I was lucky enough to visit Istanbul for its inaugural design biennale back in 2012 and although I was blown away by its creative scene, I didn’t come across too much graphic design. Rummaging through Studio Sarp Sozdinler’s website this week, I had the nagging feeling that I might have missed out.
Sarp studied in Vienna and has worked at various studios, learning from some of the best along the way (last year he interned at Base Design in Brussels, next year he heads to NYC to work at Sagmeister & Walsh). His own studio takes on books, posters, magazines, websites, exhibitions, product design, signage systems, film art direction, custom typefaces and visual identities, and if that wasn’t enough Sarp also founded the type foundry 383C, the experimental music practice EATING POMEGRANATES and the publishing imprint EDITIONS INÉDITS.
His portfolio is a treasure trove of interesting work but we’ve chosen to focus on his poster design from the past couple of years; strong, communicative and often powerful pieces that point to a designer whose craft is evolving at pace.
- Minet Kim’s illustrations explore the unconscious through symbols and colour
- Kay Kwon’s graphic design practice arose from his love of rock and hip-hop music
- Sam Gregg's latest work uses photography to rediscover his hometown of London
- Joel Evey tests the visual boundaries of Gap through his “under-the-radar” work
- Madelynn Mae Green’s paintings explore themes of memory, family and domesticity
- Department of New Realities on using VR and AR to give pixels personality
- Get ready for 230 new emojis to confuse your mum with
- Netflix rolls out brand new ident for all its original material
- David Rothenberg discusses his unique portraits of the passengers of planes
- Photographer Nick Turpin captures cars bathed in the lights of Piccadilly Circus
- Byun Young Geun likens illustration to “looking into a mirror”
- Naranjo-Etxeberria designs an identity aiming to cause impact at first glance