Jyni Ong

Behind the mascot, the poster and kits: How the 1990 Italian World Cup flagged a new era for football

Jyni became a staff writer in March 2019 having previously joined the team as an editorial assistant in August 2018. She graduated from The Glasgow School of Art with a degree in Communication Design in 2017 and her previous roles include Glasgow Women’s Library designer in residence and The Glasgow School of Art’s Graduate Illustrator.

jo@itsnicethat.com

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Jyni’s top picks from the past couple of month’s

What’s in store for the future of Arabic visual culture? Archief Cairo on communicating across borders

“I’m not trying to make a statement with my work”: Paul Verdell on how he’s “just here to paint”

Behind the mascot, the poster and kits: How the 1990 Italian World Cup flagged a new era for football

Huruf explores Malaysia’s visual culture and multilingual vernacular through type

Gilbert & George are selling limited edition plates to help feed East London’s most vulnerable residents

Rugs, paintings, posters, calendars, bags and more! What Micke Lindebergh’s been up to lately

Daniel Ballesteros documents California’s redwoods, a species with roots going back 250 million years

Katrijn Oelbrandt plays with the grid systems of sticker packs in an innovative tactile twist

Is this what the end of the world looks like? Chris Maggio depicts an alternative apocalypse story

To Survive on This Shore spotlights transgender and gender nonconforming older adults through portraiture and interviews

Glorious is a new platform celebrating women’s sport through art and culture

Designed to mirror a physical experience, Oriental Silk documents the first Chinese silk importing business in the US

Hyunmin Kim tells stories through the merging of digital and analogue architectural landscapes

Stefy Loret de Mola graphically visualises cycles of depression, personality types and self-recognition

Riffing off Chinatown staples, Gabrielle Widjaja adds a stylistic spin to reflexology posters, Hongbaos and more

Behind the mascot, the poster and kits: How the 1990 Italian World Cup flagged a new era for football

What’s in store for the future of Arabic visual culture? Archief Cairo on communicating across borders

Susan Meiselas’s new book Eyes Open features 23 photography projects for curious kids

Explore the black and white streets of Hey Mady, where you never know which way the story will turn

Huruf explores Malaysia’s visual culture and multilingual vernacular through type

Here.Us.Now sheds light on the importance of London’s social housing amidst the city’s rapid gentrification

“I’m not trying to make a statement with my work”: Paul Verdell on how he’s “just here to paint”

Coco Capitán and OK-RM discuss the making of the artist’s new book, Naïvy

How similar do font family resemblances need to be? Character Type on its NewsSerif typeface

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