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A red-tinted photograph of an art studio. A painting on an easel sits beside a white lamp and a small orange plane on a table. The word “INTRODUCING” is written in bold white capitals across the top.

Introducing: If illustrator Matthew Daniel Swan gets stuck, he draws a wizard

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Date
10 April 2014

For this week’s Introducing feature we interviewed the owner of this lovely workspace, illustrator Matthew Daniel Swan. New both to London and to creating illustration on commission, we had a chat with Matthew and picked up a couple of gems along the way. Among them, he told us about the impact his desk has on the work he makes on it, the trouble with lava caves, and drawing wizards when he gets stuck. Read on to find out more about Matthew’s work!

An illustration of a bearded person wearing a blue uniform and a peaked cap with a white feather. They smoke a pipe and stand beside a white and orange spotted dog against a bright red background.
Above

Matthew Daniel Swan: Harbour Master and Glorious Dog

Where do you work?

I work in my flat in Crystal Palace. I have an occasional table and desk easel that I move around, sometimes in my bedroom, sometimes in the living room. Ideally, I would like to get a nice warm studio to take my work away from home.

How does your working day start?

09:00 Tea and jammy toast or peanut banana toast or peanut banana jammy toast.
09:30 Check all of the important websites.
10:00 Easy peeler.

How do you work and how has that changed?

I lived in Edinburgh before moving to London and I had a big studio gallery that I helped run with my pals. I had access to a lot of materials and lots of space, so I made big things but never really finished any of them. I don’t have a studio now and I have chosen to spend my time at a very small table, so all of my current work is quite compact.

I tend to have lots of projects on the go at any one time, and I enjoy working with a range of mediums, but I rarely use digital means to create images. I can get bored labouring on one thing excessively and I need to switch around to keep momentum. If I do get stuck, I’ll draw a wizard. 

I studied fine art at college and most of my work since graduating has been done for fun rather than on commission. It’s only recently that I’ve decided to focus on generating work as an illustrator, and this has encouraged my current practice of working small and fast and varied. 

Where would we find you when you’re not at work?

On Mondays I run around Crystal Palace and acknowledge the dinosaurs. On Tuesdays I paint small plates in a ceramics shop in Balham. Wednesdays I get my comics at Orbital. Thursday through Sunday, I have no idea. I’m still new to London so I can’t say I have many regular haunts.   

Would you intern for yourself?

I think so, things would get done twice as fast and then there would be lots of free time to play table tennis with myself. I’m painting lava caves at the moment and it’s a pure slog, I would be happy to get some help with that.

An illustration of a person in a grey trench coat and fedora, holding a smoking gun. They stand against a dark background with a large, looming shadow behind them.
Above

Matthew Daniel Swan: Femme Fatale (With a Shooter)

An illustration in red, blue and white divided into a grid of surreal scenes. A person knits a long strip of fabric in the centre, while a figure in a suit stands beside a shelf of bottles to the right.
Above

Matthew Daniel Swan: Illustration for Esquire Russia

An illustration of a figure in a long yellow cloak and a red hat standing at the mouth of a dark cave. They hold a thin rod that emits a glowing white light. To the left, a small framed painting of a fish hangs on the rocky wall.
Above

Matthew Daniel Swan: Fish Glyph

An illustration of a stylised, yellow creature with four curved legs against a black background. It has a red rectangular body, large wide eyes, and three yellow rings floating above its back.
Above

Matthew Daniel Swan: Horse

An illustration of a person wearing a blue hat, a blue checked gilet over an orange shirt, and red trousers. They stand in a lush green garden beside a yellow dog and a basket of vegetables.
Above

Matthew Daniel Swan: Man With Dog

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About the Author

Maisie Skidmore

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Maisie joined It’s Nice That fresh out of university in the summer of 2013 as an intern before joining full time as an Assistant Editor. Maisie left It’s Nice That in July 2015.

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