Last weekend saw the London Art Book Fair ahead of its New York counterpart starting tomorrow, and among the many attractive propositions – for those who, like us, are perfectly placed in the art-book Venn diagram – were the Whitechapel Gallery’s sale of exhibition posters. If art is a mirror on society, then show posters are the very public point at which artists and galleries seek to convince the wider world of that mirror’s significance and so these are fascinating cultural documents.
But they’re also beautiful artefacts, and the design decisions tell us a lot about what these exhibitions from the 1970s, 80s and 90s were trying to say. Some of the posters will also go on sale on the gallery’s website next week – perfect if you missed out first time round.
- “What do we want for the future?”: Chloé Wary’s comics are all about female empowerment
- Illustrator Lasse Wandschneider on his abstract and experimental take on the world
- HelloMe celebrates its tenth birthday and reflects on the past decade of design
- Made you look! It's Nice That takes over Coal Drops Yard with Double Take
- Photographer Tommy Keith examines familial life, having been conceived via sperm donation
- “It’s like you’re a doctor in an emergency room. It’s high pressure”: Christoph Niemann on his creative career
- Hit Netflix show Abstract announces the six creatives starring in its second series
- Lego reveals first brand campaign in 30 years, Rebuild the World
- “I always thought Photoshop was a glorified MS paint”: James Lacey on his journey into design
- DixonBaxi launches a new club identity for AC Milan
- Wang Zhi-Hong on his shifting approach of “hiding information” in graphic design
- “We are adamant that our projects pass the test of time”: Principal on its designs for Yoko Ono and Pierre Dorion