I was lucky enough to visit Istanbul for its inaugural design biennale back in 2012 and although I was blown away by its creative scene, I didn’t come across too much graphic design. Rummaging through Studio Sarp Sozdinler’s website this week, I had the nagging feeling that I might have missed out.
Sarp studied in Vienna and has worked at various studios, learning from some of the best along the way (last year he interned at Base Design in Brussels, next year he heads to NYC to work at Sagmeister & Walsh). His own studio takes on books, posters, magazines, websites, exhibitions, product design, signage systems, film art direction, custom typefaces and visual identities, and if that wasn’t enough Sarp also founded the type foundry 383C, the experimental music practice EATING POMEGRANATES and the publishing imprint EDITIONS INÉDITS.
His portfolio is a treasure trove of interesting work but we’ve chosen to focus on his poster design from the past couple of years; strong, communicative and often powerful pieces that point to a designer whose craft is evolving at pace.
- Pedro Destefani explores the relationship between Stan Smith the man and the brand
- Xiaopeng Yuan reinterprets the Chinese fable, The Butterfly Lovers, in a series for Télévision magazine
- Creativity and control: Stanley Kubrick's obsessiveness and the meticulous films it produced
- Oscar Maia translates the essence of his native Porto into a new publication
- Louise Bonnet paints exaggerated bodies as symbols of melancholy and loneliness
- Mathieu Larone illustrates the "elusive liminal space between the cryptic and the understandable"
- Pornhub decides to try out beesexuality with new awareness campaign
- “The time just feels right”: Stuart Brumfitt and Mirko Borsche, editor and designer of The Face, on its relaunch
- Graphic designer Shao Nian's portfolio ranges from academic publishing to experimental magazines
- Daniel Gebhart de Koekkoek recreates the ingenious yet useless inventions of Chindōgu
- The Washington Post's climate change issue features 24 equally important covers
- Philip Gerald's lowbrow, crude paintings are a reflection of his views on the art world