IBM has launched its own bespoke, corporate typeface, IBM Plex, which aims to echo Paul Rand’s iconic eight-bar logo in being inspired by the convergence of “man and machine”. Led by executive creative director of brand experience and design, Mike Abbink, an in-house team developed the typeface to replace Helvetica in all the company’s visual communication.
The decision to create the “new Helvetica”, Mike says, grew from wanting to better reflect the company’s personality – though it has the added benefit of saving the company $1million a year in licensing fees to Monotype for Neue Helvetica.
“When I came to IBM it was a big discussion,” Mike says in a film released by the company. “Why does IBM not have a bespoke typeface, why are we still clinging on to Helvetica? The way we speak to people – is that still the right way to express ourselves?
“We should really design a typeface that reflects some of our belief system, and make it relevant to people now. Helvetica is a child of a particular set of modernist thinking, that’s gone today. So what’s next? How do you go about creating a typeface that’s innately IBM.”
IBM Plex, Mike says, better reflects the brand’s history, which he believes is vital to keep alive. “All the history and foundation behind [the company’s design ethos] gets watered down if you’re not rooted in it.”
The design team looked back through the company’s history, where a common theme of “man and machine” was always part of its design thinking. This is evident in Paul Rand’s IBM logo, Mike says, where the contrast of engineered and humanist design can be seen in the three letters – for example in the rounded outer edges and square inner of the ‘B’.
In the typeface, this concept manifested in a balance of “natural, man-made typographical choices with things that felt machined, engineered and rational” he says.
The typeface is free, open-source and currently in beta for development. It will be available in 110 languages, serif and sans serif versions and eight weights.
- Malika Favre talks about studying engineering, her first job and tight deadlines from The New Yorker
- Say what you see, it’s Best of the Web!
- The art of plane watching captured by Mindaugas Kavaliauskas
- Friday Mixtape: escape from the world with Xenoula's ethereal mix
- Towers of Thanks: Res photographs their mother's life working for Donald Trump
- A world of pain: Sixteen Journal's latest issue
- Parker Day's lurid colours and grotesque characters elevate identity and fantasy (NSFW)
- Paper reveals Break the Internet take two, with Nicki Minaj shot by Ellen von Unwerth
- Bea de Giacomo photographs the wonders of pregnancy
- Matthieu Lavanchy recreates food emojis "irl" for The Gourmand's tenth issue
- Introducing Broccoli, the publication “normalising cannabis use, especially for women”
- One Step Ahead: we meet Paula Scher, the trailblazing Pentagram Partner