Jyni Ong

Behind the mascot, the poster and kits: How the 1990 Italian World Cup flagged a new era for football

Jyni joined It’s Nice That as an editorial assistant in August 2018 after graduating from The Glasgow School of Art’s Communication Design degree. In March 2019 she became a staff writer and in June 2021, she was made associate editor. Feel free to drop Jyni a note if you have an exciting story for the site.

jo@itsnicethat.com

Jyni’s top picks from the past couple of month’s

Sadomasochism, forniphilia, female domination and body positivity: Explore the fantasies of Namio Harukawa (NSFW)

6 July 2021

Work
Art
...

Graphic designer Lana Soufeh goes back to her roots in a creative exploration of Arabic type-led design

22 June 2021

With a love of traditional East Asian processes, Meu Teng explains how painting becomes a form of entertainment

14 days ago

Preserving Syrian design history and graphics in the Arab world: Meet the Syrian Design Archive

11 May 2021

All 1072 articles

A Girl Who’s Afraid of Touching People is Liang-Hsin Huang’s beautifully expressive new animation

4 days ago

Meet the studio where cross-pollinated ideas overlap with a simple visual direction

6 days ago

Navarra on its identity for Glaze, an every day product de-stigmatising cannabis from “stoner culture”

10 days ago

A new design magazine spotlights 70 designers from 14 countries in the MENA region

12 days ago

With a love of traditional East Asian processes, Meu Teng explains how painting becomes a form of entertainment

14 days ago

Everything you need to know when entering the creative industry

12 July 2021

This book by Yorgo&Co. explores Google’s Jacquard interactive technology

9 July 2021

The cover of Viktor Hachmang’s Bestiarium gives an impression of one kind of story, but the reality is very different

7 July 2021

How confidence can aid your progression in the industry: Four designers discuss how they’ve developed their self-belief

7 July 2021

Sadomasochism, forniphilia, female domination and body positivity: Explore the fantasies of Namio Harukawa (NSFW)

6 July 2021

Work
Art
...

Understanding a place or idea: Assemble co-founder Maria Lisogorskaya on how storytelling shapes its work

29 June 2021

Capturing an honest moment instead of the “perfect image”, Wendy Huynh tells the stories of ESEA women

24 June 2021

A news-type publication with a curious twist: The Lemming and its feast of illustrative content

22 June 2021

Graphic designer Lana Soufeh goes back to her roots in a creative exploration of Arabic type-led design

22 June 2021

Raphaël de la Morinerie on understanding the codes that form our visual culture

21 June 2021

An insight into one of the most extraordinary places on earth, Amazônia highlights the rainforest’s degradation

17 June 2021

The soothing works of Fatchurofi and how he achieves introspection through illustration

17 June 2021

“I want viewers to see us”: Dean Majd on the importance of portraying Palestinians in a positive light

16 June 2021

Evie O’Connor shows the emptiness of affluence in her latest critique of class structures

14 June 2021

Work
Art
...

Zhenya Rynzhuk on the digital design decisions behind the interactive Covid Art Museum

10 June 2021

Work
Art
...

Jyni’s top picks from the past couple of month’s

Sadomasochism, forniphilia, female domination and body positivity: Explore the fantasies of Namio Harukawa (NSFW)

Graphic designer Lana Soufeh goes back to her roots in a creative exploration of Arabic type-led design

With a love of traditional East Asian processes, Meu Teng explains how painting becomes a form of entertainment

Preserving Syrian design history and graphics in the Arab world: Meet the Syrian Design Archive

A Girl Who’s Afraid of Touching People is Liang-Hsin Huang’s beautifully expressive new animation

Meet the studio where cross-pollinated ideas overlap with a simple visual direction

Navarra on its identity for Glaze, an every day product de-stigmatising cannabis from “stoner culture”

A new design magazine spotlights 70 designers from 14 countries in the MENA region

With a love of traditional East Asian processes, Meu Teng explains how painting becomes a form of entertainment

Everything you need to know when entering the creative industry

This book by Yorgo&Co. explores Google’s Jacquard interactive technology

The cover of Viktor Hachmang’s Bestiarium gives an impression of one kind of story, but the reality is very different

How confidence can aid your progression in the industry: Four designers discuss how they’ve developed their self-belief

Sadomasochism, forniphilia, female domination and body positivity: Explore the fantasies of Namio Harukawa (NSFW)

Understanding a place or idea: Assemble co-founder Maria Lisogorskaya on how storytelling shapes its work

Capturing an honest moment instead of the “perfect image”, Wendy Huynh tells the stories of ESEA women

A news-type publication with a curious twist: The Lemming and its feast of illustrative content

Graphic designer Lana Soufeh goes back to her roots in a creative exploration of Arabic type-led design

Raphaël de la Morinerie on understanding the codes that form our visual culture

An insight into one of the most extraordinary places on earth, Amazônia highlights the rainforest’s degradation

The soothing works of Fatchurofi and how he achieves introspection through illustration

“I want viewers to see us”: Dean Majd on the importance of portraying Palestinians in a positive light

Evie O’Connor shows the emptiness of affluence in her latest critique of class structures

Zhenya Rynzhuk on the digital design decisions behind the interactive Covid Art Museum

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