IBM’s bespoke corporate typeface aims to convey ideas of “man and machine”
IBM has launched its own bespoke, corporate typeface, IBM Plex, which aims to echo Paul Rand’s iconic eight-bar logo in being inspired by the convergence of “man and machine”. Led by executive creative director of brand experience and design, Mike Abbink, an in-house team developed the typeface to replace Helvetica in all the company’s visual communication.
The decision to create the “new Helvetica”, Mike says, grew from wanting to better reflect the company’s personality – though it has the added benefit of saving the company $1million a year in licensing fees to Monotype for Neue Helvetica.
“When I came to IBM it was a big discussion,” Mike says in a film released by the company. “Why does IBM not have a bespoke typeface, why are we still clinging on to Helvetica? The way we speak to people – is that still the right way to express ourselves?
“We should really design a typeface that reflects some of our belief system, and make it relevant to people now. Helvetica is a child of a particular set of modernist thinking, that’s gone today. So what’s next? How do you go about creating a typeface that’s innately IBM.”
IBM Plex, Mike says, better reflects the brand’s history, which he believes is vital to keep alive. “All the history and foundation behind [the company’s design ethos] gets watered down if you’re not rooted in it.”
The design team looked back through the company’s history, where a common theme of “man and machine” was always part of its design thinking. This is evident in Paul Rand’s IBM logo, Mike says, where the contrast of engineered and humanist design can be seen in the three letters – for example in the rounded outer edges and square inner of the ‘B’.
In the typeface, this concept manifested in a balance of “natural, man-made typographical choices with things that felt machined, engineered and rational” he says.
The typeface is free, open-source and currently in beta for development. It will be available in 110 languages, serif and sans serif versions and eight weights.
- Meet Grace Wilson’s cast of charming – and amazingly lifelike – ceramic characters
- “I try to cut out anything that is pretentious”: meet graphic designer Niklas Sagebiel
- Inkee Wang’s illustrations zing with bold colour and personality
- “It’s like the Super Bowl of competitive eating”: Adam Powell captures America’s most famous Hot Dog Contest
- Andrew Kung’s photography series challenges the stereotypes of Asian American men
- Gabriel Barbu on his experimental portfolio of printed delights
- Pornhub tackles sea pollution in its “Dirtiest Porn Ever” campaign
- Spotify visualises how fans are listening to new Bon Iver album through interactive website
- Netflix’s art and design documentary series Abstract returns for a second season
- A pop-up Heinz Beanz Muzeum opens in London with a toast tunnel and bean ball pool
- Animator Matthieu Braccini creates 15 hypnotic GIFs for McDonald’s France
- Graphic designer Johanna Lundberg values constant collaboration over the latest trends




























