Last week’s enforced move to escape the incessant drilling next to It’s Nice That HQ could and maybe should have broken a lesser podcast. But Studio Audience is made of sterner stuff and we bounced back with a vengeance to bring you yet another burst of quick-fire art and design chat. I particularly recommend the fruity Zach Braff Kickstarter discussion in Section Two. Enjoy!
First up in this section we looked at who the Design Museum had picked as this year’s Designers in Residence we wondered why the new Instagram logo hadn’t riled the design community’s comment boards and looked back at last week’s POINT conference in London (at which the full version of the Milton Glaser video above was aired). We also spoke about the recreation of an iconic artists’ canteen for Frieze New York and explored why Grey Spain’s clever ad for a children’s helpline (below) has received so much attention.
First up we picked over the furore surrounding Zach Braff’s decision to launch his new film project on creative crowd funding platform Kickstarter, the backlash to that exemplified in this Vice piece and Zach’s subsequent defence.
And in the second section as tis the season to visit grad shows we looked at what role they play in the contemporary creative scene and looked ahead to our own Grads project.
- Mikey Please takes us behind the scenes, and the backlash, of the Bake Off trailer
- From New York to Springfield, it's Best of the Web
- Taschen releases two volumes of National Geographic’s best photographs from the past 125 years
- Simon Landrein takes Dan Croll down the rabbit hole in his animated video for Tokyo
- Thomas Duffield on photographing his dad’s hidden heroin addiction
- Parker Day's lurid colours and grotesque characters elevate identity and fantasy (NSFW)
- Hate the iPhone X notch? There’s an app for that
- Lisa Simpson’s bookshelf: from the curator of Instagram’s Simpsons Library
- Biplab Hazra’s photo of elephants being attacked by mob wins Sanctuary prize
- Michael Bierut: 13 ways of looking at a typeface
- Uncle Ginger uses hypnotic shapes to animate the facts and feelings of bipolar disorder
- Michel Gondry’s John Lewis Christmas advert – Moz the Monster – is unveiled