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An illustration of two comic panels. In the first, a person in a floral outfit asks “How do i look? The car’s been waitin, babe” to another person seen from behind. The second panel shows a hand holding a red rose, followed by a person in a white Nike top saying “Babe... i have to move to New York City”.

Melek Zertal's illustrations all feature different versions of herself

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Date
18 February 2019

“I have no idea what I’m doing,” begins illustrator Melek Zertal on the topic of how she discovered her practice. “I like drawing, but when I do it I get bored and wonder if I wouldn’t be better off making clothes or music videos.” The Algerian-born, Parisian-raised artist has a nonchalant attitude towards her practice that belies the work itself, which is at once soft and striking.

Graduating with a master’s degree in illustration from Les Arts Décoratifs de Strasbourg, Melek has since built a strong portfolio. Shades of pink and blue dominate many of her drawings, which bounce between sketchy and solid line work. Made exclusively with pencil and alcohol marker, Malek creates humorous situations where her characters often make quips and tease each other over being too materialistic and vein.

The characters within “are all me – all the voices in my head,” Melek says. As such, no males feature in her work, and she changes skin colour, eye colour and height only to differentiate between the various versions of herself. These iterations of the artist go on dates, shopping sprees and trips to In-N-Out Burger. “I think it’s really important to show people that are non-white/straight/cis without this point being the centre of the story,” she continues.

Seeing her work more as curation than drawing, Melek says she is simply pulling different elements from different areas of inspiration and bringing them together: “I put the characters in clothes, colours and environments that I would love to be in myself.” With a wide range of reference material, from books on Matisse and Hockney to films by Lynch and Varda, Melek modestly thinks of it as nothing more than a joining of these elements. After listing her influences, Melek says that although 98% of them are men, “because of that, 100% of my characters are women.”

An illustration of a person with blonde hair and a red top. In a small panel, they look concerned with the text “RENT IS DUE TODAY...”. Below, they pose confidently among white lilies and gold stars with the text “I DON’T THINK CUTE PEOPLE LIKE ME SHOULD PAY RENT”.
Above
Left

Melek Zertal: Rent

Right

Melek Zertal: Evian

An illustration divided into three panels. The top panel shows two people kissing, one with long blonde hair and the other with dark hair tied in a ponytail. A yellow banner across the middle reads “RUNNING ERRANDS, STAYING HYDRATED”. Below this, a bottle of Evian water sits beside a person walking in a pink jacket and black skirt.
Above

Melek Zertal: Evian

An illustration of a person in a blue top reading a book. In the background, another person admires their reflection in a mirror while wearing a white outfit patterned with black cat heads. A speech bubble reads, “Babe I doubt Marx wrote this for an $8000 Gucci outfit so put it back please.”
Above
Left

Melek Zertal: Gucci Marx

Right

Melek Zertal: Gucci at the Mormon Temple

An illustration of a person standing in a minimalist, grey concrete courtyard. They wear a yellow tunic with pink trim and dragon motifs, paired with a pleated skirt and pink trousers.
Above

Melek Zertal: Gucci at the Mormon Temple

An illustration of a person on a phone, looking off-camera with a concerned expression. Behind them, a blue bus stop sign topped with a white greyhound reads “BUS”, under a yellow banner that says “WHERE THE FUCK ARE V RIGHT NOW?”.
Above
Left

Melek Zertal: Greyhound

Right

Melek Zertal: Bread and Honeycomb Cover

An illustration of a person with long blonde hair holding a knife to their hair. They sit beside a pink table where a glass of water has tipped over.
Above

Melek Zertal: Bread and Honeycomb Cover

An illustration of a futuristic travel brochure. A person in a white dress and red boots stands beside a grid of panels showing luxury amenities like a “gym”, “nightclub” and “private spa”. At the top, bold text reads “WELCOME” and “ON BOARD, LADIES. PLEASE ENJOY”. Two people at the bottom look on, with speech bubbles reading “NOIIICE.” and “KEWL KEWL”.
Above
Left

Melek Zertal: Welcome

Right

Melek Zertal: Cruisin

An illustration in a comic strip style with the word “CRUISIN” written across a pink ribbon. A person in a wide-brimmed hat and a blue and white polka-dot outfit carries a blue handbag. Beside them, a cruise ship sits on a blue sea. In a smaller panel, a person says, “COME ON! WE GONNA BE LATE”, while the other replies, “OMG SORRY COMIN” as they both rush toward the ship.
Above

Melek Zertal: Cruisin

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About the Author

Daniel Milroy Maher

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Daniel joined It’s Nice That as an editorial assistant in February 2019 and continues to work with us on a freelance basis. He graduated from Kingston University with a degree in Journalism in 2015. He is also co-founder and editor of SWIM, an annual art and photography publication.

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