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An illustration of several dogs leaping through the air between city buildings at night. One dog is a solid black silhouette, while the others are rendered in detailed pencil sketches.

Interesting Mill Co. exhibition proves we really are better together

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Date
9 November 2012

There are many great films which whatever they purport to be about, are actually about co-operation. Cool Runnings? Co-operation. Independence Day? Co-operation. Reservoir Dogs? Well you get the idea, and the Third Annual Mill Co. Exhibition is further proof that co-operation is a belting theme for creatives.

Spread throughout the organisation’s impressive new east London space The Mill Co. Project, the show takes in graphic design, photography, illustration, film, photography and sculpture with some really top-notch work on display.

Both Eleanor Marechal’s handsome visualisations of Ebenezer Howard’s Garden City principles and Florence Boyd’s darker dog-based illustration tackle urban spaces in interesting ways while the wonderfully titled sorryimworking’s Instagram photographs capture co-operation of the natural and manmade worlds.

Rhiannon Adam showcases both a beautiful illustration of a flock of swallows and a photo documentation of some of the key buildings in the history of the co-operative movement and there’s a host of great prints from the likes of Tom Frost, Claire Scully, Toby Stevens and David Hazell.

The show, which runs until November 23, is in association with The Co-operative, so it’s eye candy with a social conscience. Yes please…

An architectural diagram of a circular urban plan titled “Garden City”. The black and white illustration shows a complex network of concentric rings and radial paths. Text below the image lists the city as “1,000 acres” with a “population 32,000” and “agricultural land 5,000 acres”.
Above

Eleanor Marechal: Garden City

A black and white illustration of a complex, circular geometric pattern. Intricate white lines create a series of concentric rings and fragmented shapes that draw the eye toward a central point.
Above

Eleanor Marechal: Garden City (detail)

A collage of overlapping photographs and text fragments. Images include a dark brick building, a modern curved office block and a crowd of people. A handwritten note in the bottom left reads “Many small people who in many small places do many things that”.
Above

Rhiannon Adam: Many Small People, Many Small Places (detail)

A massive murmuration of starlings forms a dense, swirling cloud across a pale grey sky. The birds create a fluid, organic shape that stretches diagonally across the frame.
Above

Rhiannon Adam: Swallows

A grid of 36 small, square photographs is mounted on a white wall. The images feature a variety of abstract and architectural subjects, including a clock, a ladder, and the Eiffel Tower.
Above

sorryimworking: untitled

An illustration of two people in red and green uniforms operating a red lever on a platform. Above them, bold text reads “WORKING TOGETHER” with a red star in the centre. A banner on the platform below reads “IN PERFECT HARMONY”.
Above

Tom Frost: Working Together

A white, linear logotype reads “corporate” against a pale purple background. The letters are formed from a single, continuous looping line.
Above

Toby Stevens: Concurved

A colourful typographic poster reads “COOPERATE” in large, bold letters. The text is split across a grid of vibrant, multi-coloured blocks and held to a white wall by four binder clips.
Above

David Hazell: Block

A circular illustration of a detailed landscape featuring a town, rolling green hills and a coastline. Large, stylised letters integrated into the scenery read “MANY HANDSHAKE LIGHT WORK”.
Above

Claire Scully: Many Hands

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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