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V&A announces shortlist for its Illustration Awards 2018

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Date
17 April 2018
An illustration of a person with long dark hair curled up on a pink mat. They look distressed while holding a smartphone, surrounded by several floating thumbs-up icons.
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Calum Heath

A celebration of the best book, editorial and student illustrations published over the last year, the V&A illustration awards are a major date in the calendar of any illustrator. Today sees the announcement of the award’s shortlist, which is both wide in scope and ambitious in imagination. From a dystopian interpretation of the Vatican to a moving depiction of cyber-bullying, this year’s shortlist is just as sharp and impressive as ever.

The winning published entries will be judged by Frank Skinner, Tristram Hunt and Sally Hales, while on the student illustrator of the year award’s judging panel is A. Richard Allen (last year’s award recipient) and Martin Colyer.

The award is comprised of four categories – best illustrated book, book cover design, editorial illustration and student illustrator. Each will receive £3000 and a trophy, and the overall winner will receive an additional £5000 and be honoured with the Moira Gemmill Illustrator of the Year Prize, named in memory of the late former director of design at the museum.

Read on below for the full 2018 shortlist, and take a look at the impressive work of those that snagged a place on it this year.

2018 Student Illustrator of the Year
Alva Skog, Central Saint Martins, BA Graphic Design (Illustration): The Explorer, The Thinker and The Leader
Emily Hill, Royal Drawing School Postgraduate programme: The Diamond Primary School Days
Fay Troote, Arts University Bournemouth, BA Illustration: The Diving Pool
Joseph Namara Hollis, Anglia Ruskin University, MA Children’s Book Illustration: The Big City
Sinae Park, Norwich University of the Arts, BA Illustration: Orlando

Book Illustration
Benji Davies for The Grotlyn (London: Harper Collins Children’s Books, 2017)
Jason Brooks for New York Sketchbook (London: Laurence King, 2017)
John Vernon Lord for Ulysses (London: The Folio Society, 2017)

Book Cover Design
Suzanne Dean for Bluets (Penguin Random House, 2017)
Will Web for Anquetil, Alone (Pursuit Books, 2017)

Editorial Illustration
Calum Heath for Cyber Bullying, published in Vice
Cat O’Neil for RSA Benefits, published in Libération
Martin O’Neill for Virtual Vatican, published in Garage Magazine

An illustration of a person wearing a red top, sitting with their legs spread and hands resting on their knees. They are set against a soft, watercolour background of peach, yellow and green.
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Alva Skog

An illustration of a quiet, grey-toned street in a town. Various figures populate the scene, including a person in a police uniform and another wearing a pink apron beside a wooden cart.
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Benji Davies

An illustration of three figures standing on a giant calendar grid. One person holds the hand of a child, while another figure lies flat across the dates.
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Cat O’Neil

An illustration of a grey apartment building with a black fire escape running down the front. Various people are visible through the windows, including someone exercising and another working at a laptop. A shopfront at the bottom reads “Draper & Co”.
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Jason Brooks

A complex collage featuring a mix of portraits, typography and surreal imagery. A silhouette of a person with a walking stick stands to the right, while a magnifying glass focuses on a block of text below.
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John Vernon

An illustration of a bustling, whimsical city street in shades of yellow and pink. Small figures and animals populate the scene, with a small pool and a white car in the foreground.
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Joseph Namara Hollis

A drawing of a chaotic interior scene in red, blue and green. A person in a green sweater hangs from the ceiling on the right, while another figure leans over a red wall on the left.
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Emily Hill

The full cover of a book titled “The Diving Pool” by Yoko Ogawa. The artwork features a black-and-white image of ink swirling in water, creating organic, smoke-like shapes.
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Fay Troote

A painting of a pale, textured face with a bold red smudge for a mouth, set against a black background. Below the figure, handwritten text reads “Orlando” and “Virginia Woolf”.
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Sinae Park

A complex digital collage set within a golden, ornate cathedral. A central figure wearing a red miter and jewelled robes is surrounded by cherubs, celestial bodies and geometric patterns.
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Martin O’Neil

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About the Author

Laura Isabella

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