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Robertbeatty-itsnicethat-hero — Robert Beatty: Tame Impala

Work / Art + Music

Otherworldly album artwork from designer Robert Beatty

Words by Liv Siddall, Tuesday 14 April 2015

If they’re lucky, Robert Beatty’s succulent, airbrush-like artworks can sometimes grace the covers of bands’ albums, thus making them cool, successful and lucky in love and good fortune forever. Robert’s magic touch is a unique style lifted from way back when life on earth was cooler, and from some cauldron of fluid in his brain from which he draws impressive draughtsmanship and weird ideas. Robert’s in psych band Hair Police himself, and goes by the name of Three Legged Race when performing solo. He said once in an interview on Pitchfork that he creates artwork in the same way he makes music, by letting his body and his brain begin to create something and see where it takes him.

With that kind of method you can imagine that some of his pieces may be over or underdone, but that’s what makes him such a marvel: they’re perfect. That Tame Impala cover is one of the most well-considered and tight-fitting examples of album artwork I’ve seen in a long time. Robert’s got a great image reference blog called Toilet Paper Cosmos which is a must-see if you’re into this kind of artwork, or genuinely quite weird shit.

Robertbeatty-itsnicethat-6 — Robert Beatty: The Phantom Band

Robertbeatty-itsnicethat-8 — Robert Beatty: Lord Raja

Robertbeatty-itsnicethat-9 — Robert Beatty: Lord Raja

Robertbeatty-itsnicethat-10 — Robert Beatty: Lord Raja

Robertbeatty-itsnicethat-13 — Robert Beatty: Lord Raja

Robertbeatty-itsnicethat-2 — Robert Beatty: Twig Harper

Robertbeatty-itsnicethat-4 — Robert Beatty: Three Legged Race

Robertbeatty-itsnicethat-5 — Robert Beatty: Tame Impala

Robertbeatty-itsnicethat-12 — Robert Beatty: Damaged Bug

Robertbeatty-itsnicethat-14 — Robert Beatty: Lucky Peach magazine

Robertbeatty-itsnicethat-1 — Robert Beatty: Travis Bretzer

Robertbeatty-itsnicethat-3 — Robert Beatty: Tame Impala

www.robertbeattyart.com

Most Recent

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Luke Boland communicates industrialisation through his expansive photographs 16 November 2018
Okuyama Taiki became interested in design while running a free bookshop in Tokyo 16 November 2018
Congo Tales offers an alternative to fear-based environmental messaging 16 November 2018

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Work / Art + Music The Clash's Paul Simonon on painting outdoors and sketching in museums

If you have a dig about on some Clash fanblogs, you can find illicit, well-zoomed-in fan photos of a man painting on a large canvas in various spots around London. That man in Paul Simonon, Clash bassist turned fine artist and motorbike enthusiast. Almost entirely self-taught, Paul picked up his draughtsmanship skills by spending hours at the British Museum with a pencil and sketchpad and taking canvases out and about London to capture the ever-changing city.

Liv Siddall — 17 April 2015
Work / Art + Music First Aid Kit talk band merch, album artwork and tour posters!

Some bands are happy to leave the creative direction of their gig posters and visuals up to their labels, but others, and these are often the more special of the bunch, put as much care into their visual representation as they do their music, carefully building a coherent image with every photo shoot, illustration and album sleeve. First Aid Kit is one of the latter. The Swedish sibling duo has accrued quite a roster of preferred illustrators and photographers to design their posters, channelling their one-of-a-kind amalgamation of Scandi heritage, folk symbolism and references into each one. We spoke to Johanna and Klara about the process of commissioning their posters, their favourite illustrator to work with, and keeping creative disagreements in the family.

Maisie Skidmore — 16 April 2015
Work / Art + Music Todd Terje interviews the creators of his new animated video!

What a treat this is! We have for you today a special conversation between bearded electronic wizard Todd Terje and two very talented illustrators Espen Friberg and Bendik Kaltenborn about the fantastic new music video they have been working on. If you haven’t already seen it, it’s a hilarious whirlwind of illustrations painstakingly animated together frame by frame, and something the three of them have been working on since October.

Liv Siddall — 15 April 2015
Work / Art + Music George Salisbury reveals the hidden creative secrets of The Flaming Lips!

Most of us have favourite bands; artists we love irrationally, inexplicably and would kill to get tickets for their shows. But there are very few fans out there with the commitment of George Salisbury, whose dedication to The Flaming Lips goes beyond simple fandom – it’s more like a life-long obsession. He met them age 16, harassed them into giving him a job and has been part of their entourage ever since, working on album covers, tour visuals, T-shirts, films and a whole range of weird objects that the band once produced on a whim.“I met Wayne a long, long time ago in the 1980s. He was playing a show here in Oklahoma City at a place called The Blue Note and the band was under a different name then – I think it was The Chrome Leeches," says George. "They we opening for a guy name Eugene Chadbourne who would put a pickup on a rake and play the ceiling. He was crazy! Anyway, that show they had a motorcycle on stage in an enclosed room, and they were gunning it. It sounded awesome but everyone in the crowd was getting close to passing out from the carbon monoxide fumes.”

James Cartwright — 14 April 2015
Work / Art + Music Rob Alderson on why festival posters fill him with dread

During an elongated period of singledom, I developed a fairly acute understanding of the kind of things that are not ok to say on dates. The admission that I don’t really like music is very near the top of that list. That’s actually not quite true; I don’t actively dislike music, it’s just a cultural form that I don’t really engage with in any way, like Flemish theatre or zorbing.

Rob Alderson — 13 April 2015
Work / Art + Music An interview with one of the most prolific designers in music, Roger Dean

The phrase “they just don’t make ’em like they used to” is almost absurdly fitting when it comes to the work of Roger Dean. The visual style and typographic skill on the album artwork and logo design created bands like Yes, Uriah Heep and Asia defined an entire era and bred hundreds of imitators. Roger, who describes himself as a “landscape painter,” was once commissioned by Ronnie Scott himself to paint a mural inside the famous jazz club, and more recently redesigned the Tetris logo.

Liv Siddall — 10 April 2015

Regulars / Nicer Tuesdays David Lane talks us through his art direction for Robyn's newly released record

David Lane is an art director known for multiple magazine titles such as Freize and The Gourmand which he co-founded. But other than these publications taking up David’s time, his studio Lane & Associates also looks after the art direction (which even he admits “is a broad term”) for advertising campaigns from high fashion brands to musicians too. David Lane is very busy.

It's Nice That — 16 November 2018
Regulars / Friday Mixtape Friday Mixtape: Vanessa Carlton and Godflesh combine thanks to The Beautiful Meme

A few weeks back, London-based creative agency The Beautiful Meme got in contact asking if its team could make us a Friday Mixtape. We said yes and expected the usual pumped-up, deck-building bangers focused mixtape we often hear – and love – from graphic design-leaning studios. The Beautiful Meme’s mixtape instead begins with Shakira’s timeless hit Wherever, Whenever, ends with Kylie’s Can’t Get You Out of My Head, and Vanessa Carlton’s A Thousand Miles makes a surprise appearance too.

Lucy Bourton — 16 November 2018
Work / Digital Jenny Jiao Hsia's game designs are as delightfully weird as they are weirdly delightful

“I think I’ve always wanted to make games more than I’ve wanted to play them," says games designer Jenny Jiao Hsia. "Growing up, I watched my dad and younger brother play a lot of Guild Wars and Age of Mythology together. Their pastime drove my mom nuts: sometimes she would threaten to break their computers because they would stay up late to play the game. So that’s how I saw video games for a long time – as a waste of time.”

Josh Baines — 16 November 2018
Work / Photography Luke Boland communicates industrialisation through his expansive photographs

Imagining photographer Luke Boland perched atop gigantic and populated environments with his camera in hand is a nice image. Viewers can easily imagine this – not that he features in the photographs himself – but because of the vast expanse captured in his photographs and the numerous locations his work sees him journey to. From Nevada’s Hoover Dam to Hong Kong’s residential area of Lai King, Luke’s photographs show us the world at face value but also communicate how it logistically functions. Though his lens, the photographer manages to encompass manufacturing, shipping, energy, housing and how populations generally spend their time day-to-day.

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Work / Graphic Design Okuyama Taiki became interested in design while running a free bookshop in Tokyo

Okuyama Taiki is a Japanese graphic designer incorporating a sense of liveliness and fun into his creative practice. While running a novelty book store in Tokyo that was free (a rather foreign concept over here) Okuyama became interested in the values of exchange that led to a career in design. The book store became a place “to share new values, form new communities and create new creations”, explains Okuyama. This attitude translates over to his designs that frequently take on multiple meanings in their visual communication. Okuyama’s projects depend on what is peaking the designer’s interests at that time, recently delving into the disciplines of art, music and agriculture.

Jyni Ong — 16 November 2018
Work / Photography Congo Tales offers an alternative to fear-based environmental messaging

The world’s second largest rainforest, second only to the Amazon, is the Congo Basin. Known to ecologists as “the world’s second lung”, the Congo Basin stretches across 500 million acres, spanning six nations, and is home to some of the most biodiverse species today. Congo Tales, a new book published by Random House, raises awareness around the ecological importance that this African rainforest provides.

Jyni Ong — 16 November 2018

Work / Publication Slanted magazine turns its eye on Dubai and finds a growing design-led city

Dubai is often seen as a city with more shine than soul – an air-conditioned bubble with lots of commerce but little creativity. Design publisher Slanted believed the same until its founder and creative director, Lars Harmsen, got offered a position as associate professor at the American university of Sharjah and spent six months in The United Arab Emirates.

Laura Isabella — 15 November 2018
Regulars / Nicer Tuesdays Mahaneela on the benefits of being a multidisciplinary creative

During the beginning of Mahaneela’s talk at October’s Nicer Tuesdays, the multidisciplinary creative showed a slide listing all of the job titles she’s adopted over the years. “Photographer, director, writer, digital strategist, consultant, communications manager, event curator, music manager, producer, project manager, make up artist, stylist, public speaker,” it read, and the rest of Mahaneela’s talk went on to prove how being a jack of all trades may be the best way to put a foot forward in the creative industry.

It's Nice That — 15 November 2018
Work / Digital Random Studio's latest project is a physical art history search engine for children

Dutch designers Random Studio know a thing or two about creating cutting-edge experiences which interrogate the relationship between art, design, and technology. With its latest project, Random Studio looking to change the way we think about search engines.

Josh Baines — 15 November 2018
Work / Photography Timothy Sean O'Connell photographs Ireland through the eyes of a first generation Irish American

Photography series’ documenting places and their communities are a regular feature on It’s Nice That. We’re always interested in the way a practising photographer can lend a specific outlook to a place, uncover a detail about it only known to the locals who live there. That’s eye-opening, no matter the artist or the location. Timothy Sean O’Connell is a photographer who knows this process well, spending the past four years documenting the ever changing and intrinsic relationships that scatter across both the Republic of Ireland and Northern Ireland.

Lucy Bourton — 15 November 2018
Work / Publication Azeema – the magazine empowering women of colour – is bolder and more beautiful than ever

Sometimes publications just hit the nail on the head; their pages filled with stories that resonate and speak to audiences. They manage to highlight important issues but tackle them in beautiful and challenging ways. Azeema is one of those publications. Created by founding editor and art director Jameela Elfaki, deputy editor Noor Alabdulbaqi and senior editor Sunayah Arshad, with new additions culture editor Evar Hussayni and fashion editor at large Ella Lucia, Azeema is an independent title exploring strength and femininity within Middle Eastern, North African and South Asian women and women of colour.

Ruby Boddington — 15 November 2018
Work / Art “The beauty of abstraction”: Christoph Niemann on his new mural for a Berlin train station

Illustrator and artist Christoph Niemann was in the Berlin suburb of Wannsee yesterday afternoon unveiling a colourful tiled mural in a pedestrian tunnel. Two 40-metre works run along the walls of the tunnel, which leads into the local train station, and depict scenes from Wannsee’s past and present.

Matt Alagiah — 15 November 2018

Work / Exhibition Seulgi Lee’s textiles artwork acts as a means of anthropological theory

Seulgi Lee’s new solo exhibition opens today (15 November 2018) at Seoul’s Gallery Hyundai. With a practice that focuses on textiles and installation, the Paris-based artist creates a visual examination of anthropological theories through the intricately engineered pieces. She applies new meanings to banal objects such as blankets which utilise traditional Korean hand-quilting techniques, Nubi. The use of Nubi emphasises the importance of Korean oral culture in Seulgi’s work. Historic Korean proverbs, which are expressed verbally, are translated into geometric textile patterns that tie into the artist’s interest in the origins of colour; particularly within the artist’s native culture.

Jyni Ong — 15 November 2018
Work / Graphic Design Kristine Kawakubo’s handmade books focus on typographic experimentation

For many of us graphic design enthusiasts, there can be a disconnect between the design process and the bookbinding. For the graphic designer Kristine Kawakubo, the art of handmade bookbinding is at the centre of her design process from conception to completion. Experimentation is the key to Kristine’s beautifully hand-bound books as the type and imagery interact to create unique compositions. Speaking to It’s Nice That, she discusses how “when you actually experience the whole process of book making, you are inspired by the tactility of materials and the book’s structure”, which enhances an understanding of the entire design process.

Jyni Ong — 15 November 2018
Work / Publication Early Russian colour photography and Spaghetti Westerns collide in new book from S_U_N

Bill Sullivan’s Pure Country is an exploration of the history of colour image-making, told via Sergey Prokudin-Gorskii’s early colour photography, “remixed and recast” by Bill; representing “the Russian landscape in the manner of a Spaghetti Western… transposing the look and feel of the United States with that of 20th Century Russia”. It’s a complex set up, with two poles, dual histories of both places and colour image-making. “It all started when I first came across the images of The Russian photographer and colour scientist, Sergei Produkin Gorskii, about eight years ago – they just stopped me in my tracks”, Bill tells It’s Nice That.

Billie Muraben — 14 November 2018
Regulars / Nicer Tuesdays Illustrator Grace Helmer on protecting her work life balance

Illustrator Grace Helmer joined us from her south London studio for Nicer Tuesdays October, discussing how keeping her practice personal has encouraged herself, and her client base, to grow.

It's Nice That — 14 November 2018
Work / Publication Music, experimental typesetting and Buckfast: Left Alone Zine returns

Run by Alex Gross and Ashton Holland, east London club night Left Alone has garnered a healthy – and loyal – group of attendees who come to nod their heads to whichever under-the-radar DJ or artist the duo has decided to champion. In July of 2017, Alex and Ashton released the Left Alone Zine, an outlet to produce something physical from these basements nights, and the second issue has just followed.

Ruby Boddington — 14 November 2018
Work / Art Take a look inside John Booth’s exuberant and chaotic dream bedroom

In The Artist’s Bedroom, John Booth has fulfilled the pretty much universal dream of creating the bedroom of his teenage dreams. The immersive installation represents the variety of expressions and forms integral to John’s multidisciplinary practice – layers of colour, patterns and floral displays – and takes them a step further. There are portrait vases and prints, printed cushion covers and woollen floor rugs, mirrors, ceramic side tables, a desk and a hand-painted bed, as well as an embroidered sweatshirt draped over the artist’s chair, espresso cups, and a ceramic pencil holder. And all of it is for sale.

Billie Muraben — 14 November 2018

Work / Film Greg Barth directs Easy Life’s new music video about nightmares

The director Greg Barth is known for his live action videos full of animated colours and crisp visual content. From adverts for MailChimp about a black hole, to surreal self-initiated films, Greg’s director’s vision is candidly punchy and rich with expressive narratives. His latest endeavour releases today and involves the music video for the up-and-coming band Easy Life. The track, titled Nightmares, debuted on Jools Holland last month and shortly after, Greg agreed to direct the music video in his personal aesthetic approach.

Jyni Ong — 14 November 2018
Work / Miscellaneous PlayLab, Inc. says it doesn't “want to do the same thing twice” in its practice

PlayLab, Inc. is a creative studio working across the disciplines of art, architecture and graphic design to bring innovative ideas and experiences to life. With a portfolio of over 240 projects executed since the studio’s inception in 2009, the New-York based practice takes on a variety of projects. From architectural branding to a compilation of all the times Joaquin Phoenix has walked in his films titled Walking Phoenix, this multidisciplinary studio is centred around strong concepts and intriguing visuals.

Jyni Ong — 14 November 2018
Work / Photography Cornelius de Bill Baboul's latest project is "like Baudelaire in the age of McDonalds"

Cornelius de Bill Baboul’s latest project sees the Berlin-based artist ask and answer a simple question. What, he wondered, would happen if you let white flowers sit and stew in half-filled bottles of the sort of lurid energy drinks that men with seriously swollen arms clutch to their heavily-developed chests at the gym?

Josh Baines — 14 November 2018
Work / Film Palestine Underground shines a light on the West Bank’s underground music scene  

Palestine Underground is a 25 minute documentary released by Boiler Room today. The film documents the flourishing underground music scene in Occupied Palestinian Territory, the West Bank. Shot last June, the film follows alternative Palestinian music collectives, including techno DJs, hip-hop producers and rappers, over a week in the lead up to Boiler Room’s first party in Ramallah.
 
The Palestinian artists are blossoming in their creativity despite enforced constraints from the Israeli government; and although their movements are restricted and there is a midnight curfew, the Palestinian music scene refuses to dwindle, as seen in the film’s interviewees, who are brimming with musical passion and freedom of expression.
 
Produced by Boiler Room’s Anaïs Brémond and directed by BBC and Channel 4 documentary filmmaker Jess Kelly, Palestine Underground “connects the dots between club culture and cinema to stretch the boundaries of what a film experience can be”, recording a musical subculture that is little known in the West. The director Jess tells It’s Nice That that “this was exactly the kind of project I was looking for.” The filmmaker and journalist explains: “I’d been doing a lot of current affairs documentaries and I was keen to make a film where I could have more artistic freedom and the scenes breathe.”
 
Jess is a freelance documentary maker who made a career in filmmaking after studying Arabic at university. “Documentaries are a good way of mixing the language with my interest in what’s going on in the Middle East as well as visual creativity”, says Jess. Having made numerous films in the Arab-speaking world, Palestine Underground continues the director’s legacy of “challenging the stereotypes that we have in the West about this part of the world.”
 
The film seamlessly represents differing depictions of the complex environment of the West Bank. The unlawful Israeli raids are intertwined with segments of the booming music scene to accurately convey the disturbing sociopolitical tones that the West Bank’s artists endure. Of the filming process, Jess explains, “I’ve filmed in the West Bank and Gaza so it wasn’t a big shock, but the reality of that separation wall and the heavy Israeli military prescience is not something you could ever get used to.” For Jess and the rest of the production crew, one of the most significant scenes that was essential to execute accurately, is the road trip scene with Jazr crew from Haifa to the West Bank. “As Palestinians with Israeli passports, they have the privilege of being able to travel freely from Israel into the West Bank, but people in the West Bank can’t do the reverse. To even leave the West Bank they have to apply to the Israeli authorities for a permit, and it’s often denied”, the director explains. “It was really important to me to capture their mood during that trip, which was a mix of excitement and anger or unease at the fact that they have to cross that separation wall to get to their friends. It makes them feel like outsiders.”
 
From our privileged, European positions in front of the TV, we are presented with a media angle that focuses on Palestine’s destroyed areas of Gaza. However Jess describes the West Bank as “incredibly beautiful and peaceful.” The discovery of the music scene immediately evoked the “tight knit community of people” that are a part of Ramallah’s music scene, “and as a Londoner, I really envy that”.
 
Members of the production team spent a year getting to know some of the artists online before going out to the West Bank as a lot of the musicians are rightfully suspicious of the Western media misrepresenting the complicated political situation. The level of trust between the film crew and the artists is evident, particularly in the opening scene where the DJ Oddz jumps the separation wall into Israel. The intimate footage throughout the film similarly interweaves between the devotion to music and the brutal political tensions demonstrated by the handheld camera footage of Oddz crossing the wall. While going over it, he says: “you can’t build a wall and say you can’t go and do this, it’s music, it’s a right for everyone”. For Jess, this quote and the physical action of crossing the wall “sums it up”. The artists risk their lives for their right to musical expression.
 
Although Palestinian musicians face multiple restrictions on a daily basis which “rile up” Jess and the rest of the production team; it induces inspiration for what these artists have achieved and their musical talents. Finally, when asked about the future for the communities in the West Bank, Jess adds: “sadly, I don’t think the future looks bright in terms of the political situation for people in the West Bank, especially now under the Trump administration. But there’s still a lot we can do as individuals. One of the best things we can do is visit the West Bank. It’s not a ‘danger zone’ like the Israeli authorities refer to, it’s a beautiful place to visit. There’s an incredible underground music scene to discover, too.”

Jyni Ong — 13 November 2018
Work / Graphic Design “How does an identity express itself in 3D?”: Common Name on design for environments

For New York-based graphic design studio Common Name, working in exhibition design – or design for an environment – offers the opportunity to work with the otherwise elusive third dimension. “Most design applications in the print or digital space exist in two dimensions or, at least, are displayed on a 2D surface. Working in the environment allows us to think about how physical scale and perspective shift a viewer’s understanding or experience of content” co-founders Yoonjai Choi and Ken Meier tell It’s Nice That.

Billie Muraben — 13 November 2018
Work / Illustration Courtney Barnett discusses her love for illustrators, animators and her own creativity too

Courtney Barnett is a name audiences will recognise for her songwriting more than her practice as a creative. Beloved since the release of 2013’s The Double EP: A Sea of Split Peas and her debut record Sometimes I Sit and Think, and Sometimes I Just Sit in 2015, the Australian musician’s own illustrations have sat on covers, lightly illustrated in black and white with use of an impactful spot colour or two. The use of her work on these covers always giving audiences a glimpse into another side of Courtney, masterful at using a pen to illustrate as well as write.

Lucy Bourton — 13 November 2018

Regulars / Nicer Tuesdays Studio Dumbar on how it encourages its team to find their voices as designers

Joining us from her home in Rotterdam for October’s Nicer Tuesdays was Liza Enebeis, creative director of the renowned Studio Dumbar.

It's Nice That — 13 November 2018
Work / Photography Sophie Green's latest project ventures into England's unlikely cowboy country

“Human life is so eclectic,” says photographer Sophie Green. “There are so many different facets of life, and people to be celebrated. I make photography to connect and communicate. I think that photography can have a huge influence on people; it’s a universal language than can reach everybody.”

Josh Baines — 13 November 2018
Work / Photography Chow and Lin documents the world’s inequality of wealth using Google Earth

Chow and Lin – AKA Stefen Chow and Lin Huiyi – is a married couple whose collaborative practice lies in the “methodology of statistical, mathematical and computational techniques to address global issues”. The duo’s work involves probing into “big data” such as satellite imagery that reduces individuals and societies into data points. Stefen and Huiyi’s aim is to draw attention to social issues through problematising multiple issues in society. Speaking to It’s Nice That about their latest project Homeless, the artists explore the inequality of the most privileged sociopolitical environments, and the least, through a large-scale photographic installation.

Jyni Ong — 13 November 2018
Work / Photography Etinosa Yvonne's poignant photographic montages reflect on trauma and memory

Is it possible to “move on” from a traumatic event? What does it take to make peace with the thoughts and memories of a difficult past? How does society help or hinder individuals affected by PTSD?

Daphne Milner — 12 November 2018
Work / Publication Design studio work-form talk awkward typography, black holes and metallic gold

Everything is Sculpture: Immaterial Constructions, Material Realities developed out of a series of talks held by the Royal College of Art’s sculpture department on issues and ideas relating to the production of, and potential contexts for, sculpture today. Designed by London-based studio, work-form, the publication is a magpie’s dream – oversized, metallic gold and glossier than a 90s hair advert.

Billie Muraben — 12 November 2018
Work / Digital Boook.Land is a new and massively collaborative approach to novel writing

Tied in to the ever-popular National Novel Writing Month scheme — which sees aspiring and established novelists producing a 50,000 word manuscript in November’s 30 dark and dismal days — Boook.Land is one of the most intriguing and exciting digital propositions come across in quite a while.

Josh Baines — 12 November 2018

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