I was lucky enough to visit Istanbul for its inaugural design biennale back in 2012 and although I was blown away by its creative scene, I didn’t come across too much graphic design. Rummaging through Studio Sarp Sozdinler’s website this week, I had the nagging feeling that I might have missed out.
Sarp studied in Vienna and has worked at various studios, learning from some of the best along the way (last year he interned at Base Design in Brussels, next year he heads to NYC to work at Sagmeister & Walsh). His own studio takes on books, posters, magazines, websites, exhibitions, product design, signage systems, film art direction, custom typefaces and visual identities, and if that wasn’t enough Sarp also founded the type foundry 383C, the experimental music practice EATING POMEGRANATES and the publishing imprint EDITIONS INÉDITS.
His portfolio is a treasure trove of interesting work but we’ve chosen to focus on his poster design from the past couple of years; strong, communicative and often powerful pieces that point to a designer whose craft is evolving at pace.
- Ioanna Sakellaraki explores Greece’s last professional mourners and their rituals around death
- Catalog Press is questioning what a book can be (and maybe it's made of cheese)
- Floriane Rousselot's digital platform Typelab supports and champions the work of young designers
- Photographer Theo Cottle tries to “keep an element of truth” in everything he shoots
- “Stay simple and playful”: Arnaud Aubry talks to us about making his fun and charming work
- Théophile Bartz on his fantastically hypnotic illustrations
- Led By Donkeys is crowdfunding £50,000 for “honest” No Deal Brexit ad campaign
- Taschen’s recent release celebrates “the greatest cat photographer of the 20th Century”
- Introducing the It’s Nice That Graduates of 2019!
- Suzy Chan’s portfolio boasts original graphic design, animation, typography and so much more
- Stefanie Tam’s graphic design grounds conceptual thinking in compelling visuals
- The Advertising Standards Authority has banned its first ads for “harmful” gender stereotyping