The Design Museum in London has announced details of its forthcoming exhibition Hope to Nope: Graphics and Politics 2008-18. The exhibition will examine the political graphic design of the past decade through artefacts ranging from traditional posters and banners to the rise of digital media and social networks that have extended the reach and changed the nature of protest.
Political events such as the 2008 financial crash; the Obama presidency; the Arab Spring; the Occupy movement; the Deepwater Horizon oil spill; the Charlie Hebdo attacks; Brexit and Trump will be featured in the show curated by the Design Museum and Graphic Design&.
“Taking a politically impartial view of such events, the exhibition demonstrates graphic design’s role in influencing opinion, provoking debate and driving activism,” says the museum. “It explores the trajectory from ‘Hope’ to ‘Nope’, as represented by the iconic Barack Obama Hope poster by Shepard Fairey and the many imitations that followed, including the Donald Trump Nope meme. The exhibition demonstrates how technology and graphic design are weapons wielded by the powerful and the marginalised alike.”
The show is divided into three sections: Power, Protest and Personality, that are unified by a large graphic timeline that will dissect the gallery charting the role of new communication technologies such as social media in global events over the past decade.
Power will explore how graphic design is used by the establishment to assert national and political authority, and how that iconography can be subverted by activists and opponents. Protest, the largest part of the exhibition, displays graphic design by activists and demonstrators as well as the role played by graphic design in the channelling of anger and crediting solidarity. Finally, Personality examines the graphic representation of leading political figures and the organisations such as Anonymous which protects individual identities.
It’s Nice That is media partner for Hope to Nope: Graphics and Politics 2008-18 which opens at the Design Museum, London on 28 March.
- Ioanna Sakellaraki explores Greece’s last professional mourners and their rituals around death
- Catalog Press is questioning what a book can be (and maybe it's made of cheese)
- Floriane Rousselot's digital platform Typelab supports and champions the work of young designers
- Photographer Theo Cottle tries to “keep an element of truth” in everything he shoots
- “Stay simple and playful”: Arnaud Aubry talks to us about making his fun and charming work
- Théophile Bartz on his fantastically hypnotic illustrations
- Led By Donkeys is crowdfunding £50,000 for “honest” No Deal Brexit ad campaign
- Taschen’s recent release celebrates “the greatest cat photographer of the 20th Century”
- Introducing the It’s Nice That Graduates of 2019!
- Suzy Chan’s portfolio boasts original graphic design, animation, typography and so much more
- Stefanie Tam’s graphic design grounds conceptual thinking in compelling visuals
- The Advertising Standards Authority has banned its first ads for “harmful” gender stereotyping