Luke Crisell, creative director at shaving brand Harry’s, talks about the fight to break the stereotypes of masculinity prevalent in advertising, following its campaign film, A Man Like You.
Admittedly, the idea wasn’t exactly ground-breaking. A mysterious visitor arrives on Earth, meets a young boy, and they explore a small corner of the world together. What was different was that this was an ad for a grooming company, a category where marketing efforts typically revolve around Fight Club torsos, Chris Pine jawlines, and Emily Ratajkowski girlfriends. Even more unusual was that our lambent visitor was challenging the very stereotypes upon which those ads were built. As A Man Like You progresses and the boy tries to teach his new friend about being a man, he learns that the rules of masculinity that he understood to be true – men should be strong, know about cars, walk with confidence, and so on – are not rules at all. So far, so straightforward, or so you’d think.
At a time when pervasive, harmful stereotypes in advertising are under exceptional scrutiny, now thankfully banned in the U.K. by the Committee for Advertising Practice following a review by the Advertising Standards Authority last summer, our film, which explicitly calls out male gender stereotypes, has sparked breathless conversations online. Comments cover both sides of the spectrum: “Beautiful. It shows you don’t have to be a macho asshole to be a man,” one YouTuber posted, while another declared the video “Soyboy propaganda.” We’re thrilled it’s provoked so much debate because the question it asks, “What does it mean to be a man today?” is the fulcrum of everything we do.
The idea that a man has to be the breadwinner, be in control, be stalwart, is as outdated as the idea that a woman should be nurturing, modest, empathetic. And the fact that even writing the last clause of that sentence is painful should be testament to the fact that it’s time for brands, for advertising, to catch up with society. Masculinity is messy and complex and it deserves to be treated with fine-pointed nuance, not with the broad strokes that lead to caricatures, which in turn lead to, in the worst cases, domestic violence and suicide (on average, men die by suicide 3.5 times more than women). As Ella Smillie, a regulatory policy executive at the Committee for Advertising Practice put it: "Some gender stereotypes in ads can contribute to harm for adults and children by limiting how people see themselves, how others see them, and potentially restrict the life decisions they take.”
When you think about it, it’s no surprise that gender stereotypes, in advertising as in life, are limiting: They’re not based on a reality that most of us can identify with. But the problem is, we’re not thinking about it enough. All day, every day, we’re confronted with stereotypes large and small, subtle and overt: in the media, in entertainment, in advertising, in politics. It’s a normalisation of extremes that can allow “micro aggressions” to become actual aggressions, and which gives rise to the kind of environment where “locker room talk” becomes permissible and sexual harassment becomes institutionalised. We must, now more than ever, do better.
This is not to advocate for an abnegation of traditional male “virtues.” Strength, chivalry, responsibility, courtesy… such things must not cease to be considered good and important. There’s nothing wrong with being chivalrous anymore than there’s anything wrong with being strong, or with liking sports or, yes, cars. But you can be chivalrous and nurturing, strong and vulnerable. As men, our identities are made up of what are presented to us, from childhood, as opposing forces: be masculine, not feminine. Be tough, not weak. Be this, not that. The key, the future even, is in the balance.
For us, this film is the most substantial incarnation of a brand positioning almost two years in the making. We conducted hours of interviews with real guys across the U.K. and the U.S. and have arrived at a place which, we believe, reflects the reality of our customer and his values. We’re proud to see it out in the world, catalysing conversations. We’re not claiming to blaze a trail here. We recognise the amazing work being done by men and women around the world on the topic and we’re delighted to be contributing to a conversation that has been percolating for years and that now seems to be getting louder by the day. Eight years ago at a TEDWomen conference, educator, activist, and author Tony Porter, in his now-famous talk, A Call to Men, identified a “man Box,” in which, he said, men are trapped. He ends his rousing ten-minute call to action: “I said to a nine-year-old boy, ‘What would life would be like if you didn’t have to adhere to this man box?’ And he said to me, ‘I would be free.’”
The other night, we were lucky enough to host Tony Porter on a panel we hosted in New York City with the Washington Post, where the question “What does it mean to be a man?” was debated. It was a lively, interesting discussion but you couldn’t help but notice that Porter looked decidedly weary. He’s been saying this stuff – to the NFL, the NHL, the MLS, the MLB, the military, and many other groups for almost a decade. It’s time we all started listening.
- Jocelyn Lee's first UK solo exhibition surveys The Appearance of Things (NSFW)
- Okobo is photographer William Ukoh's mesmerising tribute to his grandparents
- Alex Norris tells the story of his "Oh No" comics and its “badly drawn blob” star
- Seung-Gu Kim creates Lowry-style photographs of South Korean holidays
- Baptiste Bernazeau draws on a degenerating building complex for his latest typeface
- Fish by Osma Harvilahti is a romantic interpretation of the Japanese fishing industry
- Bad week for art world as Jeff Koons piece is smashed and imitation Happy Meal thrown away
- Pentagram rebrands Battersea dogs and cats home to visualise "personality over sentiment"
- Craig Oldham dishes out brutally honest advice to new graphic designers
- Fight the midweek blues with Andrea Locci's cheeky illustration series SneakerSutra
- ManvsMachine create its most ambitious campaign for Air Max Day yet
- Rektorat: a type family adapted from letterings discovered during a renovation