat.com

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