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The Washington Post talk us through the redesign of its weekly magazine

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Date
3 October 2018
A donkey wearing a blue halter is shown in profile against a pale blue background. Bold text to the right reads “Who Will Lead the Democrats?” followed by a shorter sub-headline.
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The Washington Post/The Weekly Post Magazine

The Washington Post has been a major daily American newspaper since its inception in December 1877. You might remember that Jeff Bezos — Amazon owner and the richest man on the planet — paid $250 million in cash for the publication in 2013. Yesterday, 2 October 2018, it announced an overhaul of its weekly offering, The Post Magazine.

Both the print and digital editions of the magazine have been affected by the design decision. The three main features of the re-rub include an expansion of the Postoni family of typefaces they use both in print and online, the introduction of a rotating cast of eight artists who will produce weekly Washington-related illustrations, and a new photo feature called Outtake, which will “showcase a full-spread, Washington-based photo that is extremely visually striking, along with an expanded caption.”

The first issue of the redesigned magazine arrives in the mailboxes of a few hundred thousand Americans on Sunday 7 October, and will feature a cover story by Post chief political correspondent Dan Balz on the state of the Democratic Party as it begins to look ahead to 2020.

“Great design should be one of the key building blocks of a strong physical publication. It gives the first impression of the magazine’s priorities, focus and voice,” says the Post’s design director, Suzette Moyer when It’s Nice That asks if good design can make all the difference in an increasingly competitive print market.

Suzette goes on to add that, “a creative visual presentation has to be married with captivating stories and smart headlines. For these elements to jell on a weekly basis at The Washington Post Magazine, we have to constantly be searching for creative approaches and solutions so we evoke a reaction from our readers.”

She also believes that, “a good design carries you through the entire product – finding moments to step to the forefront and moments to get out of the way. The complete experience should entice a reader to want to go through the effort of picking up the next physical issue.”

The cover of The Washington Post Magazine from 7 October 2018. A brown donkey lies asleep on a textured blue fabric backdrop, surrounded by a few stray pieces of straw. Bold white text in the bottom right reads “Will the Democrats Wake Up Before 2020?”.
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The Washington Post/The Weekly Post Magazine

A two-page magazine spread featuring black and white street photography. The left page has a yellow header with the title “In the Moment” and a photo of a child in a white dress crossing a street. The right page shows a person leaning over to attend to someone on the pavement, with a smaller photo of a person in a suit below.
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The Washington Post/The Weekly Post Magazine

A portrait of Chris Christie alongside a magazine interview titled “Chris Christie”. A pull quote in red reads, “[Trump has] been horribly served by the people who are around him...”.
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The Washington Post/The Weekly Post Magazine

An illustration for The Washington Post Magazine dated “10.7.18”. A figure in a yellow suit and helmet emerges from a blue chrysalis, transforming into a large butterfly with black, yellow and pink wings. Below the artwork, a table of contents lists articles including “Who Will Lead the Democrats?” and “American Girl”.
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The Washington Post/The Weekly Post Magazine

An illustrated editorial page titled “Tangent” about the risks of rebranding. It features a mix of hand-drawn figures, including Alexander Hamilton and Aaron Burr, alongside logos for Ihop and Coca-Cola. The page includes a bold red headline that reads “Relaunching our magazine means a fresh start!!” and mentions a “notorious rebranding blooper” regarding the magazine’s “Second Glance” section.
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The Washington Post/The Weekly Post Magazine

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About the Author

Josh Baines

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Josh Baines joined It's Nice That from July 2018 to July 2019 as News Editor, covering new high-profile projects, awards announcements, and everything else in between.

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