The weekend is nigh on upon us and there’s just the weekly Friday traditions to navigate before we can all go streaking in the quad (or whatever you’ve got planned). Chief among these hurdles is the new episode of Studio Audience, the It’s Nice That podcast, but if it is a hurdle it’s one built of wit and insight (!) rather than clattery metal and that. So let’s do this!
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This week we kicked off talking about a new set of 119 BBC icons set to be rolled out across various areas and designed to combine and to the organisation’s heritage with multi-use clarity, then we looked at this neat bit of creative thinking by climate change activists (video above) and we purred over the new Studio Frith/Juergen Teller/Will Self food book. Finally we spoke about plans by The Observer newspaper to launch a monthly technology supplement to place it “at the heart of the conversation about technology and science in this country.”
Then we looked quickly at plans to turn 2001 hit film Amelie into a Broadway musical and the strange case of a director who sold the rights but hated doing so. We pondered the idea of giving up ownership of creative work in the modern world.
- Photographer Craig Gibson shows his strength for putting strangers at ease
- Park magazine's first issue explores the theme of "the copy" in every walk of life
- “Less is enough”: New York’s Edition Studio on graphic design as an editing process
- Michael DeForge explores performing as a "healthy" person in his newest comic, Stunt
- Meet Jul Quanouai, the illustrator making two opposite styles work together
- Forth and Back releases a new book, comprising frozen imagery sourced from Google Earth
- Pentagram rebrands Warner Bros. with a “sleek and clean” update to its shield logo
- Manchester Girls, the new series from Dean Davies, is a visual homage to the women of the north
- Relive the lazy, hazy, crazy days of summer through Summer of Something Special
- Viktor Hübner photographs American anxieties amongst a shifting political environment
- Jiří Makovec’s photographs meander between the personal and the universal
- Berlin Wall graffiti is made into a typeface to warn how "division is freedom's biggest threat"