Madrid-based studio Tata&Friends has worked with Medialab Prado on its new identity. Medialab Prado is an I+D department for the citizenship. It’s a public entity that does research and builds solutions to improve communities through human-centred design and open source technologies. The organisation is structured as laboratories, each one dedicated to a topic of research including audio and video, biotechnology and democratic participation among others.
Tata&Friends’ initial brief was to create six different identities for each lab. “But after the initial interviews, we understood the real need was to simplify its communications and outputs, having too many identities would just dilute and weaken its message,” explains the studio. “What we proposed was to build a system that unifies all of Medialab’s communications and to build a scalable system that allows each lab to be unique but speaking the same visual language.”
The scalable system was used for naming, icons, colouring and creating patterns for the existing laboratories as well as future ones. “One of the main values is inclusivity, so we decided the design has to be as simple as possible and easy to update and create new events. Following their principles, anyone should be able to do it,” says Tata&Friends. The result is a plural identity that not only distinguishes each lab, also unifies the organisation as a whole.
Each lab has its own bright colour and the typography is an open font. “We did extensive research about open fonts and one of the challenges was to find one that transmits this modern approach, and also technically very well structured. We found that the font Chivo by Omnibus-Type, which was amazing to represent these values – it’s a sans with a technological touch that fits perfect for the voice of the centre,” says Tata&Friends. The simply geometric patterns applied to the identity acts as a symbol for community and collaboration. “A dotted grid was the base for all patterns, we played to create a pattern for each lab, and manages to set the rules for new ones,” the studio explains.
The identity relates to the work of Tata&Friends as a whole, where for every project it aims to “transmit the essence as simple as possible” avoiding anything overly decorative, working hard instead to be legible and honest with a solid concept. “We try to achieve a balance between function and emotions,” says Tata&Friends.
- Rosie Matheson’s series, Boys, explores the nuanced nature of modern masculinity
- Heavyweight Foundry on its pragmatic yet inventive approach to typography
- Illustrator Tim Lahan’s latest zine is an “ode to being self-destructive”
- Photographer Nick Ballon's series is a portrait of Bolivia’s second largest city and its people
- Photographer Olivier Degorce's new book lets you snoop in strangers' fridges
- Clean it, beach: Reto Schmid's new fashion series shines light on the plastic waste problem
- Custom Typefaces: are they worth the hype?
- Designer Marc Armand on graphically interpreting the French football team’s kit ahead of the World Cup
- Bonjour Garçon combines photography and graphic design to make "strong and delicate" work
- Iconic film poster designer and illustrator Bill Gold has died aged 97
- "Football's Bayeux Tapestry": behind the scenes of the embroidered BBC World Cup trailer animation
- Matt Groening reveals characters from new animated series Disenchantment (well, partially…)