Last weekend saw the London Art Book Fair ahead of its New York counterpart starting tomorrow, and among the many attractive propositions – for those who, like us, are perfectly placed in the art-book Venn diagram – were the Whitechapel Gallery’s sale of exhibition posters. If art is a mirror on society, then show posters are the very public point at which artists and galleries seek to convince the wider world of that mirror’s significance and so these are fascinating cultural documents.
But they’re also beautiful artefacts, and the design decisions tell us a lot about what these exhibitions from the 1970s, 80s and 90s were trying to say. Some of the posters will also go on sale on the gallery’s website next week – perfect if you missed out first time round.
- Hick Duarte uses his camera to document the plurality of Brazilian youth culture
- Fhuiae Kim explores “the third language” in her calming graphic design works
- Folch designs a typeface embodying the “energetic universe” of acid house
- Illustrator Michael McGregor turns the mundane into something extraordinary
- All together now: Pascale Claude compiles a visual history of the beloved footie record
- “Part-animal, part-household object”: Frédérique Rusch on her wonderfully cryptic illustrations
- “We want to challenge and disturb the audience”: meet graphic design studio Alliage
- Matt Willey leaves The New York Times Magazine and joins Pentagram
- Ikki Kobayashi’s new series investigates the tension between shapes and negative space
- “Perfectly beautiful things don’t attract me”: Heesun Seo on her nontraditional practice
- The Pantone Colour of the Year 2020 makes a statement about peace and communication
- Moleskine’s digital notebook and a visual inventory of Earth win Apple's Apps of the Year