In the morning if I’m having toast, I pop the bread in the toaster and then race to get the plate, knife, butter plus other topping of choice and arrange them beautifully next to the toaster. There is absolutely no point in me doing this, not at such speed anyway – but I continue to do so. This is sort of how I feel about hyperreal painting. It’s a strange notion to want to reproduce things we see everyday in 2D form but in immaculate detail because really there’s no real reason.
However it will continue to create a stir because let’s face, it’s often pretty impressive. The pure skill and the time it takes is astounding and regardless of whether there’s a big artistic concept behind it, the work should still get a huge thumbs-up. Take Sharon Moody’s comic book replicas – the level of minute precision renders it photographic, with even the curve of the pages making me want to reach out and touch it. Playing on the themes of entertainment and chlldhood, Sharon studies the comics as objects, and removes the nostalgia and feelings attached to them, still managing to maintain their familiarity because of the insane likeness to the original. While I may not be completely convinced by all efforts in hyperreal painting, this set of works still manages to draw me in and fascinate me.
- Caterina Bianchini on her three processes when designing posters
- Friday Mixtape: illustrator pals Jan Buchczik and Timo Lenzen on their studio tunes
- B.A.M's new identity for White Cube is an “evolution rather than a revolution”
- Mosh Pit Simulator, perhaps the craziest VR game yet, launches later this month
- Fantastic Man releases What Men Wear, an anthology of male dressing in the 21st Century
- Interior Lives documents the unassimilated lives of the largest Chinese population outside of Asia
- An egg beats Kylie Jenner to become the most liked Instagram photo... ever
- Mastercard reveals new nameless logo courtesy of Michael Bierut
- Sam Youkilis uses scale, form and colour to challenge the tropes of travel photography
- Betina Du Toit's naturally-beautiful images are “stripped back from the non-essential”
- Giacomo Gambineri on shifting his creative career from graphic designer to illustrator
- Hiroki Nishiyama draws on traditional graphic design techniques in his illustration practice