If they’re lucky, Robert Beatty’s succulent, airbrush-like artworks can sometimes grace the covers of bands’ albums, thus making them cool, successful and lucky in love and good fortune forever. Robert’s magic touch is a unique style lifted from way back when life on earth was cooler, and from some cauldron of fluid in his brain from which he draws impressive draughtsmanship and weird ideas. Robert’s in psych band Hair Police himself, and goes by the name of Three Legged Race when performing solo. He said once in an interview on Pitchfork that he creates artwork in the same way he makes music, by letting his body and his brain begin to create something and see where it takes him.
With that kind of method you can imagine that some of his pieces may be over or underdone, but that’s what makes him such a marvel: they’re perfect. That Tame Impala cover is one of the most well-considered and tight-fitting examples of album artwork I’ve seen in a long time. Robert’s got a great image reference blog called Toilet Paper Cosmos which is a must-see if you’re into this kind of artwork, or genuinely quite weird shit.
- David Lane talks us through his art direction for Robyn's newly released record
- Friday Mixtape: Vanessa Carlton and Godflesh combine thanks to The Beautiful Meme
- Jenny Jiao Hsia's game designs are as delightfully weird as they are weirdly delightful
- Luke Boland communicates industrialisation through his expansive photographs
- Okuyama Taiki became interested in design while running a free bookshop in Tokyo
- Congo Tales offers an alternative to fear-based environmental messaging
- This is an article about Wieden+Kennedy’s clever ad campaign - No B.S
- Combining thoughtful design and big business: an interview with Made Thought
- Iceland’s Christmas advert banned from broadcast for being too political
- The Saul Bass Archive looks back on the trailblazer’s rare poster design
- Typeface Pickle-Standard both obeys and rejects the grid at the same time
- Cornelius de Bill Baboul's latest project is "like Baudelaire in the age of McDonalds"