Once you get past the wonderfully colourful aesthetic of Misaki’s installations, paintings, drawings, clothes, statues and films, what really hits you is the sheer quantity of it all. In the same way that you may have up-ended your toy box when you were a little younger, it’s as if someone’s tipped Misaki upside-down and these fantastical creations have just come rolling out and bouncing around all over the world.
The best part is, it seems Misaki’s creations are getting bigger! Gone are the small paintings, welcome in the enormous room-filling sculptures and installations that would fill even the world’s biggest grump with a feeling of happiness and utopian joy. Keep going Misaki! Long may you continue to create what no one else possibly could.
- Manshen Lo creates surreal, comic-inspired observational illustrations
- “To me, being a man just means being yourself”: five creatives share their thoughts on masculinity
- Hexatope: the web-app utilising computational arts to make personalised jewellery
- Lucy Hardcastle on her “most progressive film to date”
- Moby Digg creates grid-based identity for finance company Baugeld Spezialisten
- Typography and National Socialism – the journey of Futura in an era of "reactionary modernity"
- Peter Funch has photographed the same people on the same street for nine years
- DBLG and Animade’s cheeky stop-motion animation uses human skin and 3D stamps
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity
- Get to know the fluid work of graphic designer, Steffen Hotel
- Fukt magazine presents the erotic drawings of David Shrigley, Tracy Emin and many more
- Poster Girls, an exhibition of 150 female graphic designers opens at London Transport Museum