As the summer begins to disappear and drift into a concept that seems only make-believe, September is a month full of confusion and uncertainty. But fear not, we have a great selection of post that came through our letterbox to clear the air and make you feel like everything will be ok. From insightful illustrations that show you the best ways to photograph your asshole, through to a 302 page book about space travel, a zine dedicated to belly buttons and a collection of life’s phrases that we got heavily wrong throughout most our life; it’s a varied selection to say the least. Here’s the best of September’s Things.
Cakeboy, Issue Four
The latest issue of Cakeboy magazine is jaw-droppingly excellent. Themed around ‘sexual agency’, each page is filled with dynamic graphics, artwork, text and photography that examines the balance between “soft and hard”, “limp and rarin’ to go”, and cleverly delves into ideas surrounding sex and sexuality. Explicit, raunchy, educational and full of love: editor Sean Santiago has crafted a fine specimen with contributors such as Douglas Cornwall III, Dustin Elliot, Theda Hammel, Charles Ludeke, Florian Joahn and many more. Inside the “table of cocktents”, you’ll find features such as 37 Affordable Summer Wedding Ideas You Can Go Fuck Yourself With, plus a well-defined illustrated guide to shooting your own asshole — “Bottoms up, indeed.”
The Genius of Football
Next up is a zine that explores ten of the greatest footballing legends through typography — a controversial topic, one that sparks debate, divides opinions through young and old. But in these pages are some of the most iconic players gracing the earth’s green carpet, all thanks to their pure natural ability to put foot to ball. “Whichever your preference for a top ten, it cannot be denied that the players in this book are worthy of the title ‘genius’ when it comes to the game of football”, says the magazine. Combined with characteristic typography that reflects the individual player, this is a publication for all you footy heads to wrap your boot around — whoever your top ten might be.
Finders Keepers Leaders
“Should there be a space race to mine asteroids?” asks this publication dedicated purely to space travel. What’s great about this hefty book is the attention to detail: expect to find a radio transmitted conversation in space, definitions of ‘Rare Earths’, ‘Nickel and ‘Platinum’, plus a graphically illustrated guide to the best-priced spaceship parts considerably marked with a five-star rating. A bold and retro typeface is scattered carefully across the pages, with black and white thematic designs that definitely transcends its readers into the outer depths of space. It’s a corker!
With a blank design on the cover, as you open up this publication you’ll soon discover that it’s full of surprises. As one of the hardest publications to photograph — and to do it any justice whatsoever — the pages open up as a never-ending (sort of) illustrated poem of wagons sitting at a station. Designer Malgorzata Gurowska and journalist Joanna Ruszczyk created a graphic reinterpretation of one of the most famous Polish poems for children, The Locomotive by Julian Tuwim. Bringing forward political commentary, inequality and social justice, their version presents railway wagons “full of Jews, aggressive football fans, soldiers, gays and lesbians, animals, as well as inanimate objects”, and challenge ideas such as national identity, racism and anti-Semitism.
Somesuch Stories, Issue Three
The most recent issue of Somesuch Stories is centred around ideas of disorientation, orientation and reorientation. Exploring these themes through writing, 11 pieces in total, the mixture of essays and short stories offer up a beautiful and contemplative selection of content. As a hugely relevant topic, each piece stems “from palpable confusion following geopolitical upheavals, mixed with concerns about the unpredictability of our collective future”. Our particular favourite is a piece written by Josie Thaddeus-Johns titled In Search of Virtual Synaesthesia, and of course the section where the book’s text imposes a disjointing but fantastic 180 degree flip.
Zhang Liang (Ray)
We we’re delighted to receive a collection of posters from illustrator Zhang Liang — also known as Ray — that signify his classically bold, vibrant and well-executed cartoons we’ve all grown to love. “Kiss my Airs” is written across one of his extravagant character’s hats who, with a Nike Air Max for a face, dances profusely in, surprisingly, Nike Air Max’s. Another depicts a beaten moon, galavanting in space with a trainer imploding into his eye — he seems to like it though. A satirical mockery, for sure, but these acid-coloured illustrations are pieces of work that laugh in the face of those who take themselves too seriously, and probably those who wear Nike Air Max trainers.
Ink Zine, Issue One
As the first iteration of the quarterly zine, Ink, this publication aims to showcase the latest talent of Hugers. What’s Hugers, you ask? It’s “the work that we create when not at work, the personal pursuits that inform and inspire our professional ones. It’s not for a client, it’s not for the company. It’s for us”. Themed around ‘proof’, such as the “proof of concept, an evidence of effort, a starting point”, the newspaper-style zine features a lovely selection of creatives, such as Adam Stubbs, Alisha Western, Ana Vasquez, Donald Judo, Yisha Zhou and many others. Ink serves as a nice reminder to keep yourself busy doing the creative things you enjoy — which we think is a great ethos to stand by.
Ella Greatorex: Umbilicus and Things I Thought But Was Wrong
Firstly, here’s a pretty self-explanatory publication that revolves around the photographic display of belly buttons. Small ones, big ones, innie ones, outie ones and the ones that sit somewhere in-between. Hairy ones, bare ones — all kinds of belly buttons grace the papers of Umbilicus in every shape and colour. It’s quite revolting, but there’s also something quite fascinating about this one.
Things I Thought But Was Wrong is similar on levels of wit and charm, as it curates a collection of illustrations sat alongside those phrases, quotes and sayings that we got horrendously wrong (and didn’t know were wrong for an awkwardly long period of time). “I thought Jehova’s Witnesses had something to do with bread”, says Tom from London on the opening page. After forming a message thread and selectively picking the best, Ella’s “only prerequisite was that the submissions had to have been thought into adulthood… My favourite part of this dialogue was when people began responding to other people’s submissions — ‘What!? That isn’t true?’. This was perfectly delightful”.
Post is a new monthly zine by Hi Bye Studio that’s fittingly displayed on both sides of an A3 poster. Each month, the team will interview a different creative and include a free poster by said artist on the reverse. For their first issue, they’ve pleasantly introduced themselves: formed of Holly St Claire and Lily Kong, two recent graduates from Camberwell College of Arts, they both “wanted to form a collective that uses art and design to prompt debate, conversation and thought on the issues that are important to us”. With a simple and expressive illustration by Lily on the back, mixed with the zine’s bold, fractured graphics, this poster ticked all our boxes here in the office.
Double Dot Magazine, Issue Nine
The latest issue of Double Dot Magazine hasn’t disappointed; as each issue explores the cultural and creative relationship between sister cities, and where they part and collide, this issue brings forth Brussels and Moscow as the subjects in play. “The modern concept of Sister Cities, conceived after the Second World War in 1947, was intended to foster friendship and understanding between different cultures and between former foes as an act of peace and reconciliation, and to encourage trade and tourism,” writes the magazine. Teamed with clean and crafty design, spots galore and an abundance of artwork, photography and illustrations, everything in this publication reflects a well-executed display of the two locations at hand. One of our favourite comparisons is an illustrative series by Arina Shabanova, titled The Heart of Moscow, and Triumpth by Antoine Orand that illustrates Brussels.
- “To me, being a man just means being yourself”: five creatives share their thoughts on masculinity
- Hexatope: the web-app utilising computational arts to make personalised jewellery
- Lucy Hardcastle on her “most progressive film to date”
- Moby Digg creates grid-based identity for finance company Baugeld Spezialisten
- Typography and National Socialism – the journey of Futura in an era of "reactionary modernity"
- Bleed combines nature and generative art to develop identity for Blank Architects
- Peter Funch has photographed the same people on the same street for nine years
- DBLG and Animade’s cheeky stop-motion animation uses human skin and 3D stamps
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity
- Get to know the fluid work of graphic designer, Steffen Hotel
- Fukt magazine presents the erotic drawings of David Shrigley, Tracy Emin and many more
- Poster Girls, an exhibition of 150 female graphic designers opens at London Transport Museum