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A 3D render of a smooth, grey humanoid face with closed eyes and a slight smile. A thin black border frames the image, with “W+K” and “New York” written in the bottom corners.
A 3D render of a smooth, grey humanoid face with closed eyes and a slight smile. A thin black border frames the image, with “W+K” and “New York” written in the bottom corners.

Yale grad Qiong Li takes us behind the W+K NY Instagram

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Date
14 June 2017

We’ve had one eye on Yale grad Qiong Li for a while now so when the Chinese-born, New York-based creative got in touch, we jumped at the opportunity to find out a bit more about her often cryptic work.

“I have always been interested in graphic design, which maybe started the day when I doodled all over the freshly painted wall of our house when I was a kid, which made my mum really mad,” Qiong began. After studying industrial design at Zhejiang University “where I got lots of chances to have workshops with teachers from different countries” Qiong was able to “see the possibilities in design and the designers.”

“I didn’t really know what graphic design was until I became friends with some designers,” Qiong admits. “After seeing their projects and their perspectives, I got into graphic design. I wanted to learn more about it, so I went to a studio in China after graduation. After working for a while, doing client work and improving my skills, I realised that client work could not really fulfil me and I wanted to have a period time that I could really explore the things that I’m interested in and develop my own body of work.”

To that ends, Qiong applied to the graphic design school of the moment, Yale. “With having a vague idea of developing my own visual methodology, I applied to Yale and got accepted then I came to the US. I graduated last year in 2016, after that, I spent the summer meeting different studios and people with very few feeling right to me until I met with Richard Turley. I felt he might be the right person to work with – the energy, the playfulness and the humour – so I ended up working at Wieden+Kennedy for six months doing lots of videos.”

Wieden+Kennedy New York’s experimental website and Instagram page WKTV describes itself as “content-free content for post-truth survivalists”. WKTV brings together internet art with physical pranks and “Monday mood” memes with office LOLs. Among the videos is Qiong’s avatar, named W+K bad girl. “The video you see is a combination of all the scattered videos – I think there are eight so far – on the internet like those fragmented voices exist on the internet,” Qiong explains. “Bad girl is a collective voice to represent voices from office life, kinda to give you a peep of how the office lives and how people might live at Wieden+Kennedy. It is self-reflective.”

While at Wieden+Kennedy, Qiong also worked on a Times Square billboard project, “for which I wrote some very intimate sentences in multiple languages – it was up there for a month”. As for the near future, Qiong tells us “I plan to teach this summer in New York and after that, of course, gonna spend some time to do some personal projects, and then we’ll see…”

A 3D render of two grey, anatomical feet against a dark background. A thin black frame surrounds the image, with the text “W+K” and “NEW YORK” in the bottom corners.
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Left

Qiong Li

A 3D render of a smooth, grey humanoid torso seen from the side. A thin black frame surrounds the figure, with the text “W+K” and “NEW YORK” at the bottom.
A 3D render of a grey, featureless figure holding their hand up to the camera. At the bottom of the frame, a thin black line contains the text “W+K” and “NEW YORK”.
Above
Left

Qiong Li

A 3D render of a smooth, featureless silver head and neck. Bold black text laid over the figure reads “W+K bad girl”, with “New York” written in smaller letters at the bottom right.
A colourful poster for a performance event features five abstract, geometric figures with eyes and scribbled black limbs. The figures are labelled with names including “Georgia”, “Emel Mathlouthi”, “Julia Holter (solo)”, “Victoria Ruiz (Downtown Boys)” and “Amy Rose Spiegel”. Hand-drawn text curves around the edges, reading “Performance & Conversation”. Details at the bottom right list the date as “June 10 2017” at the “National Sawdust” in Brooklyn.
Above
Left

Qiong Li

A bold red poster for the film “A Bucket of Blood” features a yellow, dripping typeface. A central yellow circle contains a black-and-white image of a distorted face. Text at the bottom reads “The Yale School of Art presents” and lists “Julie and Roger Corman” for a public conversation and screening.
A colourful collage poster featuring the words “GET STUCK” in large, bold pink lettering. The text is layered over a chaotic arrangement of 3D shapes, textures and a bright green background. At the top, text reads “Yale University Art Gallery”, “September 4, 2015” and “West Elevator”. The words “IN BETWEEN” appear in spaced-out black letters at the bottom.
Above
Left

Qiong Li

A collage of various 3D objects, including a fish and a gold sculpture, scattered across a white background. Large, red painted crosses are layered over the objects, with a border of repetitive critical phrases such as “This is too much” and “This is too simple”.
A colourful poster featuring abstract red, yellow and green shapes with hand-drawn eyes scattered across them. Text at the bottom reads “ProjectArt QUEENS CENTRAL” alongside a list of summer class dates in 2017.
Above

Qiong Li

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About the Author

Bryony Stone

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Bryony joined It's Nice That as Deputy Editor in August 2016, following roles at Mother, Secret Cinema, LAW, Rollacoaster and Wonderland. She later became Acting Editor at It's Nice That, before leaving in late 2018.

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